シンセサイザー

Notes: Part of Sonicware's brilliant Liven series of affordable, creative groove boxes, the Ambient O packs in layers of drone, textures and noise sources to create engrossing soundscapes. Creative, experimental fun.

*** Firmware version 1.5 update- March 2025 ***

Temperament Settings for Each Track

In addition to the standard 12-tone equal temperament, you can now set 7 different temperaments per pattern, including Pure intonation, Pythagorean tuning, and Solfeggio frequencies.

64 Sound Pattern Palettes

Featuring 32 newly added sounds & patterns, along with 16 Sound Healing Vibes sounds.

Relaxation Playback Mode

Arrange your favourite patterns, set repeats and fade-outs, then let it gently fill your space with ambient sound. (Seamless pattern changes improved: if sound settings remain the same, transitions will now be smooth without audio interruptions.)

Master Tune Now Adjustable in Hz?Master tuning, previously adjustable in cents, can now also be set in Hz increments (410 - 470 Hz).

Line In Selectable on NOISE Layer

The NOISE layer can now be selected to Line In, allowing the application of Filter, LFOs, and other track-level controls to the input signal.

New LFO Waveforms & Assignment

Added three slow LFO waveforms (L.SIN, L.TRI, L.S.RN). Additionally, oscillator level can now be assigned as an LFO destination.

Pitch Bend Range Setting

You can now configure the pitch bend range in the system settings.

Changes in Oscillator Usage

Due to specification changes, the NOISE layer now consumes only one oscillator, while the ATMO 2 structure now consumes three oscillators.

Bug Fixes & Improvements

Fixed MIDI CC issues and addressed other minor bugs.


Supplier's Notes:
Your Personal Soundscape:

Conversations between Oscillating Tones and Your Mind

Immersive Ambient Generator

4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.

Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis

Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.

Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.

4 knobs/8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space

The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.

Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section

Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

Specifications

[Synthesiser]

- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)

4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.

- Attack
- Release

- Low Pass Filter
- High Pass Filter
- Band Pass Filter

- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count

[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.

[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order

[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: Part of Teenage Engineering's high-end Field series, the OP-XY is best seen as a pro groovebox, combining polyphonic synthesis, sampling and sequencing. More music-focussed than its OP-Z predecessor, the OP-XY represents a new flagship for TE.

Supplier's Notes:
No-compromise, dual-CPU boosted and fully rebuilt sequencer, sampler, and performance instrument, based on the much-loved workflow of the OP-Z. Now including built-in cv, effect sends, and a best-in-class DAC. with 8 individual instrument tracks and 8 auxiliary tracks for controlling any external synthesizer, modular or otherwise, and adding effects. It's probably the most complete, portable sequencer ever built. It's here. It's real. it's black.

And it's got so much more than you've wished for.

The exterior is all black, and matches the exact dimensions of OP-1 field. A distinct grayscale gradient is at its centre, making it clear that OP-XY is all about serious sequencing. Hands-on graphics on the high-resolution display are all grayscale, with a bright red to indicate recording and parameter locks. all vital keys have LEDs to stay in full control.

Experience the ultra fast sequencing workflow. Punch-in FX lets you add quick, rapid-firing, unique, live variations and adding individual step components creates an extra dimension and deep rhythmic patterns. randomize note timing, velocity and pitch, or use live automation to alter filters. Use brain to create chord progressions, generating tracks that reinvent themselves. Literally.

Run every track, independently, at different speeds and lengths to form powerful polyrhythms. create new sequences every time with step components, variations that can be added to any step on the sequencer, controlling everything from altering pitch to bending, skipping or even multiplying steps.

Main audio-out

Multi-out, featuring:
MIDI
CV/gate
Sync
Aux audio
MIDI IN
AUDIO IN
USB-C

The 2 Vrms main output drives any sound system, real loud. Keep everything locked in sync and sequenced with the multi-out and take control with MID IN. process and sample external audio with the audio-in. control, record and charge with the audio/midi host over USB-C, plus a complete wireless experience with midi over Bluetooth LE -keine bedingungen [no strings attached].

Compose your album, head off to the gig, plug and play immediately, then keep everything locked-in with all the I/O you could ask for. 16-hour, battery-powered freedom lets you perform for hours on-end. create, produce and perform anywhere. Mit allen bedingungen [all strings attached]

The bottom left side features a pressure sensitive pitchbend

Instrument tracks:

8 individually sequenceable instrument tracks
8 unique synth engines
3 samplers
independent send levels per track

Step components
14 unique step components for advanced step sequencing
Apply up to all 14 to every step screen
480 x 222px IPS TFT display

Patterns
9 patterns per track
up to 64 bars per pattern
spread across 4 pages
presets per pattern

Effects: reverb, delay, chorus, distortion, lo-fi, phaser

Hardware
Dual blackfin processing cores
Dual DDR memory
Triple-core dsp co-processor
2x controller MCU's for wireless & low power IO domain

Sensors: 6-axis IMU accelerometer

Microphone: immediate, high quality sampling with the built-in microphone.

Connectors: 3.5 mm stereo line-out with headset mic support
3.5 mm multi-out
3.5 mm midi in
3.5 mm stereo line-in

Tactile input
2 octave musical keyboard
68 ultra low profile mechanical buttons
Pressure sensitive pitch bend
4 x multi purpose grayscale encoders

USB
USB type C connector
USB MIDI host & device
USB audio host & device

Notes: No oscillators, 8 voice polyphony.

The Steampipe is a true physical modelling synthesizer developed in close collaboration with Dutch company 112.dB.

The Steampipe has no conventional oscillators. Instead, it mimics the way sound is created in wind instruments and it is fine-tuned to create a wide range of sounds - everything from wind instruments to strings, pipe organs, crazy effects and beyond. The Steampipe has three major sections - STEAM, PIPE and REVERBERATOR.

The STEAM section can be compared to the lungs and mouth of a musician. The generator creates the flow of air or "steam", the envelope in this section determines the force with which it is blown out. DC/noise is the noise you get when blowing out. DC/Noise on the Steampipe can also be replaced with an external audio source.

The PIPE section can be compared to a flute. In the pipe, the tune is formed. Push (in feedback) bounces the steam like it does in a flute and generates the tone. The delay box subsection changes the flute's tuning and shape.

The REVERBERATOR adds space and ambience to the sound.

The Steampipe is optimized for performance with wind MIDI controllers and it works great with any MIDI keyboard. The overtones the Steampipe produces are very organic and rich and it comes with great-sounding presets. The Steampipe is rather versatile and allows for nuanced sonic exploration, conjuring sonic imagery ranging from from wisps of cloud to fairground band organs, then to industrial horns of the railroad and finally, to massive, otherworldly ambiences.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: One of the best synths money can buy. Hugely expressive PolyBrute engine expands to 12 voices with the same beguiling combination of FullTouch keyboard, Morphee control and ribbon strip. Immense

Supplier's Notes:
Unleashing the full power of PolyBrute

Continuing the legacy of its predecessor as one of the most powerful and expressive analogue synths ever made, PolyBrute 12 goes a step further.

A multi-faceted tool for musical expression, PolyBrute 12 lets you seamlessly evolve and control any parameters while playing. The input-perfect sensitivity of the keyboard, the bi-timbral morphing presets, the multi-axis Morphee controller, the Ribbon controller - all work in perfect harmony so you can breathe vitality and intricate dynamics into your sound.

PolyBrute's in-the-moment sonic display would not be possible without the raw energy of its Brute oscillators and dual enhanced classic filters. This, combined with its intuitive interface, elegant modulation Matrix and advanced software companion make PolyBrute 12 a synth for the ages - a matrimony of Brute force and human touch.

Full touch, full control

Discover a next-generation keybed and new aftertouch modes that bring you into a direct and tactile connection with your sound.

PolyBrute's patented FullTouch keyboard provides the exact position of every key across the entire range of movement. This not only allows for precise and dynamic aftertouch expression but it also puts versatility at PolyBrute's core - allowing you to go from regular playing modes to exceptional aftertouch and envelope control at the touch of a button.

You can also use PolyBrute 12 to control any MPE-compatible VST. If you don't have a MPE compatible DAW, you can still record expressively using MIDI 1.0, although at a lower resolution.

