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Back catalogue: Funk Soul & Jazz
Juno's full catalogue of Funk Soul & Jazz
シングル
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Review: Maghreb rhythms and Tunisian vocals. The Brussels-based producer has flipped the script on this much-anticipated follow-up, swapping North African sounds and voices for those from the Indian sub-continent (the set was partially recorded in the city of Chennai). While this may surprise some, the basic formula - exotic rhythms created using drum machines, overlaid with a mixture of psychedelic electronics, traditional instrumentation and locally-sourced vocalists - remains as inspiring, heavy and intoxicating as ever. Given that he's pushed the boat out even more musically, Global Control/Immersive Invasion is arguably even better than its brilliant predecessor.
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Cat: 060349 7826612. Rel: 18 Jul 24
Review: Benson's first album since rejoining Warner Music Group earlier this year, it was originally recorded in 1989 but was never released. It features the celebrated composer-arranger Robert Farnon and his orchestra and Farnon's lush arrangements beautifully complement Benson's soulful vocals and fluid guitar work on American standards like 'Autumn Leaves,' 'At Last,' and 'My Romance', as well as reimagined pop classics such as the Beatles' 'Yesterday' and Leon Russell's 'A Song For You.' The album was delayed and subsequently lost until recently rediscovered in Benson's archive and with the help of pianist, composer and arranger Randy Waldman, Benson has revived and remastered the recordings, adding new overdubs and choral arrangements. This release adds a new chapter to Benson's illustrious career, following his tenure with Warner Records from 1976 to 1993, during which he released 12 studio albums, including the triple-platinum Breezin'. Recognised as a jazz master by the National Endowment of the Arts (NEA) in 2009, Benson continues to be a giant in both jazz and contemporary music.
… Read morePlayed by: Juno Recommends Jazz
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Disco To Go
Warship Touchante
Nappy
Birdie
Just Like You
When You're Gone
Amorous
Review: Funkadelic superstar George Clinton knew many a side project as a producer; one was the ingenious, part-cyborg duo, The Brides Of Funkenstein. It was Clinton's idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, The Clones Of Dr Funkenstein. So popular were the brides that Clinton wasted no time in signing them to Atlantic Records; their debut album here followed the rip-roaring fan feedback that ensued from their debut single 'Disco To Go' / 'When You're Gone' in the US. The decision to break the male-fronted P-funk mould was intentional: simply *that many* Clinton instrumentals could not be credited to the man alone. "He's got thousands of tracks. He's got a whole cupboard full of them. He's got enough tracks to keep him in albums for two years," once chimed Mabry. Enchanting each jam with mecha-augmented femme flair, we're urged to be taken to the limit, across a blistering seven, smackout tracks. Mark 'Warship Touchante', the star tune by far: a wonky hi-NRG nutter, splattered with surreal, performative electronic vocal effects.
… Read morePlayed by: Juno Recommends Funk
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Review: Having previously decided to ditch the Chet Faker moniker for a couple of subsequently low-key albums, including last year's digital-only ambient excursion, Musical Silence, Nick Murphy has finally decided to resurrect it. In the process, the Australian artist has gone back to basics, with Hotel Surrender sounding far more like his much-loved 2014 debut, Built on Glass - a massive hit in his home country - then anything else he's recorded since. It was a smart move, because Murphy does synth-heavy, electronica-tinged pop far better than most. As a result, the album is full of confirmed earworms, from the blue-eyed soul of 'Oh Me, Oh My' and the string-drenched swell of 'Whatever Tomorrow', to the flash-friend funk-pop of 'Feel Good' and the Rhodes-clad R&B-soul of 'In Too Deep'.
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COCO MARIA / VARIOUS
Club Coco: Ahora! The Latin Sound Of Now (unmixed CD)
Cat: BJR 086CD. Rel: 06 Jul 23
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Cat: EDN 1218. Rel: 14 Sep 23
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Review: Ezra Collective has described their hotly anticipated second album, 'Where I'm Meant To Be', as "a thumping celebration of life". As with their previous work, it's rooted in the band's love of on-stage improvisation - call-and-response instrument solos abound throughout - and peppered with contributions from guest vocalists including Sampa The Great, Emeli Sande and Nao. Musically, it's undoubtedly joyous, blurring the boundaries between contemporary UK jazz, afrobeat, hip-hop, dub, Latin rhythms and soft-touch electronics. The plentiful highlights include steppers-powered dub-jazz workout 'Ego Killah', sparkling opener 'Life Goes On' and the Afro-Cuban brilliance of 'Victory Dance'.
