Donna Summer - "MacArthur Park" (single version) (3:54)
Bee Gees - "Tragedy" (4:53)
Alfie Davis & The Sylvia Young Theatre School Choir - "Day-O" (2:51)
Tess Parks - "Somedays" (2:30)
Scott Weiland - "Where's The Man" (5:06)
Richard Max - "Right Here Waiting" (4:24)
Sigur Ros - "Svefn-g-englar" (9:00)
Richard Harris - "MacArthur Park" (7:24)
Pino Donaggio - "Main Title From Carrie" (2:50)
Danny Elfman - "Main Title Theme" (3:21)
Danny Elfman - "End Titles" (4:35)
Review: Iconic movie classic Beetlejuice is back and we for one have enjoyed its return. Tim Burton's 1988 cult classic has been reimagined for modern audiences in 2014 and came complete with a new soundtrack. The original score, composed by the legendary Danny Elfman, blends whimsical melodies with eerie undertones, perfectly capturing the film's quirky and haunting vibe. Highlights of the original include Elfman's iconic main titles, which have become synonymous with Burton's gothic style. The new soundtrack also features standout tracks like Alfie Davis & The Sylvia Young Theatre School Choir's rendition of 'Day-O' and Richard Marx's "Right Here Waiting," adding fresh dimensions to this timeless, offbeat classic.
Review: Released to coincide with Japanese musical Goliath Ryuichi Sakamoto's 70th birthday, To the Moon & Back was almost inevitable. Even without worrying reports about the maestro's health, there's no way anyone can have such a significant impact on global music for so long and not have people wanting to pay tribute upon reaching septuagenarian years.
And what a tribute it is. Taking elements from a huge back catalogue that stretches back to the mid-1970s, contemporary greats including Thundercat, Alva Noto, Hildur Guonadottir, The Cinematic Orchestra, and David Sylvian offer new versions and remixes of the master's stuff, with each track here chosen by Sakamoto, which is about as significant a seal of approval as you could hope for. Like the man himself, it's widely varied, consistently innovative and just really, really good.
Final Fantasy IX: For The People Of Gaia (part 1) (15:23)
Final Fantasy IX: For The People Of Gaia (part 2) (6:25)
Final Fantasy IX: Not Alone (bonus track) (2:52)
Final Fantasy V: Library Of Ancients (part 1) (16:21)
Final Fantasy V: Library Of Ancients (part 2) (4:44)
Final Fantasy VIII: Mono No Aware (part 2) (13:52)
Final Fantasy VIII: Mono No Aware (part 2) (6:53)
Final Fantasy V: Battle At The Big Bridge (bonus track) (4:44)
Final Fantasy (main Theme - bonus track) (4:13)
Review: Final Symphony II delves deeper into the cherished melodies of the Final Fantasy series. Renowned composers Roger Wanamo and Jonne Valtonen skillfully craft rich and intricate arrangements of Nobuo Uematsu's iconic compositions from FF5, 8 & 9. Additionally, Masashi Hamauzu offers a captivating suite inspired by his monumental original score for Final Fantasy XIII, while Valtonen sets the tone with his atmospheric opening piece 'In a Roundabout Way - Fanfare'. Pianist Mischa Cheung shines brightly in the spotlight, captivating audiences with his masterful performances in 'For the People of Gaia' and the emotive solo arrangement 'You Are Not Alone'.
Review: Legendary composer and producer Jean Claude Vannier - best known for his work with Serge Gainsbourg and Jane Birkin - is back following his 2019 collaboration with Mike Patton on Corpse Flower. While loosely categorised as French pop, this instrumental album also fits within the classical realm thanks to its mandolin and accordion. Vannier brings nearly 60 years of experience to this album which features artists like Vincent Beer-Demander and Gregory Daltin. The results offer a poetic, orchestral soundscape that seamlessly intertwines mandolin, accordion and unexpected orchestration to evoke deep emotion.
