Back catalogue: Broken Beat/Nu Jazz/Nu Soul

Review: Over the years, Sam Shepheard's work as Floating Points has become increasingly ambitious, moving further away from his dancefloor roots and closer to spiritual jazz, new age and neo-classical. Even so, it was still a surprise when Shepheard announced Promises, a 46-minute piece in 10 "movements" featuring the London Symphony Orchestra and legendary saxophonist Pharoah Sanders. It's an undeniably remarkable piece all told; a constantly evolving fusion of neo-classical ambience, spiritual jazz and starry, synthesizer-laden soundscapes notable not only for Sanders' sublime sax-playing and Shepheard's memorable melodic themes, but also the intricate, detailed nature of the musical arrangements. It's a stunningly beautiful and life-affirming piece all told, and one that deserves your full attention.

Review: Jeff Parker's The Way Out of Easy harnesses his long-running ETA IVtet's residency at the Los Angeles creative music venue, ETA. Featuring saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose, the album comprises four expansive tracks recorded live on January 2, 2023. Known for their transcendental, groove-oriented improvisations, the ETA IVtet's sound evolved over seven years, blending minimalism and polyrhythmic mantras. Engineered by Bryce Gonzales, who designed a custom mixer specifically for the group, The Way Out of Easy presents a pure, transparent auditory experience. The set begins with 'Freakadelic', a composition from Parker's 2012 album, before moving through meditative and richly textured pieces like 'Late Autumn' and 'Easy Way Out'. The album closes with a spontaneous dub/reggae groove titled 'Chrome Dome'. As the final chapter in ETA's history, The Way Out of Easy is a testament to the ensemble's deep creative synergy and the enduring spirit of the venue.

Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!

Review: classic 2010 Theo Parrish album Sketches back in stock on CD.

Review: Theo Parrish and Maurissa Rose are Detroit musical veterans (even though Parrish was actually born in Chicago) and they have worked together on a number of superb singles in the last few years. After that fruitful start to their working relationship they finally flourish into a new full length that arrives soon in the form of Free Myself, It arrives, as you would expect, on triple vinyl on Parrish's own Sound Signature label, but also here as a CD. It is a lovely deep house exploration with smooth vocals of Rose - which come in the form of a soulful stream of consciousness - over Parrish's dusty, hypotonic beats.

Review: Outside of jazz-fusion circles, violinist and composer Jean-Luc Ponty is best known for two things: embracing synthesizers and electronic instruments (including electric violin) earlier than his peers, and playing a small but significant role in inspiring some of Detroit techno's earliest innovators. This double disc set rounds up three of the albums that proved most inspirational to electronic musicians. Disc one sports 1987's warm, colourful and mesmerising The Gift of Time - where, fittingly, Ponty's ability to create surprising and intense off-kilter dancefloor workouts was first noticed by adventurous DJs - and 1989's Storytelling, which kicks off with his most famous work: the awe-inspiring 'In The Fast Lane'. Over on disc two, we get 1991's Tchokola, an inspired mix of fusion, Afrobeat and Zouk flavours that has long been a favourite amongst Balearic silverbacks.