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Review: Dance, No One's Watching is a vibrant tribute to the joyous act of dancing and a night out from the anticipation of evening to the early morning hours. Written during Ezra Collective's whirlwind 2023 world tour, which saw them become the first jazz act to win the Mercury Prize, the album reflects the global dancefloors they experienced, from London to Chicago, Lagos to Sydney. Dance and rhythm unite us all, a spirit celebrated in these tracks. Recorded at Abbey Road studios, the sessions transformed into a live celebration with friends and family, adding a communal warmth to the music. The album features collaborations with Olivia Dean, M.anifest, Moonchild Sanelly, and Yazmin Lacey, who sings on the lead single 'God Gave Me Feet for Dancing.' This new album follows their acclaimed Where I'm Meant to Be, and continues to showcase Ezra Collective's innovative contributions to contemporary British music.
… Read morePlayed by: Juno Recommends Broken Beat Nu Jazz
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Review: There's always been something a little loved-up about the scattergun, genre-bending productions of New York's Drew Lustman, AKA Falty DL. Yet previously, his desire to fuse cutting-edge rhythms with vintage rave references sometimes got in the way. Hardcourage, his first full-length for independent behemoths Ninja Tune, takes a more 'softly-softly' approach. Whereas his last full-length, 2011's You Stand Uncertain, was a kaleidoscopic invitation to start the dance, Hardcourage gently beckons you towards a loving embrace. While there are still plenty of skittish rhythms present, they're wrapped up in a warm orange glow - all serotonin-soaked chords, cascading melodies, bluesy vocal samples and near-Balearic compositions. In many ways it's a startling about-turn, but one that comes heartily recommended.
… Read morePlayed by: Spacewalker (Balance), Juno Recommends CD Albums
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Review: A new album from Sam Shepherd AKA Floating Points is always cause for celebration, but even by his standards "Crush" is rather special. Largely eschewing the ambient jazz soundscape shuffle of 2017's "Reflections - Mojave Desert", it sees the Shepherd showcase his musical dexterity in stunning fashion via cuts that wrap shimmering neo-classical strings around what sound like modular electronics and rhythms that variously touch on broken beat, off-kilter experimental D&B and Autechre-style IDM. Of course there are ambient and experimental soundscapes showcased, but it's the fact that the album contains a swathe of formidably dancefloor-focused cuts in the style that first made him standout that pleases us most. Highlights include recent single "LesAlpx", the dreamy "Anasickmodular" and the "People's Potential" style deep house intricacy of "Last Bloom".
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Review: Chaz Jankel was a founding member of the Blockheads and Flow is his new solo album. It is a triumph across 13 cuts of soulful, funky and jazz tinged tunes that will be familiar to anyone who has tuned into Ian Dury and the Blockheads over the years. Chaz is joined on this one by fellow Blockhead saxophonist Dave Lewis and trumpet comes from Bryan Corbett while two vocalists guest in Melody Palmer and Andy Caine, both of whom bring real soul. A new live show is to follow this and feature many of its tunes, so get well versed now with this CD version of the record.
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Collected: The Best Of Massive Attack (low-price CD)
Cat: CDV 3017. Rel: 24 Mar 06
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Review: Mildlife's reputation has soared since the release of their last studio album, 2020's Automatic, with the Melbourne trio's every musical move now being watched with bated breath by a global fanbase. Chorus is built on a concept of sorts - "a coming together of disparate elements" and "cosmic compatibility and chemistry" according to the band - but as ever it's the quality of the music on offer that really hits home hard. Warm and optimistic, with nods to West Coast jazz-rock as well as space rock, kosmiche, blue-eyed soul and jazz-funk, it sounds more nuanced, sonically detailed and wide-eyed than their previous work. Highlights include, but are in no way limited to, the yacht rock-leaning 'Yourself', the cosmic disco-influenced wonder of 'Musica', and epic recent single 'Return to Centraus'.
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