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Back catalogue: Funk
Juno's full catalogue of Funk
シングル
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Good Luck Sound Tracks 2 (CD single with obi-strip)
Cat: PWT 135. Rel: 17 Feb 25
Review: Fresh from delivering killer dancefloor jazz covers of classics cuts by Galaxy 2 Galaxy and Avicii (really), Japanese trio Polyplus deliver a fine sequel to last year's Good Luck Sound Tracks EP. They go for the dancefloor jugular from the off, wrapping snaking sax solos, fuzzy guitar licks and elongated solos around a breathlessly rapid punk-funk groove on 'Massive', before fusing Brit-Funk and sweat-soaked jazz-rock on 'Speedy Gold'. This hybrid jazz-funk/rock sound continues on 'Ranki 2025' (whose heavy beats and memorable piano riffs nods to classic house). Elsewhere, 'Ocean Breeze' re-frames wide-eyed city-pop as jaunty jazz-funk and 'Natural Born' is a drum solo-sporting slab of jazz-rock/jazz-fusion insanity straight from the top drawer.
… Read more in stock $18.50
アルバム
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Arthur BAKER / VARIOUS
Cat: SJR CD553. Rel: 27 Jun 24
Review: With 'breaking' making its debut in the 2024 Paris Olympics, it seems an apt time to go back to where it all began and showcase some of the music that first made break-dancers move in the early years of hip-hop culture. Soul Jazz Records clearly agrees, hence this two-disc retrospective of early 'breaker' favourites curated by Arthur Baker - a man who's productions and remixes soundtracked many dancefloor battles in the early 80s. It's a suitably strong selection all told, with dusty funk, soul and funk-rock favourites (Johnny Bristol, James Brown, The Jimmy Castor Bunch, Spanky Wilson) being joined by disco-funk jams (Herman Kelly and Life), extra-percussive workouts (Manu Dibango, Mongo Santamaria, Candido) and a smattering of key Baker productions (Afrika Bambaata and Soul Sonic Force's 'Planet Rock' and his own infectious 'Breakers Revenge').
… Read morePlayed by: Pete Haigh, Juno Recommends Hip Hop/R&B
in stock $15.14
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Review: Neville 'Breeze' McKeith is undoubtedly a legend of Black British music - albeit one not known to the majority of listeners. His CV is impressive; as well as being a founder member of jazz-funk outfit Light of the World, McKeith was also an integral member of Beggar & Co (known for disco hit '(Somebody) Help Me Out') and currently wields his guitar for The Brit-Funk Association. Unusually, this is only his second solo album, and arrives 41 years after his first. It acts as a showcase for his virtuoso guitar playing (he switches between lead, rhythm and acoustic guitar across the set), offering a mix of jazz-funk, fusion, contemporary jazz and soul songs and instrumentals. It's mostly new original material, but wisely McKeith has also included a handful of rather good interpretations of classic cuts.
… Read more in stock $15.42
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Review: Originally recorded and released in 1993, On The Move was the last studio album James Brown collaborator Bobby Byrd recorded during his lifetime. While it may have been recorded after Byrd's 1970s heyday, musically it offers full-throttle funk - albeit with slicker and more expansive musical arrangements - of the kind that he and Brown used to deliver in their sleep. It's a great set all told, with this (delayed) 30th anniversary edition also including instrumental versions of all eight original tracks. It also boasts a couple of rare non-album tracks recorded at the time: the slow-motion, horns-and-guitar solo laden 'Sunshine' and the effortlessly funky, low-down and addictive 'Don't Throw Your Love in the Garbage Can'.
… Read more in stock $19.05
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Review: Self-proclaimed "quadruple threat" (he is, after all, a DJ, comedian, actor and poet) Craig Charles swings open his colossal Trunk of Funk for a third time. In line with previous dives into the popular BBC 6 Music DJ's music collection, he's served up a selection that moves between the decades, taking in all manner of funky treats (think funk breaks, modern soul, jazz-funk, disco-boogie, classic soul and more). Flick through the clips and you'll find genius-like gospel (the Harlem Gospel Travellers), recent remixes (Smoove reworking the Third Degree, A Skillz putting his stamp on The Niceguys), classics reimagined (the Boogie Back rework of Beggar & Co classic 'Somebody Help Me Out'), modern gems (Dave Lee and Omar) and the odd exclusive (a previously unheard vocal version of The New Mastersounds' 'Watchu Want').
