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Back catalogue: Drum And Bass

Juno's full catalogue of Drum And Bass
フォーマット: すべて レコード CD DJ機材 スタジオ機材
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NQ State Of Mind Vol 1
LENZMAN / DAN STEZO / VARIOUS
NQ State Of Mind Vol 1 (gatefold 2xLP)
Cat: NQ 021. Rel: 15 Jan 21
Satl - "All My Life" (feat Steo - Tokyo Prose remix) (5:15)
Redeyes - "Late Night Jam" (feat Tyler Daley - Lenzman remix) (5:21)
Anile - "Juno's Position" (5:36)
Sam Binary - "Surface Tension" (6:53)
Submorphics - "Daydreaming" (feat Big Brooklyn Red - Echo Brown remix) (4:34)
Zero T & Unitsouled - "Slightest Moment" (feat KSR - remix) (4:53)
Lenzman - "Walk On By" (Satl remix) (4:55)
Redeyes - "Untitled Soul" (4:10)
FD - "Top2Bottom VIP" (6:27)
Review: The North Quarter label serves up nine exclusive tracks on this superb double LP which is the culmination of many years friendship of Lenzman & Dan Stezo. The former lays down the seamless flow while the latter delivers perfectly introspective lyrics in a heart aching falsetto and all the tunes are solely from The Northern Quarter associates. The liquid drum & bass grooves are soulful and soaring, with plaintive pianos draped over the silky sequences. It's a warm and emotive listen for days at home as well as once dance floors open up again. Favourites include Zero T & Unitsouled's frictionless 'Slightest Moment' and FD's deep diving closer 'Top2Bottom VIP.'
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Xin Lie
Xin Lie (LP)
Cat: DDR 007. Rel: 28 Jan 25
Dawuh (2:08)
Ngalengkah (4:11)
Tumuwuh (4:30)
Nyeungeut Laut (4:29)
Papait Nu Amis (3:16)
Limpeur (4:34)
Mireng Leuweung (8:02)
Parat (4:12)
Review: The respected DIY hero Xin Lie's reputation has spread far from his native Bangdung in the Indonesian province of West Java - and this eight track debut album will no doubt add to his international repute even further. Electronica is one of the hardest genres in which to forge an original, distinctive path but Lie does it here effortlessly, from the juddering bass-driven half speed groover 'Parat' and the frenetic, polymetric rhythmic riddle that is 'Ngalengkah', to the tribal percussiveness meets mangled robotics of 'Papait Nu Amis', it never settles into accepted ways of doing things, constantly challenging you to keep up. "Perhaps it's best imagined as the soundtrack to a multi-sensory art installation," Lie suggests, "or a performance staged not in a gallery but in an unassuming house down your street." Fine. Or just a really compelling record, you could equally argue.
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