Peter Hughes Orchestra - "Strangers In The Night" (2:34)
Brad Mehldau - "Blame It On My Youth" (6:17)
Dominic Harlan - "Grey Clouds" (4:42)
Dominic Harlan - "Musica Ricercata II (Mesto, Rigido E Cerimoniale)" (reprise) (3:09)
Review: The Eyes Wide Shut soundtrack was released in 1999 and weaves together haunting classical pieces, jazz standards and eerie original compositions by Jocelyn Pook. Her track 'Masked Ball' stands out as a chilling centrepiece that add to the film's surreal and unsettling mood. The inclusion of Chris Isaak's sultry 'Baby Did a Bad Bad Thing' and Shostakovich's haunting 'Waltz 2' deepens the psychological tension. The album was nominated for a Grammy for Best Score Soundtrack for Visual Media so was essential to the film's mysterious atmosphere. Pook's work, paired with Ligeti, Liszt and jazz legends still stands up as a great mix of seduction and suspense.
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Call Me By Your Name (Soundtrack)(limited numbered gatefold 180 gram audiophile pink vinyl 2xLP + booklet + insert in spot-varnished sleeve)
Valeria Szervanszky & Ronald Cavaye - "Le Jardin Feerique"
Sufjan Steven - "Visions Of Gideon"
Review: It's surprisingly not that common for a director to pick music for their movie. There are accomplished experts at scouring and sourcing the most powerful and moving tunes for cinema, and, of course, composers who have established themselves as maestros of silver screen scores. Luca Guadagnino is an exception to the rule, then, with his coming-of-age drama, Call Me By Your Name, soundtracked via his choices. And what choices they are. The film itself is beautiful and incredibly moving, adjectives which also apply to the accompanying sounds. From the theatrical pop of Loredana Berte, to the staggering instrumentation of Ryuichi Sakamoto and heartfelt cries of Sufjan Stevens, this collection of tones is as varied as it is captivating from beginning to end, and - whether you've seen the flick or not - deserves a place on everyone's shelf.
Slap That Bass/Get Happy/What The World Needs Is Love (3:08)
For Once In My Life (2:51)
If My Friends Could See Me Now (3:05)
Folie A Deux (1:38)
Bewitched (2:58)
That's Entertainment (1:41)
When You're Smiling (The Whole World Smiles With You) (1:42)
To Love Somebody (1:52)
(They Long To Be) Close To You (2:38)
The Joker (3:10)
Gonna Build A Mountain (3:43)
I've Got The World On A String (2:03)
If You Go Away (3:08)
Gonna Build A Mountain (reprise) (2:57)
That's Life (2:03)
True Love Will Find You In The End (2:03)
Review: One of the most startling aspects of Todd Philips' Joker sequel - aside from the creepy, claustrophobic, horror-leaning moodiness of Hildur Guonadottir's original score - was the director's decision to get its lead character to belt out cover versions of well-known songs, jukebox musical style. It's that aspect of the film's soundtrack that's showcased on this release, rather than Guonadottir's incredible score. Joaquim Phoenix and Lady Gaga, then, are the undoubted stars of the show, belting out - individually or collectively - such familiar favourites as 'That's Entertainment', 'That's Life', 'When You're Smiling (The World Smiles With You)' and 'To Love Somebody'.
Vernal Equinox - "Silent Dream: The Real Dream" (4:07)
Steve Cooper - "Soulmate Suite" (part 1) (3:44)
Peter Davison - "Control" (4:23)
David Storrs - "Night In The Vortex" (3:18)
Iasos - "The Angels Of Comfort" (4:26)
Robert Slap & Suzanne Ghiglia - "Ocean Echoes" (4:10)
Upper Astral - "Crystal Cave (Back To Atlantis)" (5:29)
Alex Johnson - "Music For Earth Orbit" (3:56)
Georges Boutz - "After The Storm" (4:04)
Dervish - "Somebodies" (4:53)
Peter Nothnagle - "New Snow" (4:32)
Jordan De La Sierra - "Music For Gymnastics" (3:22)
Master Wilburm Burchette - "Eternal Light" (4:50)
Review: We have long been big fans of the work done by The Numero Group and now they are back to present a guide to private-issue new-age music that is as essential as you would expect. Featuring trailblazers like Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and others from the Perrier underground, this double LP compilation is adorned with Marcus Uzilevsky's Linear Landscapes and includes a 32-page booklet. Showcasing the essence of a transformative era, the collection invites you to explore the ethereal soundscapes and boundless creativity of the fourth world, and a fine place it is to be.