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DJ NOTOYA / VARIOUS
Cat: WWSCD 98. Rel: 13 Feb 25
Review: Adding to the fervour around Japanese city pop - the genre is still a clogged but speculative seep for reissuers, who are keen to capitalise on the mainly Tokyo-born genre's still underground, under-recognised reserves of music - comes DJ Nutoya with a fresh and terse ten-tracker compilation: Tokyo Bliss. This breezy selection centres on the all-rounder genre's favourite international foci, boogie and funk: frissonic formulas for sensational home listening. Most tracks here make their debut on vinyl outside of Japan; from Buzz's pristine tremolo'er 'Garasumado', to Keiko Toda's escape-noteworthy 'Fade In' and Yuji Mitsuya's delirious summer disco dirge 'After Five At Caf-Bar', this is an impeccable curation job.
… Read more in stock $17.93
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Cat: 0810075 113884. Rel: 30 May 24
Review: Malcolm John Rebennack, Jr., better known as Dr. John, left an indelible mark on the music world with his unique blend of New Orleans R&B, blues, jazz, funk and rock. As a teenage prodigy, he cut his teeth as a songwriter, arranger, and producer for Ace Records before becoming a sought-after studio musician in Los Angeles during the 1960s. His debut album Gris Gris in 1968 catapulted him into the spotlight as Dr. John The Night Tripper, captivating audiences with its mystical allure. Hits like 'Iko Iko' and 'Right Place Wrong Time' solidified his place in music history, earning him six Grammy awards and induction into the Rock and Roll Hall of Fame. Now, Gris Gris Gumbo Ya Ya: Singles 1968-1974 collects his early singles from his influential years with Atco/Atlantic, offering 26 tracks of pure musical medicine. The iconic 'Such A Night,' alone makes this compilation is essential for both seasoned fans and newcomers alike. With liner notes from Gene Sculatti, it serves as a perfect entry point into the timeless world of Dr. John's music and a nostalgic journey through his classic Atco/Atlantic albums.
… Read morePlayed by: Juno Recommends Funk
in stock $16.53
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Review: Given the brilliantly simple concept behind this fine compilation - contemporary Detroit producers remix Funkadelic - we're rather surprised nobody's done it before. With 17 varied re-rubs stretched across two hugely entertaining CDs, there's plenty to enjoy. Highlights come thick and fast, from the deep house/P-funk fusion of Alton Miller's take on "Get Your Ass Off and Jam" and Andres' loose, hip-hop influenced revision of "Music For My Mother", to the thrusting loops and heady late night hypnotism of Anthony Shake Shakir and T-Dancer's version of "Standing on the Verge". While many of the versions stay relatively faithful to the original, the more "out-there" interpretations - see BMG's outer-space ambient dub of "Maggot Brain" and Moodymann's epic revision of "Cosmic Slop" - are also consistently impressive.
… Read more in stock $15.42
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Keith HARING / VARIOUS
The World Of Keith Haring (unmixed 2xCD + 48 page booklet)
Cat: SJRCD 444. Rel: 28 Jun 19
Review: Curated as part of the iconic street artist's Tate exhibition this year, The World Of Keith Haring unites many of the talented souls Keith knew, or was inspired by, during his prolific rise as one of the most vital cultural spokesmen through the 70s and 80s. Soundtracking the gritty downtown NYC streets he made his first mark on, this limited collection captures the whole melting pot from b-boy culture with cuts such as "E.T Boogie" and "Bump N Grind", raw boogie and soul ("Over & Over") and pure drama ("The Guardian Angel Is Watching Over Us"). A powerful collection as striking and relatable as his own signature.
