Back catalogue: Funk

Review: KC

Review: The Modulations released their album It's Rough Out Here in 1975, not only impressing both industry and laity with the singles 'Rough Out Here and 'I Can't Fight Your Love', but also spurring the considerable career of a funk quartet whose merit outdoes their reputation alone. The Modulations recorded extensively with MFSB, the house band of the famed record label Philadelphia International; these sessions yielded this album, one considered a gem of 1970s soul music. Exemplary of the long, wistful titles of the Philly funk era and beyond, the titular roughness of the record is also nonetheless embedded in a sea of audible Romance; the Modulations' hard knocks don't exclude the necessity of letting emotion in, with 'Head On Collision With Heartbreak' being an indelible example of this sense of being swept up in one's own emotions in the face of heartbreak, away from the perseverance aesthetics of "gritty" realism one might expect from a title like this.

Review: This vinyl reissue of Plush's 1982 album is a joyous celebration of a hidden gem from the golden era of r&b. Originally overlooked, Plush were more than just another band; they were more a collaboration of talented artists including Bobby Watson, Rene Moore and Angela Winbush. Together, they crafted a blend of dance music featuring the vocals of Siedah Garrett, Tony Phillips, and Ambrose Price II. Discovered by chance in 1983 with the radio hit 'We've Got the Love,' often mistaken for Dynasty, Plush faded into obscurity despite its promising start. With production reminiscent of Shalamar and Leon Sylvers III, Plush's self-titled album encapsulates the vibrant r&b trends of early 80s with infectious melodies and pulsating rhythms. The standout single 'Free and Easy,' penned by Moore and Winbush, embodies the era's transitional r&b sound, driven by a pronounced bass line and upbeat percussion. Despite its short-lived presence, Plush's legacy is revived through this reissue, allowing modern listeners to appreciate its rich musicality and Angela Winbush's influential contributions. 40 years later, this album oozes nostalgia about a great time in dance and rhythm and blues.

Review: American rap outfit Sugarhill Gang changed music history with their fresh hip-hop sounds and never more so than on their self-titled album. It is often said to be the first rap full length and it came in 1980, a full four-plus decades ago now so gets a special, if possibly slighty late, 40th-anniversary reissue on limited edition and numbered heavyweight vinyl. It, of course, includes the band's most seminal tune, 'Rapper's Delight', in two different versions, as well as equally timeless joints like 'Rapper's Reprise (Jam-Jam)' and the much loved 'Sugar Hill Groove'. A bona fide classic, this one.

Review: Johnny "Guitar" Watson's 1977 funk album, A Real Mother For Ya, solidified his status as a master of the genre. Known for his exceptional guitar skills, Watson's album produced the international hit title track along with standout songs like 'Nothing Left To Be Desired' and 'Lover Jones.' This reissue also includes the 2020 Ben Liebrand Oldskool mix as a bonus track, adding a fresh perspective to Watson's timeless funk sound. Throughout his career, Watson influenced countless artists, including Jimi Hendrix, and earned a Grammy nomination for best contemporary blues album. Tragically, Watson passed away while touring Japan in 1996, leaving behind a legacy of innovation and groove. A Real Mother For Ya remains a standout example to Watson's musical genius. Available on black vinyl, this reissue ensures that Watson's electrifying sound continues to engage audiences for generations to come.