Alexander Courage - "Star Trek Original Series: Main Title" (0:49)
Jerry Fielding - "Bartender Bit/They Quibble Over Quibble/Kirk Out/Barrel Of Trouble/Tribble Hooks Kirk/Poor Jonesy/A Matter Of Pride/Come On Spock/Hissing Tribbles/Dead Heap" (Suite From The Trouble with Tribbles) (3:58)
Jerry Fielding - "The Muzak Maker/The Scherzo Maker" (1:13)
Jerry Fielding - "A Matter Of Pride/No Tribble At All/Big Fite" (3:04)
Alexander Courage, Jerry Goldsmith - "Star Trek - The Next Generation: Main Title" (1:22)
Ron Jones - "Moment Of Decision/Battle Signs/Geordi Vision/Looking For Life Signs/Imminent Destruction" (Suite From The Heart Of Glory) (6:17)
Ron Jones - "A Klingon's Feelings/Let's Make A Phaser/Heart Of Glory" (4:51)
Jay Chattaway - "Orchestral Suite From The Inner Light" (4:52)
Review: To celebrate the 30th anniversary of this cult TV show, this special edition soundtrack brings the iconic series' music to life once again. Featuring the legendary score composed by Jerry Goldsmith alongside additional tracks from renowned composers like Dennis McCarthy, this release captures the futuristic essence of the groundbreaking sci-fi series. From the soaring theme song to the dramatic orchestral compositions, the tunes evoke the spirit of exploration and adventure that defined the show, all presented in stunning sound quality.
Hildur Gudnadottir: For Petra (Recording Session - orchestral) (8:44)
Hildur Gudnadottir: Tar: 2) Allegro (4:12)
Johnny Burke & Jimmy Van Hausen: Here's That Rainy Day (2:42)
Gustav Mahler: Symphony No 5 In C Sharp Minor: 1) Trauermarsch, 2) Sturmisch Bewegt & 4) Adagietto (Rehearsals) (7:44)
Edward Elgar: Cello Concerto In E Minor Op 85: 4) Allegro (Recording Session) (12:37)
Elisa Vargas Fernandez: Cura Mente (2:19)
Review: It's not often you get to talk about a classical supergroup. It's debatable whether the term supergroup really exists in the classical realm, although Tar, or, to use the full title, Tar (Music from and Inspired by the Motion Picture) is probably as close as you'll get to proving that it does. Evidence is coming, so don't worry.
The work of Academy Award, two-time Grammy Award, and Primetime Emmy Award-winning Icelandic composer, cellist and general shapeshifter Hildur Ingveldardottir Gudnadottir (who has recorded with Throbbing Gristle and Pan Sonic, and toured alongside Sunn O))) and Animal Collective), she's only gone and blown the bloody doors off/drafted the Dresden Philharmonic, London Contemporary Orchestra, and London Symphony Orchestra for this incredible outing, which not only offers sublime tracks but glimpses of the record process itself.
Review: Grave Of The Fireflies is arguably the saddest of all the films in the peerless Studio Ghibli canon - a pinnacle of emotional impact in the world of Japanese anime. The soundtrack is of course a major part of that, and so we come to the latest edition in the beautifully presented Image Album Collection series, which goes in deep on the soundtrack to a Ghibli classic. The music itself was composed by Michio Mamiya, and their work is interspersed with dialogue from the film. Alongside the music itself is an extensive set of liner notes which feature round-table discussions between the film's director Isao Takahata and the composers involved in the soundtrack.