… Read morePlayed by: I Love Disco!
in stock $15.42
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Review: Rhapsody, the Harlem Gospel Travelers' third studio album, was inspired by a request from the band's friend and mentor, Eli "Paperboy" Reed to record some covers of classic and lesser-known gospel-funk songs from the mid-to-late 1960s and early 1970s. Naturally, the New York based trio have put their own spin on the material, offering nods to hip-hop, stomping soul (see the genuinely terrific 'Somebody's Watching You'), doo-wop ('How Can I Lose', with its infectious vocal harmonies and irresistible hand-clap rhythm) and heady slow hams ('Have You Tried Jesus', the squelchy, hip-hop-soul flavoured 'Searching For The Truth'). It's a superb set all told, with the group's impeccable vocals rising high above brilliantly realised and expressively played instrumental backing tracks.
… Read more in stock $15.14
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Review: Isaac Hayes passed 16 years ago but his legacy as a soul music icon endures and likely always will. Known for his groundbreaking work with Stax's Enterprise label, Hayes set the standard for what became known as "symphonic soul" by crafting albums that remain as powerful as when first released. Alongside his LPs, Hayes also achieved massive success with singles and had 16 consecutive hits on the r&b chart from 1969 to 1976, many of which crossed into pop. Hot Buttered Singles is the first collection to feature every A and B-side of his 'Yellow Stax'-era singles in their original versions and they all sound superb.
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Review: During the late 1970s and early '80s, Miami was a hotbed of percussion-rich disco-funk that blended popular Black American grooves of the day with nods to the drum-heavy rhythms of Afro-Cuban music. Herman Kelly & Life were amongst the outfits at the vanguard of this movement, though unusually they only released one album, 1978's Percussion Explosion! Here it gets a remastered CD reissue. It's naturally best-known for boda-fide disco anthem 'Dance To The Drummer's Beat', but there are plenty of other hot, break-heavy classics on display - not least the low-slung, high-octane brilliance of 'Who's The Funky DJ?', the string-drenched disco-soul sweetness of 'Share Your Love' and the low-down, extra-heavy funk rinse-out that is 'Do The Handbone'.
… Read morePlayed by: Craig Charles Funk And Soul
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Review: The Last Poets, pioneers of revolutionary spoken word and proto-rap, return with a powerful new album that blends their fiery lyricism with the infectious rhythms of Afrobeat. 'Africanism' sees the legendary duo, Abiodun Oyewole and Umar Bin Hassan, collaborating with a stellar cast of musicians, including the late Tony Allen, Prince Fatty, and members of Seun Kuti's Egypt 80. The result is a potent and timely exploration of social and political issues, delivered with the same raw energy and uncompromising spirit that has defined The Last Poets' music for over five decades. Abiodun revisits classics like 'When The Revolution Comes' and 'Gash Man', their messages of social justice and self-empowerment still burning bright. Umar's 'Niggers Are Scared Of Revolution' and 'Just Because' remain as potent and provocative as ever, their unflinching commentary on race and inequality cutting through the noise of contemporary discourse. The album's musical landscape is equally captivating, with Tony Allen's polyrhythmic drumming providing a driving force, complemented by the soulful melodies and intricate arrangements of the contributing musicians. A powerful reminder of the transformative power of music and spoken word.
… Read morePlayed by: Mukatsuku Records Chart, Craig Charles Funk And Soul
in stock $17.93
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Review: Second time around for Royksopp's superb contribution to the popular, post-club focused LateNightTales mix series, a beloved volume that first hit record stores back in 2013. For the uninitiated, it sees the long-serving Norwegian twosome offer up an attractive blend of synth-heavy Scandolearic shufflers (their own cosmic pop number 'Daddy's Groove'), dubbed-out soul (Rare Bird), swelling synth soundtrack fare (Vangelis), neo-classical (Johann Johannsson), reverb-laden accapella beauty (Prelude), sun-soaked blue-eyed soul (Richard Schneider Junior), nods to the KLF's Chill Out album (Acker Bilk), seductive slow jams (Byrnes & Barnes), vintage Balearica (Andreas Vollenweider, John Martyn) and atmospheric new wave (XTC, This Mortal Coil).
