Back catalogue: Funk

Review: KC

Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.

Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.

Review: Authentic soul business from Bloomington newbies The Indications brought to you by the good people at Colemine Records. Teaming up with Durand Jones for the A-side, "Smile" is a powerful preachy cut that digs deep into the classic funk mentality while sitting neatly upside the grills of Aloe Blacc or Gnarls Barkley. "Tuck N Roll", meanwhile, is a Meters-level slice of smouldering instrumental funk with big cymbal splashes and a blissful balance of Rhodes and guitar. Spotless.

Review: The latest 45 from Durand Jones & The Indications, out on Colemine Records, brings together two tracks from their previous LP, Private Space. Now lovingly refitted for 7" play as only the best cinematic soul should, the A-side of this record contains the album's title track. It comes in the form of a laid back, string-strung, smoothened progression, on which guitarist Blake Rhein plays minimal but on-the-money strokes, and the ever falsetto'ing Durand Jones sings creatively of and in tribute to the many cordoned-off corners, hiding places and hind spaces of the world; the essential vectors of lovemaking. The flip shakes up the ambiance to a higher set of stakes, deploying an upper-tempo, flunkie disco-funk, to hearsaid but hopeful talk of seas of love.

Review: Ohio-based instrumental organ trio Parlor Greens, known for their blend of soul, funk and blues, return with a new 7" that follows their acclaimed debut from 2024. Side-1 features 'Driptorch', which is driven by crunchy drums from Tim Carman, funky guitar riffs by Jimmy James and Adam Scone's expressive Hammond organ. The track delivers a high-energy, groove-filled adventure. On Side-2 ,'200 Dollar Blues', introduces a fresh, mid-tempo instrumental. This blues shuffle highlights James' searing Stratocaster solos, complemented perfectly by Scone's soulful organ work. Their interplay exudes a raw, electrifying energy, while Carman's steady, dynamic drumming grounds the track, making this one for fans of deep soul and blues.

Review: The Sextones are a four-piece soul band from Reno, Nevada, who blend elements of rock, pop, and funk with a deep and mournful soul primacy. Fitting squarely into that oeuvre is their latest 'Beck & Call', which recalls their dearest inspirations - the likes of The Moments, Baby Huey and Curtis Mayfield - for two equally powerful falsetto'ing slow jams. The title track is the more emotive standout, channelling a hefty drum forward plod, lilting strings, soul-foundational bass, and lyrics dealing with letting go of a lost cause. 'Daydreaming', meanwhile, is more of a haze, and notably utilises electronic drums and a prominent sitar.

Review: The Winston Brothers make a triumphant return with two new tracks, this time pressed on striking blue vinyl, following the success of their 2022 debut Drift. The A-side, 'Straight Shooter,' is a full-throttle funk workout, packed with gritty guitar licks, sharp horns, and head-nodding drum breaks. With a raw edge and plenty of analogue warmth from the Fostex 8-track recording, it's a b-boy anthem in waiting. On the B-side, 'Island Travel' shifts gears into a more laid-back groove. A smooth afrobeat-inspired journey, it blends spiritual jazz and ethno-funk, with Kimo Eiserbeck's serene flute solo gliding over the hypnotic rhythms. Perfectly balancing the A-side's intensity, this one's for the heads looking to kick back and vibe out.

Review: The Winston Brothers return with two fresh cuts on their latest 7" single, marking their first release since 2022's Drift. On the A-side, 'Straight Shooter' lives up to its name, a raw funk jam that could kickstart a b-boy battle. Funky guitar riffs, punchy horns, and tight drum breaks propel the track forward, its energy intense and unfiltered, thanks to an all-analogue recording on a Fostex 8-track. On the flip, 'Island Travel' takes a more laid-back turn. It's a hypnotic Afrobeat number, with dreamy flute work from Kimo Eiserbeck, blending ethno-funk with spiritual jazz vibes. It's cinematic, atmospheric, and offers a perfect contrast to the edgier A-side.