Mono Aftertouch

In this mode, the note is triggered by regular keyboard velocity and the classic aftertouch area corresponds to an assignable aftertouch signal, where all the voices receive the same level and amount of expression. Great for applying a unified modulation effect to a chord or phrase.

Morph between sonic worlds

Seamlessly blend from one patch to another and find that perfect middle ground

Each preset is made up of two sonic states, A & B. A dedicated Morph knob lets you seamlessly explore a continuum of sound between them. This, combined with the Morphee controller and PolyBrute's keyboard, paves the way for endless patch evolution and expressivity.

Analogue heart, seismic sound

PolyBrute's sound begins with two analogue VCOs sharing much of the same sonic architecture that has made the Brute family renowned.

Each oscillator generates sawtooth, triangle and square waves simultaneously, and you can mix between them to shape just the right signal source and timbre.

Dial in VCO 1's Metalizer wavefolding to escalate from pure to punchy. Bring in VCO 2's sub-oscillator to add an extra lower octave and some added rumble.

Dial in edgy FM effects by modulating VCO 1's frequency with VCO 2, or subtly alter a continuous range of harmonics with soft or hard sync.

1 VCF 1 Steiner

A 2-pole 12db/octave Steiner filter design with continuous sweepable slope types, as seen across the Brute range. The addition of the proprietary Brute Factor feedback control lets you add anything from subtle warmth to a electrified growl.

2 VCF 1 Ladder

Inspired by Dr. Bob Moog's legendary 4-pole 24db/octave ladder design. A low-pass classic, with added gain compensation and asymmetrical distortion to add upfront grit to your polyphonic patches.

Modern modulation sources

Modulation has always been essential in animating synth sounds.

PolyBrute weaves a web of envelopes and LFOs that's intricate and unpredictable in equal measure - a dynamic display of sonic motion.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three LFOs

PolyBrute's three syncable LFOs span an extremely wide range - facilitating anything from beautiful evolving soundscapes to clangorous audio-range modulation. Options for waveshaping, polarity and retriggering let you take your sound way outside the box. Experiment with Matrix routing and tempo/MIDI sync for hyper-rhythmic effects.

Enter the matrix

The flexibility of modular patching combined with digital precision and analogue richness makes for a transcendent polysynth experience.

32 target parameters, 64 connections in total. Rearrange PolyBrute's signal chain with the touch of a single button. Dial in positive or negative amounts, intuitively assign one or more destinations via any relevant controls, instantly route PolyBrute's array of performance controllers and advanced modulation sources to influence just about anything in the instrument's chain - all without a convoluted array of wires.

But the Matrix doesn't just take care of PolyBrute's all-encompassing modulation routing - it's the centrepiece of every aspect of its architecture. In Presets mode, use the Matrix to select any of the 768 patch memory locations. Morph mode accesses advanced morph state editing. Sequencer mode transforms the Matrix into an intuitive visual pattern editor.

Main Features

61-keys with FullTouchr MPE Technology keyboard
Pitch Bend, Mod Wheel, Ribbon controllers
Morphee touch and pressure sensitive 3D controller
Osc and Noise Mixer with Filter routing
12dB/Oct Steiner Parker Filter

Continuous LP>Notch>HP>BP morphing
Cutoff, Resonance, Brute Factor

24dB/Oct Ladder Filter with Distortion
Three Envelopes
Looping capability
Two ADSR
One DADSR
Three stereo digital effects
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation
Delay : 9 algorithms including BBD, Digital delay
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer
Distortions : Subtle Tape, Classic Distortion, Soft Clip, Worn Out Tape, Germanium, BitCrusher, DownSampler
Arpeggiator, Matrix Arpeggiator, Sequencer
Stereo audio output
2 expression and 1 sustain pedal inputs
Two Analogue VCO's
Saw
Triangle + Metalizer
Square + Pulse Width
Sub
Linear FM
Hard Sync
Noise Generator
Continuous tone from rumble noise to white noise
Three LFOs
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options
480 presets and 768 preset slots
12x32 Modulation Matrix
Notes, Accent, Slide per step
3 tracks of automation
MIDI and USB I/O + analogue clock I/O

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit.

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content

PolyBrute 12 Unit
Power Cord
User Manual
Registration Card

Instrument dimensions
Size : 38.3 x 17.1 x 6.1 inches (972 x 435 x 156mm)
Weight : 50.7lbs (23kg)

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Pink version of Soma's excellent Lyra-8. Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier's Notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Building on Supercritical's back catalogue, the Redshift provides a range of characters, based around the Demon Core Oscillator and Neutron Flux Filter. Six-voice analogue design with multitimbral options, MPE control and DSP effects.

Supplier's Notes:
Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

Notes: Drawing on the iconic Mono/Poly synth from 1981, the Multi/Poly reimagines Korg's heritage for the 21st century. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Explore breathtaking analogue-inspired sound with the limitless power of digital technology. The multi/poly is the first synthesizer to use Korg's next-generation analogue modelling technology, building on the distinctive combination of big, bold sounds and modular-derived experimental features that made the Mono/Poly legendary. It's like having a polyphonic modular system in a compact, hands-on package, offering limitless possibilities for sound designers and synth enthusiasts alike.

Create hardware mashups with East-coast, West-coast, and wavetable oscillators alongside a wide selection of newly modelled filters. Bring these sounds to life with models of different envelopes, VCAs, and portamento circuits, while virtual voice cards add organic timbral variation. The Layer Rotate feature triggers new Programs with each key press, while Kaoss Physics, Motion Sequencing 2.0, massive modulation capabilities, and more allow for deep sound exploration.

Next-Level Analogue Modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly different character, creating rich and naturally evolving timbres. Just like in an analogue synthesizer, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended-release time, newly played notes "catch" the envelope at its current state rather than restarting from zero. Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave differently depending on voltage, with varying thresholds for turning on and off, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

Four Oscillators Per Program for Complex Tones

multi/poly offers four oscillators per Program, providing thick, multi-layered tones. You can choose from three types of oscillators:

Classic oscillators:

These faithfully model traditional analogue waveforms with stunning accuracy. The 11 options include both single and dual waveforms, giving you rich, thick sounds. Front-panel knobs offer control over pulse width, triangle "lean," dual-waveform blending, and more.

Digital oscillators

Play wavetables with up to 64 steps, like vintage hybrid synths or modern Eurorack modules. Start with over 200 factory wavetables or import your own using the Editor/Librarian software for macOS and Windows. You can even import Modwave wavetables or convert wavetables from popular software formats. The 30+ Modifiers allow you to reshape wavetables, while 8 Morph Types (Stretch, Flip, Mirror, etc.) process them in real time.

Waveshaper oscillators

Inspired by West-Coast synthesis, these oscillators take simple waveforms (sine or triangle) and process them through a shaper table, producing dynamic harmonics. Use the Berkeley shaper for traditional wavefolding timbres, or choose from over 90 shaper types for a vast array of tones. The multi/poly also supports modulatable pulse width, adding richness and motion to your sound.

Additionally, the multi/poly includes a noise generator with dedicated filtering and saturation, and a ring modulator with inputs from the oscillators. You can create powerful sounds by leveraging the enhanced sync and x-mod capabilities, which expand on the Mono/Poly's original design. Create unique tones by syncing oscillators 2, 3, and 4 to oscillator 1, or split sync and x-mod into pairs for independent control.

Dual Modelled Filters for Maximum Flexibility

multi/poly's filters are newly redesigned to offer a range of classic and modern options. The multi/poly also includes the MS-20 LP and HP 12dB/octave Korg 35 filters, recreating the aggressive, distinctive sound of the MS-20. For gentler tones, use the SE M/P 2-pole filter, which offers continuous control for sweeping between lowpass, band-reject, and highpass, with a separate bandpass mode. multi/poly's filters support audio-rate modulation, allowing you to modulate filters using any oscillator or the ring modulator for bright, fizzy, and bubbling effects.

M/Poly: A 4-pole self-resonating filter, modelled on the Mono/Poly.
Mini: A ladder filter from a famous American mono-synth, with reduced resonance at low frequencies-perfect for bass.
Pro: From the first programmable polyphonic synthesizer, offering strong resonant sweeps.
Ladder HP/BP: 4-pole self-resonating highpass and bandpass filters.
Use the Drive circuit to add weight or distortion, ranging from subtle thickening to extreme saturation. You can use two filters at once in series or parallel, with each source (oscillators, noise, and ring mod) having its own balance control to crossfade between filters. Modulate the A/B balance for even more creative sound shaping.