Donna Summer - "MacArthur Park" (single version) (3:54)
Bee Gees - "Tragedy" (4:53)
Alfie Davis & The Sylvia Young Theatre School Choir - "Day-O" (2:51)
Tess Parks - "Somedays" (2:30)
Scott Weiland - "Where's The Man" (5:06)
Richard Max - "Right Here Waiting" (4:24)
Sigur Ros - "Svefn-g-englar" (9:00)
Richard Harris - "MacArthur Park" (7:24)
Pino Donaggio - "Main Title From Carrie" (2:50)
Danny Elfman - "Main Title Theme" (3:21)
Danny Elfman - "End Titles" (4:35)
Review: Tim Burton's films offer a one-of-a-kind experience, creating vivid, macabre universes where outsiders and gothic elements reign supreme. The original Beetlejuice stands as one of the defining films in this universe and set high expectations for the sequel. Without spoilers, we can confirm that Danny Elfman's iconic theme remains as evocative as ever, while the soundtrack is a standout. Featuring artists like Donna Summer, Sigur Ros, and Scott Weiland, the collection also includes Pino Donaggio's deceptively serene Main Title from Carrie-a brilliant and unexpected nod to the 1976 Carrie all adding a perfect touch of comedic darkness.
Donna Summer - "MacArthur Park" (single version) (3:54)
Bee Gees - "Tragedy" (4:53)
Alfie Davis & The Sylvia Young Theatre School Chior - "Day-O" (2:51)
Tess Parks - "Somedays" (2:30)
Scott Weiland - "Where's The Man" (5:06)
Richard Marx - "Right Here Waiting" (4:24)
Sigur Ros - "Svefn-g-englar" (9:00)
Richard Harris - "MacArthur Park" (7:24)
Pino Donaggio - "Main Title From Carrie" (2:50)
Danny Elfman - "Main Title Theme" (3:21)
Danny Elfman - "End Titles" (4:35)
Review: The Beetlejuice is back! The whimsical and eerie energy of Tim Burton's 1988 cult classic has been remade for modern audiences and comes with a new soundtrack. The original was composed by the legendary Danny Elfman and the score masterfully blends mischievous melodies with haunting undertones that encapsulate the film's offbeat charm. Highlights include Elfman's iconic main titles, which have become synonymous with Burton's gothic aesthetic, and the likes of Alfie Davis & The Sylvia Young Theatre School Choir's 'Day-O' and Richard Marx's 'Right Here Waiting.'
Dead Connection/Corpse On The Stairs/Ben Arrives (1:11)
Panic (2:19)
Blood From The Landing (1:08)
Smashing The Headlight (1:44)
Tire Iron Attack (2:19)
Don't Look At It! (1:02)
Back Porch Bonfire (0:40)
Searching The House (0:45)
The Music Box (0:22)
Boarding Up The House (3:03)
Fireplace & Torch (0:36)
Kocked Out (1:33)
Lounge Chair Bonfire (1:15)
The Cellar Door (0:30)
Finding The Rifle (2:44)
Ben Comforts Barbara (0:24)
Cleaning Upstairs (2:03)
New Arrivals (0:19)
Attack At The Window (1:36)
Grasping Hands (4:00)
Ghouls Approach The House (0:35)
Down To The Cellar (1:08)
Up From The Cellar (1:36)
Escape Plan (1:32)
Tom & Judy (1:04)
Unboarding (1:16)
Molotov Cocktails (1:48)
Escape From The House (1:52)
Truck Escape (1:14)
Truck On Fire (1:20)
Feeding Frenzy (2:30)
Lights Out (1:22)
Finale Siege (2:16)
Breakthrough (2:18)
Helen's Death (2:18)
Ghouls Overrun (2:18)
Cellar Nightmare (2:18)
The Posse (2:18)
Bonfire (2:18)
End Credits (2:18)
Bonus Night Of The Living Dead 1968 Radio Spot (1:43)
Review: Waxwork Records presents another superb OST here in the form of the complete Original Motion Picture Soundtrack to George A. Romero's Night of the Living Dead. Released originally in 1968, this groundbreaking independent horror film follows seven strangers trapped in a farmhouse and besieged by flesh-eating ghouls. Made on a modest budget by a group of Pittsburgh-based filmmakers, it became a cultural phenomenon, earning over 250 times its cost and redefining the horror genre. Acknowledged as a cult classic, the film is preserved in the National Film Registry for its cultural, historical, and aesthetic significance and the soundtrack is just as compelling.
