Back catalogue: All genres

Review: South London singer Lola Young shares the sixth single from her second studio album This Wasn't Meant For You Anyway (2024) on limiited 7" coloured vinyl. A viral moment on TikTok spurred the popularity of this plaintive single, billed by the artist as an "ADHD anthem" and reproof of her last relationship; the lyrics track Young's misgivings about a romance gone sour, critiquing the many contradictory "too"s used to justify a given lover's impropriety: "I'm too messy, I'm too clean... I'm too clever, I'm too dumb... I'm too perfect till I show you that I'm not..." The song is brow-beaten and bluesy, bearing the emotive scars of a fraught time, and perfectly capturing the indie minimality of pop in its ideal incarnation in 2025.

Review: London's singer and songwriter Lola Young (who you may know covered 'Together in Electric Dreams' for the 2021 John Lewis Christmas advert) is back with a limited edition 7" featuring two tracks from her last album This Wasn't Meant For You Anyway back in 2024. First up is 'Conceited' which has a slow motion groove and dumpy kicks with Lola's acrobatic vocals shapeshifting throughout next to bleeping synth sounds. 'Crush' is another stylish vocal delivery with languid indie guitars that bring some sleaze over live drums that build to a raw crescendo before falling away again to reveal Lola's vulnerability lyrics.

Review: YUNGBLUD's hook-up with Lil Yachty is renowned amongst fans for its trippy production and tight, evocative, mind-melting bars. It has never before been on vinyl but this year's Record Store Day rights that wrong while serving it up with a superb, exclusive, introspective in-studio acoustic performance of the track. 'When We Die (Can We Still Get High?)' was first released on January 26, 2024 by Locomotion Recordings and Geffen Records and is a new school mix of alternative rock, psychedelia and hip-hop that explores themes of mortality and escapism with production by YUNGBLUD plus Matt Schwartz and Paul Meany. It's an introspective gem.

Review: Yeule (Nat Cmiel) is something of a sonic scrapyard varmint, scouring the lost wastes for augmentable audio parts perhaps useable in their madcap experiments. An avant-garde spin doctor of ash-faced, death-ray-desert-bomb glitch-pop, they've kept their place at the knife-edge of innovation, blending genres and non-genres at the violent vanguard where sounds remain in constant, slipped flux. In the lineage of Machine Girl, ecolagbohrsac2021 or Hakushi Hasegawa, 2022's Glitch Princess laid nutritious ground for Cmiel's now evermore fractious work, Evangelic Girl Is A Gun, which hears the somewhat alter-egoic Yeule now delve into the complexity of a fragmented identity, embracing the duality of light and shadow while echoing surreal animes, such as Serial Experiments Lain and Angel Egg. The LP reimagines Yeule as a haunting figure, exploring ego deaths and transformations in partnership with visual artist Vasso Vu.

Review: Non-binary performance artist Nat Cmiel from Singapore, often also known as yeule, continues to push the boundaries of glitch-pop and alt-electronica with their latest release. After solidifying their reputation as a trailblazer with their sophomore album Glitch Princess and its follow-up softscars, Cmiel takes a more daring, raw approach here. It's a cathartic exploration of self-destruction, trapped identities and the dark undercurrents of post-modernity, where Cmiel's ethereal vocals intertwine with dissonant beats, creating a paradox of beauty and tension.The sprawling atmospherics of 'Tequila Coma' and '1967' unfurl into a liquid haze, giving way to the razor-edged urgency of 'VV' and 'Dudu', which channel a palpable, jittery rhythm that commands attention. Collaborating with the likes of A.G. Cook and Mura Masa, the album navigates between haunting introspection and electrifying energy. It's a striking nod to Cmiel's ability to balance vulnerability and sonic experimentation, presenting a portrait of the artist struggling with the very image they've built.

Review: Yomm's upcoming EP showcases a unique blend of City-Pop with diverse influences, solidifying her as a standout figure in the contemporary music scene. This six-track collection includes the pre-release singles 'Hatsukoi,' 'Alice,' 'Miraco feat. Layone,' and 'Saratto Patto Pitto,' alongside two new tracks: 'Hon de Yomitake,' penned and arranged by Kiseru's Gobun Tsujimura, and 'Scramble - Tokyo,' written and composed by yomm herself. A new project by Korean singer-songwriter and model Choi Jung-yoon, Yomm has quickly gained attention since its launch in April, with contributions from notable artists like Shota Araya (formerly of yonawo), Motoi Kawabe (Mitsume) and Jin Ono. The EP showcases yomm's ability to blend City-Pop with modern elements, creating a sound that feels both nostalgic and innovative. With its eclectic mix of styles and top-tier collaborations, this EP is set to be a refreshing addition to the evolving City-Pop genre.

Review: Produced in LA by her friend and collaborator Solomonophic (who has worked with the likes of Remi Wolf, BROCKHAMPTON and Dominic Fike), this new studio LP from Young is an electrifying and fearless concept that blends passion, rage, humour and narrative flair, all while crackling with energy and surprises. As a modern breakup album, it captures the raw sound of youth navigating relentless romantic turmoil. Irresistible and unexpected, Lola's work defines the chaos of love and heartbreak and is a record that is poised to propel her musical journey to even greater heights.

Review: An electrifying, genre-blurring debut that explores heartbreak with striking honesty and musical sophistication. This Wasn't Meant For You Anyway is sure to be one of the most engaging pop albums of 2025. The artists breathy, understated vocals are the anchor, effortlessly gliding across a soundscape that blends r&b, jazz, rock and classical elements. Tracks like 'Walk On By' show Young's ability to marry modern pop touches with a soulful, timeless aesthetic, while 'You Noticed' s is a minimalist ballad that underscores her poetic lyricism. The fusion of styles is seamless, each track serving its lyrical content with precision, from the jazzy playfulness of 'Conceited' to the raw energy of 'Crush'. The album's production, with its nostalgic crackles and modern electronic accents, creates an intimate, almost journal-like atmosphere, allowing listeners to connect with Young's unfiltered emotions. With TWMFYA, Lola Young carves out a distinct voice, a riveting blend of vulnerability, wit and musical depth.