The Power of Four

multi/poly's structure allows you to build four Layers, each containing a separate Program. This adds an entirely new dimension of sonic complexity, as you can layer up to four Programs simultaneously in a Performance. These can be used to create massive, multi-layered sounds or creative splits and velocity-triggered variations. Each Program features its own set of oscillators, filters, envelopes, LFOs, and effects, allowing you to craft detailed, evolving performances that change with every key press.
Each Program starts with four oscillators, a noise generator, and both sync and x-mod capabilities. These are processed through two independent filters, providing massive tonal flexibility. For modulation, multi/poly includes four loopable DAHDSR envelopes, five LFOs, and six Mod Processors, allowing you to create detailed and evolving sounds.

Layer Rotate for Evolving Performances

The Layer Rotate feature allows you to cycle through these four Programs with each key press, ensuring dynamic, ever-changing performances. Inspired by the original Mono/Poly's paraphonic mode, Layer Rotate offers endless creative possibilities. You can set the Layers to trigger in random or repeating order and use them in combination with the arpeggiator for complex, mind-bending patterns.

Production-ready Effects

The multi/poly's effects ensure your sounds are polished and ready for the stage or studio. Each layer features three dedicated effects, along with a send to the Performance's master reverb and a master parametric EQ. In addition to standard effects like compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll have access to unique sound-shaping processors such as the Wave Shaper, Talking Modulator, Reverse Delay, and Multiband Mod Delay, as well as the famous Overb from the OASYS and Kronos. multi/poly also includes modelled effects like Vox guitar amps, Vox wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals, giving you endless possibilities to shape your sound.

Built to Perform

An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, providing a responsive playing experience, while the knobs offer just the right amount of resistance, perfect for fine-tuning your sounds. The solid aluminium front panel ensures durability, making it road-ready for live performances, while the wooden side-panels and blue-on-black colour scheme are a stylish nod to the original Mono/Poly design. Plus, the multi/poly comes with a custom-made soft case, making it easy to transport and protect your instrument wherever you go.

Notes: Part of Sonicware's excellent Liven series of compact groove boxes, the Mega Synthesis draws on the unique sound of the Sega Mega Drive/Genesis games console to create characterful 80s/90s synths.

Supplier's Notes:
Revive the SONIC sensation of the golden era!

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic "YM2612" sound chip, a legacy that endures even today.

The MEGA SYNTHESIS has resurrected the sound engine of this chip. Sonicware have faithfully recreated the 4-operator FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.

4-operator & 8-algorithm FM sound module with precise sound editing in Edit Mode - Including extra features like fine-tuning operator ratios, which was impossible at the time.

PSG (Programmable Sound Generator) sound module - Synthesize basic waveforms and white noise to recreate iconic retro-game-sounds.

And the 8-bit PCM sound part of YM2612 - Recreate the sound of PCM playback controlled by the Z80 microprocessor used at the time.

Sampling capabilities (8-bit - 12kHz: up to 8 seconds / 24kHz: 4 seconds / 48kHz: 2 seconds, 96 stored samples)

Legacy Mode to faithfully replicate the sound of the era

This feature simulates the characteristically grungy sounding quirks of the YM2612 sound and can be turned on/off for each track.

In the FM tracks, you can separately configure FILTER [frequency response simulation] and LADDER [replication of the unique 9-bit DAC]. And the PCM track can also be played back in 4BIT, allowing you to create the sound to your preferences.

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

Creating game music is a breeze with this intuitive sequencer, featuring a straightforward 6-track layout comprising 3 FM synthesis tracks, 2 PSG synthesis tracks, and 1 PCM sample track. woo
Specifications

Synthesiser


FM sound module [Tracks 1, 2, 3]
- 4 operators - 8 algorithms
- Maximum polyphony: 6 voices
- Sound editing in FM Edit mode

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PSG sound module [Tracks 4, 5]

- 11 types
Square wave
Noise (Low/Mid/High) -> Square wave
Pulse Wave
Noise (Low/Mid/High) -> Pulse Wave
Noise (Low/Mid/High)
- Maximum polyphony: 4 voices

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PCM sound module [Track 6]

- 8bit - 12/24/48kHz (switchable) linear PCM sampling (mono)
- Up to 8 seconds of sampling per sample (12kHz), 4 seconds (24kHz) or 2 seconds (48kHz)
- Auto start sampling function with the input level (input level can be set)
- Auto-slice function (equal division by number of slices or length of one slice)
- Maximum polyphony: 3 voices (1 voice in One-shot mode)?- 96 sample memory slots (16 x 6 banks)
- Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Drum mode (Drum kit performance)
- One-shot mode (Sample playback or chromatic performance)

- Sweep with adjustable speed, range, and curve
- Switchable between sweep envelope and LFO

[Effects]

Effect send amount can be set independently for each track

- Send Delay
- Insert Delay
- Reverb
- Crusher
- Distortion
- Compressor
- Low pass filter
- High pass filter
- Isolator
- Remix Performance effect

[Sequencer]

- 6 tracks
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]

- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]


27 keys (with a hold function)

- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: A creative approach to video synthesis courtesy of Critter & Guitari, the Eyesy generates real-time visuals to accompany a musical sound source. Deeper programming options allow you to control the graphics, trigger changes via MIDI or even code your own patterns.

Supplier's Notes:
Welcome to the world of the EYESY - Critter & Guitari's video synthesizer! The EYESY reacts to your music to create endlessly mesmerizing visuals. Simply plug it in and start creating. But don't be fooled by the simplicity of the EYESY, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the EYESY will become an indispensable tool.

Modes

The EYESY comes with numerous pattern generators called modes.

Navigate the modes using buttons, and then tweak their visual appearance using five knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. The controls allow you to effect various elements of the patterns and colours. There is also a setting that allows the graphics to pile up in vibrant collages.

Save and Load

Store your current settings and screen grabs.

When you happen upon a setting that you like, press the scene save button to save it. This scene can now be recalled at a future time.

You can press the screen grab button to take a picture of the current frame, providing a quick way to generate interesting still images from your moving videos. Access all of your screen grabs from the browser-based interface.

MIDI Input

The EYESY's USB-MIDI & TRS-MIDI inputs offer a wide range of controllability.

Incoming MIDI Notes and Clock can change a mode's behaviour. The knobs can automated by sending MIDI controller messages from a sequencer or your favourite performance software. Program Change messages may also be sent to select your saved scenes.

Customise

Curate your EYESY for you.

You can add and remove the pattern generating modes to make the device as simple or complex as you like. The saved scenes are stored in a single file that can be saved and edited. All of the resources are managed through a simple-to-use web browser-based interface.

Coding

If you really want to go deep, you can also program your own modes for the EYESY.

Edit and create your own modes! The modes are all open source and based on an open platform. You can make changes to the modes and create new modes using the browser-based editor. Modes are written in the Python programming language.

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz. Output: 9VDC, 1.3A, Center-positive polarity.
USB-WiFi Adapter (Ralink 5370 Chipset, 2.4GHz)

Included storage:
A microSD card holds the operating system and modes. There is ~4GB for available for mode storage.

Notes: Typically creative stuff from Pittsburgh Modular, the updated Voltage Lab is the pinnacle of the brand's synth output. Dual oscillator design with a 16-note touch controller, built-in sequencer and MIDI control.

Supplier's Notes:
The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analogue textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analogue physical modeling and more unfamiliar, abstract timbres.

Laboratory Oscillator 1

Voltage Lab 2 includes a pair of Laboratory Oscillators. Each with a unique set of newly invented waveshaping tools designed to expand the sonic potential of analogue synthesis. Laboratory Oscillator 1 introduces Center Clipping to analogue synthesis. Center clipping unlocks independent control over the top and bottom of the waveform, allowing for detailed manipulation of harmonics and timbre without affecting pitch. It does this by processing waveforms from the center out as opposed to traditional methods which work from the peaks inwards.