Jose Val Del Omar - "Aguaespejo Granadino (Fragment Of The Soundtrack)" (6:05)
Eduardo Polonio - "Para Una Pequena Margartia Ronca" (5:57)
Josep Maria Mestres Quadreny - "Peca Per A Serra Mecanica" (3:14)
Juan Hidalgo - "Etude De Stage" (13:56)
Cristobal Halffter - "Lineas Y Punto" (5:06)
Review: This LP uncovers the hidden diversity of Spanish music from the 50s and 60s, all composed under Franco's regime. Curated by musicologist Miguel Alvarez-Fernandez, it represents a significant advancement in understanding this music which struggled to exist until Franco's death in 1975. Released as part of the label's Early Electronic series, it features five pioneering Spanish composers who worked against the odds including Jose Val del Omar, a filmmaker and dreamlike artist linked to Lorca and BuNuel. Eduardo Polonio, known for over a hundred works from the Institute of Psychoacoustics in Ghent, Josep Maria Mestres Quadreny who was founder of the Phonos Electroacoustic Music Laboratory and collaborator with Miro and Tapies, Juan Hidalgo, a Fluxus member who engaged with Cage and Tudor, and Cristobal Halffter, a prominent figure working with Boulez, Stockhausen, and Berio.
Review: The good folks at Discreet Music celebrate its five-year anniversary with a special compilation featuring new and unreleased tracks from an eclectic lineup of artists. As highlighted in the extensive liner notes, this release covers plenty of ground, all of it part of the essence of Discreet Music but with an eye on evolution into new territories. It's a carefully curated collection with endless highlights - Eftergift's 'Demotiv' captures the sombreness of a dark winter night, Shadow Pattern's 'One Of These' is flickering, candle-lit space with distant synth tension and Livskraft's 'Lat Mig Tro' is a new age ceremonial ritual
Brad Oberhofer - "I Hugged A Clown In My Dream" (3:20)
Alan Wyffels - "Intermezzo" (3:25)
Laraaji - "Waltz Life" (4:14)
Alice Boman - "17" (2:49)
ML Buch - "Getting To Know Each Other" (3:21)
The Kimba Unit - "Three Sundays" (2:42)
Mark William Lewis - "Josh, This Is Lin, I Accidentally Left My Documents In Your Car Yesterday" (2:02)
Matthew Tavares - "Cool Piano Vibe" (2:17)
Hand Habits - "Not Worth The Lie" (4:58)
Youth Lagoon - "The Harvest" (2:18)
Ichiko Aoba - "2024-06-13" (5:51)
Review: The first in a series of solo piano compilations curated by section1 designed to celebrate the beauty and versatility of piano music. Blending contemporary classical, experimental and ambient styles, these pieces highlight raw emotions like joy, sadness, doubt and certainty. Artists were guided by two rules throughout the process: the piano was the primary instrument and no vocals. All 12 tracks are immersive and showcases the unique creative relationship each artist has with the piano while demonstrating how 88 keys can evoke drastically different moods. It works equally well for active or passive listening with calm and introspective results.
James Hoff - "A Cha A I Feel Like A Ghost Uh" (3:02)
Eric Frye - "Plague Chain" (2:23)
Maxwell Sterling - "Xiahe Tears" (4:26)
Muein - "Creep" (3:56)
James K - "Sketch 4" (4:30)
Review: The brilliantly cultured 29 Speedway is a Brooklyn-based record label and performance series founded in 2020 by Ben Shirken that features cutting-edge improvisational music and multimedia performances. It has hosted shows at venues like Pioneer Works and Public Records and worked with artists like James Hoff, J. Albert, Flora Yin-Wong, and Kamran Sadeghi. This new compilation UltraBody showcases artists exploring the intersection of self, technology, and spirituality and that results in a 13-track collection of out-of-this-world ambient, dub and techno fusions with an avant-garde edge.
Review: Pretty much does what it says on the tin, this one, as the VSQ performs some of their favourite songs from pop behemoth Taylor Swift's vast catalogue. Known for her endless reinventions and classic albums, Swift has proven herself a creative force and massive talent whose immense skill for crafting catchy melodies is undeniable. These twelve-string quartet renditions of VSQ's top Taylor tracks bring all-new aesthetics to the originals. From 'Red' to 'Reputation' to 'Folklore' and everything in between, this comprehensive tribute captures the essence of this one-of-a-kind artist.
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