… Read more in stock $15.93
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Review: Famously, Shadow's Sweet Sweet Dreams album was panned by critics when it first appeared way back in 1984. In the years since, it has attained cult status, with collectors of Trinidadian music particularly enjoying its curious blend of bustling boogie electronics, Soca rhythms, traditional instrumentation and sassy disco-pop style. As this tasty reissue proves, the album has lost none of its lustre over the last 30 years. Put simply, it still sounds ahead of its time, with intergalactic dancefloor workouts such as "Let's Make It Up" (with its "we're gonna have a party" refrain) and "Way Way Out" resonating particularly loudly.
… Read morePlayed by: Charles Maurice
in stock $18.78
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Review: Sylvester's Live At The Opera House is a monumental release capturing a pivotal moment in his career, celebrated with unrivalled splendour. Recorded in 1979 at San Francisco's War Memorial Opera House, this first-ever complete release of the concert showcases Sylvester's commanding stage presence and profound musicality. Backed by a 26-piece orchestra, the performance unfolds over 13 unedited tracks, including the mid-show ceremony where he received the key to San Francisco, a poignant tribute during a tumultuous time for the city's LGBTQ+ community. From the electrifying opener to his iconic hits like 'You Make Me Feel (Mighty Real)' and 'Dance (Disco Heat),' Sylvester delivers a transcendent blend of disco, soul, and pop, amplified by the impassioned vocals of Martha Wash and Izora Rhodes Armstead, known as Two Tons o' Fun. The setlist spans from soulful ballads to exhilarating dance anthems, each moment infused with Sylvester's signature blend of glamour and vulnerability. Joshua Gamson's liner notes enrich the experience, offering historical context and personal insights into Sylvester's legacy. Whether revisiting classics or discovering unreleased gems, Live At The Opera House is glimpse into Sylvester's enduring artistry and cultural significance, marking a definitive chapter in the history of disco and LGBTQ+ music.
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Review: Erik Tagg's Rendez Vous (1976) is pure seventies soft rock with a touch of jazz fusion, creating a rich, melodic experience. As his second solo effort, it showcases Tagg's evolution from his earlier work with Dutch bands Beehive and Rainbow Train. Produced by Hans Vermeulen, the album is a masterclass in intricate harmonies and sophisticated arrangements, all underscored by Tagg's warm, resonant vocals. Tracks like 'Life Goes On' highlight Tagg's ability to infuse soul-searching lyrics with a smooth, soothing delivery, creating a sound that is both introspective and comforting. The album's lush instrumentation, blending elements of jazz, pop and rhythm & blues, evokes a sense of romantic escapism, making it a hidden gem of the AOR and modern soul genres. Though it didn't achieve mainstream success, Rendez Vous developed a cult following, appreciated for its nostalgic and warm vibes.
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Review: Tchiss Lopes's Stranger Ja Catem Traboi is as good a debut album as you could ever wish to hear. It is a world fusion of great rhythms, high-energy grooves, politically and socially aware vocals and reggae and funana collisions that brims with life and vitality. It was recorded in Rome after the artist spent 11 months at sea and was drawn from his personal and collective experiences of hardship, education, love and the loss of lives at sea. Though now 40 years old, the album has stood the test of time musically and lyrically and now gets a welcome reissue on CD.
… Read more in stock $16.25
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Cake
Ride With Me
Windows Down
4 Sure
We Made It
Review: Mayer Hawthorne and Jake One, collectively known as Tuxedo, return with their fourth studio effort, continuing their mission to bring timeless funk to the dancefloor. Their chemistry is as tight as ever, blending the sounds of Parliament, Zapp, and other funk pioneers into fresh, energetic tracks made for the here and now. With tracks that are both groove-heavy and irresistibly catchy, the duo delivers yet another collection of floor-fillers that blend retro charm with modern flair. From the smooth, mellow vibes to the more upbeat cuts, Tuxedo's latest release is a celebration of funk's enduring power.
… Read more in stock $15.98
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Review: Favorite Recordings' superb Disco Boogie Sounds series continues. Following Waxist's recent exploration of French productions from the period, they've decided to drop a second collection of high-grade Brazilian material. Renowned crate-digger Charles Maurice has done a terrific job of gathering together dusty, obscure cuts that perfectly encapsulate Brazilian musicians' sun-kissed, soulful approach to disco and boogie. Highlights are naturally plentiful, and include the starry, jazz-funk tinged warmth of Christina Camargo's "Minas Do Rei Salomao", the Chic style brilliance of Almir Ricardi's "To Parado Na Tua", and the cosmic, horn-heavy leftfield disco thrills of Kaito's "Cara Feia".