Laboratory Oscillator 2

Laboratory Oscillator 2 introduces a host of new sonic possibilities with two new waveshapers. Pulse Symmetry and Reflection. Pulse Symmetry creates a new species of pulse wave that adds a step between the top and bottom of the waveform. The resulting wave looks like a set of stairs where the depth of the center step can be adjusted in addition to the pulse width. Wave Reflection takes the bottom half of the waveform and reflects it onto the top half. Each waveshape responds to this differently. For example, a saw wave morphs into a triangle while triangle and sine waves lose their fundamental harmonic and jump up an octave.

Pittsburgh Dynamics Controllers

The new Dynamics technology imparts Voltage Lab 2 with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voices of the Voltage Lab 2.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Voltage Lab 2 sounds more natural or complex compared to other instruments.

Touch Controller 2

The Touch Controller 2 enables artists to blend traditional pitched performances with the freedom to openly experiment, creating a flexible playground for music creation. Two independent channels offer a combination of real time, expressive playing and in-depth sequencing. Assignable scales, step conditions, jumps, chance effects, generative sequencing, and a host of other tools, come together allowing musicians to both create and interact with complex systems.

A Florist and Echos

The Voltage Lab 2 includes a set of analogue time based effects, Florist and Echos. The Florist is a flanger/chorus hybrid that focuses on brighter, short time shifts with highly controlled feedback allowing for maximum ringing before self oscillation. Echos is a more traditional, darker analogue BBD delay that also utilizes highly controlled feedback to provide a larger number of repeats before falling into self oscillation. Both effects are perfect for traditional workflows and unconventional experimentation.

Complete Set of Modular Tools

The Voltage Lab 2 includes a host of fully modular, analogue and digital synthesis tools to support and enhance it's core functionality. Analog tools include flexible mixers, a pair of complex function generators, noise, sample and hold, and an LFO. Digital tools cover external MIDI, arpeggiator, and a robust chance sequencer. The Voltage Lab 2 toolset is deep enough for all types of sonic experiments.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Based on the iconic Mono/Poly analogue synth of the early 1980s, the Multi/Poly draws on decades of tech innovation to offer something fresh and exciting. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Multi/poly module

Breath-taking analogue-inspired sound with the limitless power of digital technology.

Summary

The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.

Overview

Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.

Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.

Next-level analogue modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres

Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

MIDI 2.0 property exchange and polyphonic aftertouch support

All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.

Rack-mount and desktop compatible

The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio

Specifications

Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.

Notes: The legendary MicroKorg gets a major overhaul, bringing this iconic instrument right up to date. Eight voices of powerful, punchy and inspiring virtual analogue sound. A superb all-rounder, suitable for all styles of music.

Supplier's Notes:
A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: Vintage FM synthesis meets analogue character in the TWISTfm. Eight-voice polyphonic sound engine with superb versatility thanks to 15 filter modes including Heat saturation and adjustable resonance.

Supplier's Notes:
Unleash the full potential of FM synthesis with TWISTfm, a cutting-edge polyphonic synthesiser that blends vintage FM synthesis with advanced analogue filtering and modern control. Designed to offer a rich, dynamic sound palette, TWISTfm is the perfect tool for musicians and sound designers looking to push the boundaries of sonic creativity.

At the core of TWISTfm are two legendary Yamaha OPL-3 YMF262 FM chips paired with dual YAC512 stereo DACs, providing 8 discrete voices. Each voice is equipped with its own analog multimode filter for an unparalleled range of sound design possibilities.

With HEAT and Dual Resonance Modes: Featuring 8 individual analogue filters, inspired by the iconic designs of Mutable Instruments, TWISTfm gives you precise control over sound shaping with 15 filter modes, including low-pass, high-pass, band-pass, phaser, notch, and more. The HEAT parameter adds anything from warm, subtle saturation to harsh analog distortion, allowing you to push the filters to their limit. Additionally, you can switch between two resonance flavors-LIQUID, for smooth and subtle resonance, and MS20, for more aggressive, cutting tones. With digital control over resonance and cutoff, the filters offer flexible modulation and the ability to store settings with presets.

TWISTfm's MPE mode fully supports three dimensions of control-pitch (X), timbre (Y via CC74), and pressure (Z)-offering precise per-note modulation for unparalleled expressiveness and depth in your sound.

Whether you're composing in the studio or performing live, TWISTfm's robust feature set and intuitive design make it a powerful addition to any setup. Its combination of vintage FM tones and modern control capabilities offers a unique, versatile sound engine capable of producing everything from smooth ambient pads to aggressive basses and leads.

Notes: All black version of Sonicware's excellent digital synth. The ELZ_1 Play features an impressive 17 different digital synth engines, including low-bit retro sounds and the unique DNA Explorer.

*** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

Supplier's Notes:
17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: Co-developed by the late Chris Huggett, the Mantis is PWM's flagship synth, a duophonic hybrid design with high-performance digital oscillators and state-variable analogue filters. A fitting tribute to a legendary synth designer.

Supplier's Notes:
Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment

Specifications

200 Patches
All patches in RAM so can be overwritten
Bank A: 100 Factory presets
Bank B: 100 User presets (all set to initial patch)
Compare function
Initialise patch function

Duophonic with 2 analogue signal paths
Mathematically generated oscillators designed by Chris Huggett
Analogue signal path designed by Chris Huggett

2 Oscillators plus sub-oscillator per voice
Sine / Triangle / Saw / Pulse plus additional wave types
Shape control and shape modulation input
Will create pulse width modulation on the pulse waveform with perfect square at the centre
Pitch modulation control
Octave selects per oscillator
OSC 1 SUB follows oscillator 1 parameters

Oscillator Drift
Creates random pitch variations between oscillators

Multi-mode state variable VCA filters with overdrive
2 Analogue filters - 1 per signal path
Low Pass / Band Pass / High Pass in 12dB and 24dB configurations
Additional WBAND (series) and WSTOP (parallel) types
Filter Cutoff
Filter Cutoff Modulation
Filter Resonance
Filter Width
Filter Width Modulation
Filter Keytrack

LFO (Low Frequency Oscillator)
2 LFOs
4 waveshapes per oscillator
Fade In / Fade Out parameter
SYNCable
Rate control

Envelopes
2 Independent envelopes
ENV 1 normalised to amplitude
ADSR
+ Sustain Fall parameter for shaping during key-down
+ Repeat which can be used to create looping envelopes
Velocity positive and negative control

Ring modulation

Mixer
First mix: OSC1 and OSC2
Second mix: OSCillators and noise
Third mix: OSCillators + noise and Ring modulator

VCA (Voltage Controlled Amplifier)
All amplification is done in the analogue domain in multi-stage VCAs

Modulation Routes
Control - 6 choices of modulation parameters
Source - 6 choices of effectors from envelopes and LFOs
Scale - choices of controls used to scale the effect of the modulation

Glide
Glide amount
Auto-glide mode

Indicator LEDs
Two LEDs for Voice
LED for Keyboard activity

Master tune

Master volume

Triggering
ENV 1 Legato
ENV 2 Legato
LFO Keytrig
LFO Keytrig

Connections
Master power switch
DC 9V input
USBC
MIDI IN / OUT / THRU
Sustain pedal input (switch)
Pedal input (continuous)
Stereo 1/4" line Outs: L/Mono and R
Stereo 1/4" headphone out

Multi-function Joystick control
Left / right for pitch bend
Performable vibrato
Latching hold mode

Arpeggiator
6 arpeggiator types
- Up, Down, Up/Down 1, Up/Down 2, Played & Random
Sync rates control from 2nds to 32nds
Tap tempo button
Swing including positive and negative swing
Auto clock sync
- Detects MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Latch via joystick HOLD
6 Octave range

Dedicated tempo control

Duophonic mode control
Duo mode
Duo mode with simple filter
Pan control for duophonic voicing

Digital Effects
Reverb time
Reverb level
Reverb High Pass Filter
Reverb Low Pass Filter
Chorus level
Chorus type

Keyboard Control
37 Full-size semi-weighted velocity-sensitive keys
Channel aftertouch
Octave shift

Weights and Dimensions (product unboxed)
620 x 320 x 110 mm
5.3 kg

Includes:
Power Supply (9V 600mA)
USB C lead
Getting Started Guide

Notes: A lovely creative approach to generative synthesis. Dual voices with triangle/square wave oscillators, shift register and envelopes can be patched via banana cables to create unique grooves and drones.

