Back catalogue: All genres

Review: A posthumous Lee 'Scratch' Perry box set is here, designed to co-incide with the anniversary of the dub pioneer's passing, courtesy of the star's main advocates Trojan Records. Including a digital version, a CD and a 4xLP version, it also comes with a 50-page fully illustrated book written by Perry's official biographer David Katz. It contains rare and unreleased mixes and tunes alongside some of his best known work, with Junior Murvin's reggae staple 'Police And Thieves' and the Upsetters' boss reggae classic 'Return Of Django' numbering among the 109 tracks included .

Review: Following on from the posthumous Lee 'Scratch' Perry box set courtesy of the star's main advocates Trojan Records which included a digital version, a CD and a 4xLP version, as well as a 50-page fully illustrated book written by Perry's official biographer David Katz comes this more compact double vinyl collection of most of the best bits of music. It contains rare and unreleased mixes and tunes, including a mix of Junior Murvin's reggae staple 'Police And Thieves'.

Review: Ras Jammy from Suns of Dub has curated a special release for Trojan Records that celebrates the deep cultural and historical ties between dub music and cannabis, all rooted in Jamaican music and Rastafarianism. This album, which arrives just in time for the stoners' best day of the year, 420, features iconic tracks from pioneering dub dons King Tubby, Scientist, Dennis Bovell and Roots Radics. These are the legends that helped shape the genre and this compilation highlights how they did it and what influence they had on the development of dub music. So, when the day comes, light up a fat one and turn this one up loud.

Review: The follow up to Newcastle metal icons' stellar debut, Welcome To Hell, is often regarded as one of the quintessential extreme metal contributions, even to this day. Venom would meticulously craft their sophomore effort, with vocalist/bassist Conrad Lent working overtime to mix the tracks, utilising his engineering experience in an attempt to keep costs low while also maintaining full creative control. The end result was Black Metal, a ferocious onslaught of unprecedented technicality, satanic imagery and malevolent atmosphere. It's no small secret that the project is all but directly linked, cited and blamed for the resulting Norwegian black metal genre that would slowly take decrepit shape in the late eighties before plaguing the nineties with as many controversial news articles as it did seminal albums. Even the infamous artwork has become synonymous with the genre as an entity, while the hyper-aggressive, unsettling form of speed-thrash the tracks exude, still stands tall and bold as the intrinsic signifier of the metal scene as a whole, on a deathmarch into uncharted, undiscovered realms of extremity in 1982. Four decades on, this anniversary edition serves as credence to the birth of all modern forms of extreme metal.

Review: The Virgin Prunes were masters of the uncanny, juxtaposing nightmares with lullabies, beauty with cruelty; combining gentle vocals and the spoken word with anguished wailing from purgatory itself. Their first album, A New Form Of Beauty (1981), powerfully laid out this terrain. Its themes ranged from mournful tales of unrequited love, frustrated sexuality, morbid eroticism and wasted youth, to yearnings for distant dreamlands, all of which were juxtaposed with macabre visions of dystopian societies, overpowered by dark forces and where demons run amok. Guggi's art work for A New Form of Beauty, which intimates a heartless transaction within a domestic setting, is in keeping with this sensibility. Now reissued by BMG, this 2024 deluxe edition features all four parts of the album remastered from the original tape, plus a trifold reverse board sleeve and a 16-page, 11-inch artbook with brand new sleevenotes.