Leftfield Recommendations May 2012

Review: "It's like painting with button and sliders... Melting and dripping, seeping yourself liquid into the machinery." So said Darren Cunningham when discussing the creation of R.I.P, his long awaited follow up to Splazsh. It's a compelling image that works in practice too. R.I.P creates microcosmic sound worlds within each track: "Holy Water" for instance tumbles in on itself in a melange of shimmering sinewave droplets, while the pitchshifted waves of "Tree Of Knowledge" seem to inhale and exhale like a living being, crumpling inwards on itself to repeat the same motion ad infinitum. And although it uses much the same, occasionally abrasive sonic building blocks as Cunningham's been developing for many years, the pastoral tones of "Uriel's Black Harp" and the Alva Noto styles of "Jardin" make R.I.P a surprisingly graceful album. It may not be techno as many will know it, but Cunningham has never made techno in the traditional sense anyway - and it's clear on listening to R.I.P that he's only just beginning to realise the musical forms that have been swarming inside his brain for years.

Review: Electronic music is meant to provide a release from the real world, but Medium, the latest missive by UK producer Emptyset, will bring anyone who hears it crashing back to the earth. Emptyset's approach makes nods to narratives from the past, taking influence from the tortured industrial noise of Throbbing Gristle, the eerie ambience of Regis and minimal techno at its most reductionist. On "Interstice", this latter trait manifests itself as dead paced beats and frost percussion disappear into nothingness only to re-appear a few seconds later. On "Other", Emptyset does more to reintroduce the spirit of industrial to contemporary electronic music than a shelf full of situationist techno releases; murderous sub-bass stabs provide the focus, but on the sidelines eerie sound scapes and textures are unfolding, accompanied by skittish percussion. "Mirror" meanwhile sees waves of white noise and static interference and a rave siren build over doubled-up death pace beats. These are the closest references to structured electronic music. "Divide" delivers a tapestry of detached sounds while on "Medium" itself, Emptyset wallows in menacing bass licks with background noise seething beneath the surface. This is music that matches the unparalleled dark age we are living through, and just this once, the Medium really is the message.