Supplier's Notes:
Double Knot v3

The Double Knot v3 is a small generative synthesizer with two voices and corresponding sequencers. This instrument has a simple architecture which is capable of a wide variety of sounds, including rhythms and drum patterns or textural and grating noise sounds. The interface is made up of knobs, switches, and banana plugs for patching. The two voices of this device each consist of a triangle/square wave oscillator, a shift register sequencer, an enveloper, and a voltage controlled amplifier. A clock sets the tempo of the shift registers.

The voices of the Double Knot are pre-wired, in a linear chain of functional blocks. The patch points are available to route modulations, influencing the simple linear voices. The game of this device is to investigate the relationships between the elements of the synth using the knobs, switches and patch-points.

FAQ

How many banana cables do I need? and what length?

8 or 10 cables around 12" long is a great start.

Can I patch this with my other synth?

Only what is safe for this synth. The banana ports of this device can handle max +/- 8V at all inputs and outputs assuming at least a 1k output impedance in the other device. The response range of the voltage inputs is ~1.2v - 8V (range of a TL07x powered by 9V).

Is this synth good by itself, or does it rely on other devices to be useful?

Some good sounds can be had using this device and a handful of banana cables.

Notes: ALM's latest complete modular system, the Turismo combines classics like the Squid Salmple sampler and ASQ-1 sequencer to create a cohesive, engaging synth. The ultimate Eurorack starting point?

Supplier's Notes:
The Turismo is our fully modern Eurorack modular workstation, blending a curated mix of our
flagship analog and digital modules for a versatile and creative patching experience. It offers
a distinctive ALM character, designed for both precision and fun.
The workstation delivers everything from analog bass, bleeps and leads, lush chords, filtering,
extensive sampling, and DSP effects combined with various sequencing styles and numerous
modulation options plus full MIDI integration. It's an all-in-one creative hub that's endlessly
explorable.
Designed also with live performance in mind, the travel-sized 84hp system fits in a rucksack
and comes with a Decksaver cover for added protection. With MIDI, stereo line-level input,
and headphone output, it's perfect for live sets, DAWless jamming, and seamless studio integration. The system features a custom design with unique coloured controls and neodyme
bronze anodized side panels.
The Turismo is a perfect starting point for Eurorack beginners, offering a seamless pain-free
entry into modern modular synthesis that's immediately playable. For seasoned users, it's a
ready-to-use and well balanced cutting edge system designed for effortless creative exploration.

Feature List:

Numerous analog and digital sound sources including oscillators, chords, samples, noise
and more.
Sample recording and eight channel sample playback.
Five analog VCAs and numerous patch-able digital level controls.
Two fully analog multimode resonant filters.
Three inbuilt Sequencing options to run numerous synced melody and rythmic patterns.
Numerous modulation sources including LFOs, Envelopes, randomisation, quantisation,
syncing etc.
Stereo FX Processing with 18 different programs including reverbs, delays, granular processing and more.
Various utilites - S&H, mults, mixers, slew limiter, etc.
Stereo line level in and headphones out.
Three channel MIDI pitch, trigger and clock synchronisation.
Custom look modules and neodyme coloured case only available as part of the Turismo.
Includes international power, deck saver and patch cables.

Tech Specs:
Dimensions: 440 x 264 x 120mm
Weight: 3.24kg
Size: 6u / 84HP
Power: 12V 4A (approx)
Connectivity: TRS MIDI IN, Stereo Line level In, Stereo Line/Headphone out, USB-C ports
for firmware upgrade.

What's Included:

Turismo System & Modules
ALM023 / mmMidi & mmT expander
ALM022 / SQUID SALMPLE
ALM020 / QUAID MEGASLOPE
ALM026 / MULT
ALM036 / TAZM-O
ALM042 / CIZZLE
ALM032 / MFX
ALM037 / MEGA MILTON
ALM035 / ASQ-1
ALM034 / Pamela's PRO Workout
ALM028 / Pip Slope (mk II)
ALM030 / MCFx2
ALM033 / MEGA-TANG
ALM019 / HPO

Included patch cables:

15cm (x10)
30cm (x10)
60cm (x10)
90cm (x3)
120cm (x2)
MIDI DIN to TRS adapter cable
Squid Salmple USB stick with full sample banks
Universal 12V 5A power supply
Decksaver
Printed Manual

Notes: A complete system which really showcases Make Nose's experimental approach, the Resynthesizer features Make Noise classics like the Spectraphon and Morphagene and hands-on control via the PrssPnt, alll housed in a 4 Zone CV Bus Case.

Supplier's Notes:
The ReSynthesizer can trace its origins to Spring 2023, with Walker and Rodent putting together a collection of modules to announce and demonstrate the Soundhack Spectraphon at Superbooth '23. These modules would need to complement Spectraphon in a way that would show its true capabilities. As such, this specialized layout comprised a single-system overview of the last 8 years of Make Noise module designs.

After Superbooth, Walker and Peter continued to use a similar system configuration in videos for Make Noise's Youtube and Instagram Channels, prompting some folks to speculate if it was to be Make Noise's new 7U system. At that time there were no plans for a new system; in fact, this layout had been intended as temporary all along, but it was made a useful layout in almost all cases. (The layout even gained the popular unofficial moniker "System X" thanks to the speculative work of Cinematic Laboratory and others.) Choices like the unusual placement of the Morphagene, adjacent to Spectraphon, which was initially assumed would be mainly for a very specific use-case, quickly became second nature to patch. The Spectraphon and Morphagene work together to ReSynthesize raw materials into lush soundscapes, microsound manipulations, or wherever the path leads.

In early 2024, Make Noise announced DXG for the easy mixdown of mono or stereo signals, and PrssPnt to add physical touch interaction. With these pieces in place, the ReSynthesizer is born. Pairing the Spectraphon with the Morphagene and the core Make Noise CV generation suite, and housed in the powerful and portable 4 Zone CV Bus Case, the ReSynthesizer is an open design blackboard ready for experimentation and discovery.

Make Noise put this collection through its paces and have found it to hold up to any test thrown at it!

Specifications

Size: 7U
Total HP: 208 @ 3U, 104 @ 1U
Dimensions: 22.25" x 14" x 7.25" w/ lid

Notes: High-end digital synthesis from this boutique German brand. The Manatee combines distinctive spectral synthesis with virtual analogue and FM methods, creating multi-layered polyphonic sound with MPE control.

Supplier's Notes:
Manatee is the most advanced multitimbral synthesizer from Fred's Lab.

This project has been a labour of love, with 3 years of meticulous engineering work put into every aspect of its creation.

Powered by 2x dual-core DSPs and high-fidelity DACs, Manatee offers a minimum of 16 voices of pure digital sound shared between 4 parts. Coupled with a hands-on user interface putting all important synthesis parameters at fingertips reach, Manatee is a joy to explore and play with.

Fred's Lab new Spectral Engine, bolstered by a selection of modern VA Algorithms, delivers a beautifully unpolished raw sound, calling to be refined with the smooth multimode filter.

Manatee offers numerous per-voice and per-part complex modulation sources and wiring, including 'Meta Envelopes' and 'Custom LFOs'. MIDI expression controllers, such as polyphonic aftertouch, can shape modulation amounts at will. The additional 3-slot modulation matrix offers extra flexibility to the default routing options.

The multi-part architecture includes a dedicated stereo delay module and 2x equalizer sections for each part, providing up to 8 seconds of delay and various equalizer shapes like low cut, low shelf, high cut ... Additionally, a global insert reverb with various algorithms is there to add spaciousness to the entire mix.

Finally, the sturdy, powder-coated steel chassis of Manatee is full of robust parts, including metal potentiometers screwed to the panel, high-endurance switches, and high-reliability audio connectors. Built to withstand the rigors of touring and endless hours of use, Manatee is a durable choice for musicians and sound designers.

Connectivity

1x Line Level Main Bus - 6.35mm TR jacks
1x Line Level Aux Bus - 6.35mm TRS jacks (with return path)
1x Headphones Output - 3.5mm TRS jack
1x MIDI DIN5 Trio (IN, OUT, THRU)
1x Clock input - 3.5mm TRS jack (with start / stop)

Mechanics

Powder coated steel chassis
23x Metallic Potentiometers (panel screwed)
18x Illuminated Switches
8x Tactile Switches
Dimensions: 265 x 140 x 50 mm
Weight: 1.60kg

The Spectrum Generator

The Spectrum Generator uses pre-defined reference spectra and various harmonic manipulation tools to provide precise control and alteration of the timbre. Adjust formant, rotation of bins, the waveform used for signal reconstruction and more to craft the raw character. These parameters can be modulated for some complex soundscape creation.