… Read morePlayed by: Afro Beat Foundation, DJ GLC (Shift LTD)
in stock $18.22
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Review: Mikko Mattlar, a walking encyclopaedia of Finnish electronic music, has been responsible for some killer compilations over the years, but 'Black Hole', his latest collection, may be the best yet. It focuses on exceedingly obscure 'culth synth disco music' produced in his home country between 1979 and '91 - mostly in the early-to-mid-80s - with every track either being an unreleased oddity of a genuinely uber-rare private press record. It's both eye-opening and extremely entertaining, with the included tracks doffing a cap to heavy disco-funk, underground gospel disco, bedroom-made late '80s synth-disco and quirky Scandinavian electrofunk.
… Read more in stock $16.53
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VARIOUS
Cat: COS 017CD. Rel: 12 Jul 16
Review: The "Mighty" Greg Belson has a bit of a soft spot for gospel disco, a sub-genre that proved popular in some of the genre's more righteous clubs. In Divine Disco, he offers up a lesson in the style, gathering together mostly little known gems originally released between 1974 and '84 (plus, it should also be noted, two tasty contemporary re-rubs from Rahaan and Steve Cobby). It's perhaps a little more varied than you'd expect; contrast, for example, the hands-in-the-air, can-I-get-a-witness enthusiasm of Gospel Ambassadors' "What Kind Of Man Is This", and the smooth, slowed-down torch song feel of "Give Yourself To Jesus" by Herman Harris & The Voices Of Faith & Love.
… Read morePlayed by: JimmyTheTwin, Craig Charles Funk And Soul
in stock $18.50
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VARIOUS
Cat: COS 018CD. Rel: 28 Sep 16
Review: Cultures of Soul have a reputation for digging deep for inspiration, so it's little surprise to see their latest compilation shine a light on the previously unheralded South African synth-disco scene of the early 1980s. Compiled by label boss Deano Sounds and Johannesburg digger DJ Okapi, Boogie Breakdown gathers together 12 hitherto hidden gems from six seminal South African acts. There's naturally much to admire throughout, from the spacey synths and celebratory vocals of Harari's "Party", and the slick, soulful electrofunk of Don Laka's "I Wanna Be Myself", to the reggae and P-funk flavoured thrills of Benjamin Ball's "Flash A Flashlight", and the sensual, late night synth-soul of Al Etto's "Hold On To Love".
… Read more in stock $17.93
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Review: This two-disc collection is a brilliant collection of soulful delights, capturing the vibrant spirit of a golden era in music. Featuring a seamless blend of smooth grooves and electrifying dance tracks, it's a joyous celebration of 80s soul, funk and r&b. From silky ballads to funky floorfillers, the compilation offers something for every mood and taste. The energy kicks off with electrifying beats and infectious basslines from artists like Uncle Louie and Carl Carlton, whose dynamic performances set the tone for the journey ahead. Soulful standouts like Lamont Dozier and Valerie Horton-Brown bring heartfelt emotion, while The Chi-Lites and The Jones Girls channel timeless sophistication into their tracks. Hidden gems such as Funk Fusion Band's captivating groove and Spencer Jones' dub mix showcase the innovation and versatility that defined the decade. The seamless interplay of upbeat anthems like Aurra's joyful energy and introspective offerings from Today, Tomorrow, Forever creates a rich, varied listening experience. With its expertly curated tracklist, this compilation is a delightful rediscovery of an era when bold rhythms and heartfelt melodies ruled the airwaves, leaving an enduring legacy.
