Back catalogue: Balearic/Downtempo

Review: Meat Beat Manifesto have released more than a few classic albums in their time, but their fourth album Satyricon is surely one of the finest. Originally released on Mute in 1992, it saw Jack Dangers push his voice even further to the forefront as he tackled a wide spectrum of social issues, while the production continued to find them keyed into the developments in rave and hip-hop as they were unfolding. The breakbeat structures are absolutely in keeping with the pace of the emergent hardcore sound, but of course Meat Beat Manifesto reached beyond purist dance music to take in industrial elements which made a hugely influential brew of its own.

Review: Meat Beat Manifesto's sprawling 1996 opus 'Subliminal Sandwich' is finally reissued by the good people at PIAS. Compared to much of their oeuvre, this one is a touch rougher round the edges, with serrated guitar licks layered over achingly resonant bell loops and typically crunchy percussion. Though most of the tracks on the LP are characterised by lax tempo and an ominously warped soundworld, the unique cocktail of styles and influences which MBM draw on shine forth one by one: dub, new jack swing, jazz, noise, punk, breakbeat. Percies include the smoked out dub nausea of 'Assasinator', and the bleary chug of 'Addiction', which sounds somewhat like if Christophe Goze ate one too many tabs and decided to compose a Buddha Bar single for the tweakers. While it isn't MBM's most accessible work by any means, it is an essential entry in the Jack Dangers catalogue and a must for anyone seeking a more charred, freaky body of work which doubtless went on to inspire some of breakbeat and trip hop's key players.