The Sub-Oscillator

The Sub-Oscillator is designed to complement the Spectrum Generator, providing a wide range of sonic material to choose from. It features modern Virtual Analog Algorithms for classic waveform generation and super-saw and super-square waveforms. Additionally, it can play user-imported short waveforms for even greater versatility in sound creation.

The Noise Module

The Noise Module is an advanced source including a built-in continuous low-pass to high-pass filter for precise control over the noise spectral content. The noise sample rate can be programmed to generate crackles, glitches, or pure white noise, depending on the needs.

The Ring Modulator

The Ring Modulator is an iconic tool that multiplies the outputs of the two oscillators, making it perfect for generating inharmonic tones, special effects, and percussive sounds.

The Multimode Filter

The Multimode Filter uses hand-written assembly algorithms based on latest research on analogue modeling technology. It offers classic shapes in 12 and 24dB/octave, with filter tracking and self-resonance capabilities. The built-in saturations add subtle warmth and colour to the sound. The filter has a very smooth & natural ground character and react very fast to cutoff changes handling filter FM and fast envelopes with style.

The Overdrive

The Overdrive is a post-filter effect with a range of models, from gentle saturation and tube overdrive to more aggressive signal destruction through bitcrushing and clipping. It adds grit, warmth, and distortion to the sound for a dynamic and expressive performance. Algorithms are very natural sounding, analogue-like.

Meta-Envelopes
The Meta-Envelopes share their Attack, Sustain, and Release parameters, while each Decay stage is independent. Envelope stages can be switched on or off, allowing for a variety of shapes from a full ADSR to a simple gate. MIDI Velocity can be set to influence the Attack and Decay times, and envelope amplitude can be scaled with aftertouch. Envelopes can be looped and reset on triggering or set to keep its previous value.

Custom-LFOs

The Custom-LFOs provide an eclectic set of more than 16 waveforms, including noises and other algorithms, waveforms which can be chained together to create complex modulation sequences. Each LFO has its own AR envelope with Rise and Fall controls, and can be MIDI clocked and restarted for precise synchronization. Additionally, some MIDI parameters can influence the LFO amplitude.

The Modulation Matrix

The Modulation Matrix consists of 3x slots for each voice, providing extensive routing options to enhance the hardwired connections. The matrix offers a large selection of sources and destinations that cover almost all sound parameters. The modulation amount can be scaled by common MIDI parameters such as Aftertouch, Velocity, and more, allowing for expressive playing styles.

The Delay Module

The Delay Module offers Mono, Stereo, and Ping-Pong modes, with MIDI clock synchronization and adjustable feedback, mix, and colour controls. It supports a range of delay lengths, from very short - resonator-like - to free delay length up to 8 seconds. Each part has its own independent delay module.

The Equalizer Section

The Equalizer Section features two independent equalizers for each part, offering cut, boost, or shelf modes and adjustable corner frequencies. This is a powerful tool for blending the sounds of the different parts.

The Part Mixer

The Part Mixer provides flexible routing (audio buses), volume and panning controls for each part. It also defines the amount of signal sent to the master Reverb.

The Master Reverb

The Master Reverb is a high-quality algorithmic reverberation unit with a pleasant not bright but clean sound. It offers multiple programs with rooms and halls. This reverb is a handy mixing tool, making the overall sound more cohesive and polished.

Electronics

Manatee is powered by 2x 200MHz dual-core DSPs, offering advanced audio synthesis capabilities and an impressive dynamic range. Included too are 128 MBit of SRAM, 512 kBit of EEPROM, 4x 24-bit Burr Brown DACs, and transparent line and headphone drivers.

User Interface

The interface offers hands-on controls over all major synthesis parameters for all sound modules. The strong torque potentiometers feature Nylon knobs that provide a satisfying haptic feel. The high contrast 16x2 LCD screen clearly displays feedback through both text and small graphics.

Notes: Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: ***B-STOCK: Box opened, item already assembled but product in perfect working order***


Second generation version of Korg's customisable synth and effects unit. New 18-key multitouch keyboard, upgraded processor, new oscillator types and new effects. Create your own personalised instrument.

Supplier's Notes:
Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions

Notes: A new method of sonic experimentation, communication, and connection has arrived. Say hello to Messenger, a next-generation analog synthesizer that celebrates classic Moog circuitry and introduces modern features to shape the future of sound design.

Messenger is a new Moog monophonic analog keyboard synthesiser designed for the electronic musicians, producers, sound designers, sonic tinkerers, and analog dreamers of today and tomorrow. Engineered to open new portals of art and expression through sound, the instrument is ready to be a trusted creative companion for any musical genre or style at any point in your synthesis journey.

If you're new to synthesis, welcome. You're exactly where you need to be. Messenger's intuitive layout with clearly labeled controls invites immediate hands-on exploration and encourages a deeper understanding of how to shape and sculpt sound. For experienced synthesists and sound designers, Messenger is packed full of innovative twists on beloved analog circuitry, blending the iconic, raw Moog sound with flexible, modern features designed for use on stage or in the studio. This synthesiser has two oscillators with wavefolding functionality, a sub-oscillator with continuously variable waveshapes, dual looping ADSR envelopes, 32 semi-weighted full-size keys with velocity and aftertouch, and the legendary Moog ladder filter augmented with resonance bass compensation, multiple filter slopes, and true multimode functionality. Messenger's 256 on-board presets allow for immediate saving and recall of your favorite sounds. An intuitive arpeggiator and expression/sustain pedal inputs make this an indispensable live tool, while its unique sequencer with probabilistic controls and modular connectivity set Messenger up to be at the core of your studio or home setup.

Craft soaring leads and deep, rumbling basses. Create delicately textured pads and flowing arpeggios. Build beats with custom kicks, snares, and toms. Explore dense drones and inharmonic metallics. Pay attention to how these sounds impact the way you hear the world around you.

Timeless and Intuitive: Messenger builds on the DNA of Moog's most iconic and prolific monosynths - Minimoog Model D, Voyager, Grandmother, Subsequent 37 - and puts a new spin on a familiar format with innovative circuits and timeless analog sound.

A Legend Reborn: The legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.

Inspiration at Your Fingertips: 32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.

Compositional Powerhouse: Effortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. Experiment with a plethora of arpeggiator patterns and cascade notes into infinity.

Sound Design and Modulation Playground: Two loopable ADSR envelopes, two LFOs, and expanded frequency and audio rate modulation options via Oscillator 2 provide a wealth of modulation options and deeper assignable possibilities.

Comprehensive Connectivity: Messenger integrates seamlessly into any studio or live setup with six analog control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and 5-pin DIN MIDI in/out as well as MIDI over USB-C.

Notes: ***B-STOCK: Box opened, product in perfect working order***


An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: A year ago, Jomox brought out the Mod FM as a eurorack module.

Now, Jomox present almost the same synth, but as a desktop unit, with its own PSU, Midi, standard 1/4" balanced outputs and analogue volume control.

The Mod FM D has an analogue side chain stereo input that gets routed into the Mod FM D effects, and can be mixed to the synth.

The ratio of synth + input/effects can be controlled via an analogue dry/wet potentiometer.

The Mod FM D is a completely self-contained 8 voice FM synth in desktop format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally, it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM D, although the FM engine is digital of course.

Each voice has its own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM D has Midi in and out and a USB C connector which handles Midi too.

Even without diving too much into complicated setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds as tons of crazy weird stuff.

Furthermore, the Mod FM D offers a variety of external cv modulations in order to modulate each operator individually or control the FM envelopes.

The Mod FM D is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but edits made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Analogue and modular is great but can be very complex, and you might be trapped in a system where you never reach again the pretty sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

As it gets pretty quickly uncontrollable if you turn all the knobs due to the feedback, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-vca which is important for snappy sounds. The same transistor-vca is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.