… Read more in stock $18.22
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VARIOUS
Cat: PTG 34264. Rel: 15 May 25
Review: The Nighttime Lovers series, which deftly showcases the forgotten and overlooked corners of 1980s disco, electrofunk and synth-powered dancefloor soul, reaches its 36th instalment. As you'd expect given the high number of previous volumes, the selections tend towards the defiantly deep, with more familiar artists being represented by lesser-known treats. So, instead of the much-loved 'Love Me Like That', Reel To Reel offers up the glossier, slap-bass propelled 80s soul of 'Don't Keep Me Hanging On', Cashmere contributes the sweet and tactile 'We Need Love' and GQ drops the eyes-closed lead vocals and horn-heavy peak-time hustle of 'Is It Cool'. Other highlights include Phil Upchruch's Marlena Shaw-sporting 'It's Got To Be You', Linda Clifford's superb 'I Want To Get Away With You' and the squelchy synth-disco of 'Decisions' by Anthony Lockett.
… Read more in stock $16.25
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VARIOUS
Cat: PTG 34263. Rel: 13 Mar 25
Review: Some 21 years after volume one appeared in stores, PTG's ongoing Masterpiece: The Ultimate Disco Funk Collection series has reached its 36th instalment. Given the series' longevity and the sheer number of tracks already showcased across volumes one to 35, the cuts on display here are genuine rarities, cult classics and sought-after gems. As usual, highlights are plentiful, from the soulful vocals, dreamy chords and rubbery slap-bass of In Touch's 'Why Did You Stop Loving Me' and the boogie-era sunshine shuffle of 'I'm Yours' by Hollywood Tucker, to the big studio swell of Spence's mid-80s jam 'Gonna Party', the 80s soul smoothness of Jimmy Scott's 'Games' and the synth bass-propelled post-boogie brilliance of 'Divided Love' by Haywoode.
… Read more in stock $15.69
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VARIOUS
Cat: PTG 34259. Rel: 11 Mar 24
Review: You'd think by the time any compilation series reached its 35th instalment, it would be scraping the barrel in terms of killer cuts to showcase. That's certainly not the case with the latest volume in the Masterpiece: The Ultimate Disco Funk Collection series, which has rustled up some genuinely brilliant - and largely little known - cuts to share. For proof, check the glossy, boogie-era disco-funk of Tammi Holt's 'Funk For You', the bubbly and polished 80s soul dancefloor flex of Jo Ann Jones' 'Share My Love (Club Mix)', Mark Mitchell's synth solo-laden 'Pretty Baby', Mel Strong's boogie-licious 'Uptown Lady', and the sing-along goodness of Sherrie Payne and Philip Ingram's 'Incredible (Dance Mix)'.
… Read more in stock $16.25
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VARIOUS
Harde Smart Volume 2: Flemish & Dutch Grooves From The 80's (CD 1 mixed, CD 2 unmixed)
Cat: SDBANCD 18. Rel: 21 May 24
Review: Five years ago, Sban Records unleashed Harde Smart, a fine collection of Flemish and Dutch records of the 1970s heavily influenced by Black American funk, soul, and dance music. This belated follow-up focuses on the 1980s, a decade in which the influence of American AOR, disco-rock, boogie, synth-pop and electro could be heard across plenty of releases by Dutch and Belgian bands. Highlights include the blue-eyed, synth-powered dreaminess of 'Drugs' by Omar & The New Sound, the P-funk-influenced flavours of Joost Belinfante's 'Zonder Woorden', the Zouk-splashed tropical boogie of De Div's 'Teken De Tijd', and the post-punk new-wave eccentricity of Nadagen's 'Onder 4 Ogen', which sounds like a Dutch take on Sheffield band Chakk.
… Read more in stock $15.14
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The Japan Collection (CD limited to 300 copies)
Cat: CDMOFUNK 051. Rel: 07 Feb 25
Review: A compilation of tracks from past albums, collaborations and formerly unreleased cuts by XL Middleton, G-funk-master extraordinaire from LA. Compiled specifically for XL's recent Japan tour, this release comprises the bulk of remaining copies, which, we can vouch, flew largely off the shelves, and fast. The sole focus on G-funk, albeit in his own signature style, has proven so far effective for XL; his production style tends towards the unmistakably steezy and squeezy, and it also borders on West Coast crunk and DJ Mustard-esque ratchet at points. XL entertains wonky 808s and smooth 2-stepped blears, effectively conveying the mood of "layered back", best enshrined in the happily system-conscious track 'Unemployment'.
… Read more in stock $18.50
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Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
… Read more in stock $17.38
