Review: Tom Noble's Superior Elevation label started life as a home for reissues of obscure disco and boogie material, but has since widened its remit to include original productions. Here, Noble welcomes fellow Brooklyn resident Willie Burns to the label for a spot of sweaty, basement-bothering house business. Intriguingly, Burns original - nestled on the flipside - is the looser of the two, with dexterous percussion hits accompanying restless drum machine hits and a killer, New Jersey influenced bassline. Noble chooses not to emphasize these disco elements, instead delivering a wild, low-slung, dub style reinterpretation that turns it into a surging, late night house stomper.
Review: Scott Fraser and Timothy J Fairplay's Crimes Of The Future label has had quite the banner year, ushering in various projects from the pair as well as seeking out like-minded contemporaries such as Perseus Traxx. The latest Crimes of the Future release introduces Bulb, another project bearing the label founder's finger prints along with a high profile third colluder in one William Burnett. Apparently laid down at WT Records HQ in the spring of 2014 whilst Fairplay and Fraser were committing Crimes in NYC, Bulb is a bold offering from the trio with two extended dancefloor workouts taking a side each. "Light It Up" pairs ghetto techno breaks with something from wayward Kosmiche studio experiments in deepest Germany, whilst "Dimmer Switch" plunges into a world of psychedelia and cavernous cave dwellings thanks to some dark ambient synthesis and stabbing drums.