On the analogue voice board there is another sound source: Metal Noise. It can be mixed into the filter independently from the digital engine (= FM synth) and offers again an inexhaustible pool of weird sounds.

FX:

The Mod FM D also has an FX section added: reverb and 2x delay. These only work on the stereo mix output. The delay can be beat-synchronized via midi clock and offers a very short delay time in millisecond range. That gives you flanging and oil-can-like effects.

Specifications

8 voices fully multi timbral FM synth
4 operators per voice
Full modulation matrix / 26 algorithms
2 LFO/VCOs per voice
Balanced stereo 1/4" jack outputs
Stereo Hi-Z 1/4" jack inputs
Analog effects mix
Outputs for each voice plus mix out
CV/Gate per voice
CV modulation inputs per operator
True audio FM modulation inputs
True analogue filters per voice
24db low pass
12dB multimode LP/BP/HP cont. shape
True analogue VCAs per voice
Midi in, out
USB C device
Digital reverb, 2x stereo delay
Full storability, also CV amounts
128 presets, 118 multi sets
2x 128x64px OLED displays

Power consumption: 12V=DC 2A max.

Dimensions:

Width: 318mm
Depth: 180mm
Height front: 44mm
Height back: 72mm

Weight: 1,9kg (4.4 lbs)

Notes: Process and generate synth sounds with the unique Magnetar distortion synth, based around distortion and fuzz circuits in series. Adjustable feedback and LFO modulation give super distinctive tones.

Supplier's Notes:
Magnetar is a dual distortion synthesizer featuring distortion, fuzz (connected in series), equalization/feedback, delay, and LFO. However, the capabilities of this synth go far beyond a simple sound processor. It can generate incredible sounds without any input, simply by tweaking the controls to create unpredictable sounds, perfect for drone, ambient, noise, and more. You can see it in action in the video. It's highly recommended to read the manual carefully, as the synth is very sensitive to input level changes. The level pots not only control the levels but also produce unique textures and intriguing sound variations.

Signal Chain: IN + DISTORTION + FUZZ + DELAY + OUT EQ + FB LFO MAGNETAR

Controls:

Distortion Module: (From left to right and top to bottom) In
Input level to the distortion Dist 1
Distortion level Hue
Distortion tone (the associated switch changes the tone) Tone
Equalisation In
Input jack Mod
LFO frequency (modulates GIG) Level
LFO level (modulates GIG) Takes DC 28V Feedback
From the distortion module Out - Output NXPTD
Feedback delay D/W
Delay effect level On/Off switch BP
Unit bypass

Fuzz Module: Level
Input level (linked to the distortion input) Gain
Gain Dist 2
Fuzz distortion level Fog
Changes the fuzz tone

Notes: The UNVO-1b powered by a centre negative DC 9V adapter or a single 9V battery.

It also contains two VCOs (oscillators) with a wide range.

The frequency and waveform of the SUB oscillator are changed, and they are input to the main, respectively. Each of them has a range switch, so it works like an LFO under the switch. The colour of the range switch (white, black) corresponds to the colour of the SUB.1 and SUB.2 on-off switches next to the FREQ knob of the main oscillator.

When the WAVE switch is turned on, the WAVE knob is activated, and the SUB OSCILLATOR.1 and 2 are shaken.

The main VCO×2 is mixed and fed into the strain + filter circuit. This special filter has a FREQ knob and a TUNE knob. The TUNE knob powerfully amplifies the input signal while also tracking specific pronunciations.

The filter is a circuit that has been fine-tuned so that it can very effectively enhance the bass and treble of this input signal.

Unlike other switches, the noise-on switch moves sideways, left (VCO.1), middle (OFF), and right (VCO.2). They are populated in VCO.1 and 2, respectively.

The UNVO-1b is a noise machine that can output a very strong signal that generates a variety of noise sounds.

The black painted aluminium die-cast case is painted with a black matte paint with a laser and scraped to make letters.

This analogue synth runs on DC9V negative centre or a 9V battery.

The main 2 VCOs can receive 2 oscillators and noise generator inside and go to 2 different filters.

2 oscillators can be tuned with each two FREQ. knobs and controlled with the wave knob.

RED switch is for wave knob working.
Black and White for tone of oscillators

Notes: Reinventing the virtual analogue synth for the 21st century, the Vibes is a digital demon. True stereo signal path, resonant oscillators, Serum-compatible wavetables and heaps of creative potential.

Supplier's Notes:
Small form, big heart

True Stereophonic Digital Synthesiser with 24 Stereo Voices

With its 24 stereo voices, powerful XVA Engine, full Audio Mixer, improved Clip Launcher, comprehensive Drum Engine and the new Resonator Oscillator, Vibes becomes a new class of synthesizer, that helps you to reach your full creative potential.

True stereo

The true stereo signal path allows for sounds, that have never been possible before.

Oscillators that resonate

The new Resonator Oscillator together with the existing Wavetable Oscillator open up a new world of sonic potential.

Sketching, writing performing

The only synthesiser you need for writing and performing your compositions.

Mix it all together!

Mix internal sounds and stereo input with the Digital Audio Mixer integrated into the Vibes!

One preset, eight different flavours

Store your ideas and recall them in an instant with Variants

Engine specs

Based on Mayer EMI's powerful XVA Audio Engine the Vibes is preset compatible with the MD900 and comes with the following feature set:

24 shared Stereo Voices
4 Synth-Parts + 14 Drum Instruments

Stereo structure per voice

2x Oscillator with 3 different models

Algorithm Oscillator

8 different Waveforms (PD_SIN, VA_SWEEP, and more)
Morphing and Modulation capabilities

Wavetable Oscillator

More than 50 preset wavetables
Wavetables consisting of up to 256 single-cycle waveforms with 2048 samples per cycle (Serum format compatible)
Spectral effects (spectral morph, harmonic shift, ... and more)
Up to 4x stereo unison

Resonator (physical modelling)

64 bands
Attack/Decay based exciter
Different Algorithms to define Band Profile

1x Sample / Noise Oscillator
Configurable loop modes and loop points
Single- or Multi-Samples

2x Stereo Multimode Filter with more than 10 different Models
4x ADSR Envelopes
3x LFOs (MIDI synchronized, standard & user defined shapes)
1x Waveform Shaper with different Algorithms
Modulation Matrix with 24 slots (25 source and 40 destination options)
Oscillator Mix and Filter Routing

ARPEGGIATOR and STEP SEQUENCER per Synth Part

Clip launcher

7 tracks (4 Synth-Parts, Drum Track, 2 Midi Tracks for external Instruments) with up to 8 clips per track
Polyphonic MIDI Sequencer with recording and quantization capabilities
Drum Pattern and Sequence Editor
Support of external Performance Controllers (e.g. Launchpad, APKmini) via USB

Synth and live effect stacks

4x Stereo Multi Effect Stack (1x for each Synth Part)
2x Stereo Live Multi Effect Stack in the Audio Mixer
Reverb, Stereo Delay (midi synchronized), Compressor, JChorus6, ... and more)

Digital audio mixer

19 Stereo Input Channels, 2 Stereo Output Channels
Bus, Headphone and Effect Send
Balance, Pan, Limiter functionality

MIDI connectivity

MIDI Control, Note On-Off, Pitchwheel, Polyphonic Aftertouch
Transport Send/Receive
Clock Send/Receive

Webinterface

Up-/ Download of user defined Presets, Performances, Wavetables, Samples, Sequences
Accessible via Wi-Fi or Ethernet

Others

14 GB internal Memory available for Presets, Wavetables, Samples, Performances and MIDI Sequences

Hardware specs

Control elements

5" Colour capacitive Touch-Screen (Resolution 800×480 pixel)
4 display related and 1 Main Encoder
20 Navigation and Menu Buttons
One Knob Section (morphing of multiple parameters together)
3 Synth-Part related Macro Encoder (Multicolour LED Rings)
3 Filter related Encoder (Multicolour LED Rings for Filter CutOff, Resonance and Amount)

Housing

Size (W x D x H): 322mm x 174mm x 76mm
Weight: 2kg
Metal Housing with walnut wood front and back
75mm x 75mm VESA Mount

Inputs/outputs

Power Switch
Power In 12VDC, 2.5A
3x USB-A Port (max. 500mA)
Ethernet (100Mbit)
Sustain Pedal-In: 6,3 mm TR Jack
Expression Pedal In: 6,3 mm TR Jack
DIN MIDI In / Through / Out
Stereo Line-In: 6,3 mm TRS Jack (24bit, 48Khz)
Stereo Line-Out: 6,3mm TRS Jack (24bit, 48Khz)
Stereo Headphone Out: 6,3 mm TRS Jack (16bit, 48Khz)
2,4/5GHz Wifi

Package contents

Vibes MD850
Power Supply 12VDC (including Plugs for EU, UK, US, AUS)
Quick Start Manual

Notes: ***B-STOCK: Box opened, product in perfect working order***


The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: The VSYSTEM-1 is a complete synth in a case of exactly the size of the Korg Volca synths. It contains the following AE modules:

2OSC/d (dual oscillator)
The 2OSC/d module contains two 1V/octave hybrid oscillators.
Each of them has:
one frequency knob plus a range switch +2 octaves
CV input (1V / octave)
PWM input
SYNC input
Sawtooth / Square / Sub-octave output

The pulse width knob controls either the pulse width of the first oscillator (with the second one having a fixed pulse width), or via a switch the second oscillator is also controlled by the pulse width knob. Both oscillators can be pulse width-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output waveform itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to gets a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!

WASP FILTER
This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.

MODULATORS (containing LFO, envelope, random voltage, VCA)
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized) and a VCA

4ATTMIX
A versatile mixer / quadattenuator.
4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.
Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.
An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.

SEQ8 (8-step sequencer)
The SEQ8 is an 8-step sequencer for controlling oscillator pitch and triggering envelopes.
Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ8 has 4 knobs for presetting different CV's (= notes); each of the 8 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.
Additionally, to the selected CV presets, the "raw" value of the step knobs is also accessible at an extra output.

DELAY
This module is a standard mono delay with the usual parameters
delay time
feedback
dry/wet mix.
It sounds not as clean and polished as a usual digital delay, but has quite a character on its own. High feedback settings allow endless and distorting loops.
(For the techies: It is based on the well-known PT2399 chip.)

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like!

Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel (retro) is available for pre-order starting in June 16 at Buchla.com and your favorite Buchla Dealer with delivery expected in winter 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A genuinely unique, inspiring instrument. The successor to the Solar 50 is an experimental dronee machine with a range of sound sources, processing tools and effects. Also avaialble in black.

Supplier's notes:
SOLAR 42 is an analogue microtonal ambient drone machine.

It is an improved model of the SOLAR 50.

On board:

Four drone voices as in SOLAR 50
Two new drone voices, totally different from SOLAR 50. To create space sound
effects
Two white noise generators.
Two Samples and Holds
Two volt octave VCO voices with different waveform variations, including
morphing.
Two LFOs as in SOLAR 50.
5 step analogue sequencer
Preamp for contact mic.
Envelope follower
Stereo mixer with panoramic left and right channels
Dual polyvox stereo filter
Dual cartridge effector combiner with CV control. Now you can load a different
effect on each channel.
Stereo audio output
Dry audio outputs volt octave voices
External audio input.
Joystick
Separate push-button keypad for six drone voices
Touch sensitive keypad controller for volt octave voices.
Power supply unit no longer needs to be reset.
Reduced output noise compared to SOLAR 50.

Size: 49,5 x 32 x 2,9 cm
Weight: 5,5 kg
Designed and engineered by Arseniy Tokarev
Elta Music

TOUCH SENSITIVE CONTROLLER settings

Behaviour:
- single: 12 key mode
- twin*: 2x6 key mode, the parameters are the same for both sides
- split*: 2x6 key mode, but with separate parameters for both sides (e. g.: you can have an arpeggiator on one side, but a basic keyboard controller on the other side)
* in twin and split modes the pressure output acts as the note CV output, therefore pressure parameters (output, rise and fall) have no effect

Arpeggiator state:
- off: the module acts as a keyboard controller
- on: enables arpeggiator

Arpeggiator hold:
- off: the arpeggiator will play only while the keys are held
- on: the arpeggiator will continue to play the last progression after the keys are released

Arpeggiator clock:
- sets the clock multiplication/division ratio for the arpeggiator

Arpeggiator direction:
- forward
- backward
- ping-pong
- random

Arpeggiator variation: when enabled the arpeggiated progression will be played again transposed by the selected interval.
- OFF
- x1
- x2
- x3
Arpeggiator variation interval: 1 - 12 semitones

Arpeggiator rhythm: an eight step trigger sequencer placed between the arpeggiators virtual clock input and clock source, applies a rhythmic pattern to the arpeggio. - turn steps on/off

Arpeggiator rhythm length: sets the length of the rhythm sequencer. 1 - 8 steps

Portamento: creates slew limiting effect on the CV output, sets the speed of gliding (ie: how much time it takes to transition from one pitch to the next). 0 - 255

Legato:
- off: portamento is always on
- on: gliding happens only when two or more note plates are touched simultaneously (this parameter has no effect when arpeggiator is enabled)

Vibrato speed: sets the speed of the LFO that's modulating the note CV output. 0 - 127

Vibrato depth: sets the modulation amount. 0 - 127

Vibrato delay: specifies a time delay before vibrato begins to apply until it reaches the full strength specified by the depth parameter. 0 - 127

Vibrato pressure control: when enabled, the modulation amount is altered by the pressure applied to keys.
- off
- on

Pressure output:
- pressure: voltage on the pressure output will continuously follow the pressure applied to key plates
- ASR: attack/sustain/release envelope generator
- AD: attack/decay envelope generator
- LOOP: looped AD envelope generator
- random: outputs a random voltage

Rise: creates slew limiting effect on rising edge in pressure and random modes, sets attack time in envelope modes. 0 - 255

Fall: creates slew limiting effect on falling edge in pressure and random modes, sets decay/release time in envelope modes. 0 - 255

Scale editor: turn notes on/off of the scale applied by the note quantiser, when all notes are disabled the module works as a microtonal keyboard.

Load scale: select and load a preset scale/mode.
- Semitones
- Ionian
- Dorian
- Phrygian
- Lydian
- Mixolydian
- Aeolian
- Locrian
- Blues major
- Blues minor
- Pentatonic major
- Pentatonic minor
-Folk
-Japanese
-Gamelan
-Gypsy
-Arabian
-Flamenco
-Whole Tone

Root note: sets the root note of the scale applied by the note quantiser. C - H

Notes: Blue version of the Bree6, GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control.

Supplier's Notes:
The Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltagecontrolled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.


The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.

Notes: The NDE-1 is JMT Synth's flagship synthesiser, capable of a wide range of sounds. Consisting of two VCOs, a sample & hold function, a noise generator, a low-pass filter, a LFO, VCA, and an envelope generator. This combination can create a powerful and variable sound. The 4-pole filter works very smoothly, and an external audio input. It can be paired with a sequencer for live performance and a wider range of sounds.

Notes: The JMT RVO-3 is an analog noise synthesiser featuring 2 oscillators. 1 main oscillators with 1 sub oscillators paired to it. Each of the oscillators features their own frequency controls, and sync switches for each of the oscillators pairings allowing a wide range of textures. It has a main VCO with a frequency control knob and a push button allowing a short envelope to control the frequency. Additionally, controls for the waveshapes and stability of the VCO and sub frequency VCO allow for further manipulation of timbre.

Notes: The NOSC-12, from JMT Synth, is a 12 oscillator drone synthesiser, six main oscillators with six sub oscillators. There are frequency controls for each of the oscillators, including the sub oscillators, which also include sync switches for each of the oscillator pairs. Each of the oscillators are mixed together to a 1/4" output jack.

NOSC-12 Features

12 Oscillator Drone Synth
12 Suboscillators, one per Osc
Volume Controls for each OSC
Sync switches for each OSC.

Notes: Really nice boutique analogue synth from JMT, based around a main oscillator with three sub signals, a frequency-synced resonant filter, noise source and three-speed random trigger.

Supplier's Notes:
DNVO-1 is a handmade, compact analog synthesizer from JMT Synth Its primary oscillator can be synced with three sub oscillators, each with a different range, as well as a noise source and wave generator. The latter source can be manipulated with the 3-speed random trigger for effective fluctuations within a single performance. The primary VCO is routed through a self-oscillating filter, which can sync with the VCO's frequency.