Back catalogue: All genres

Review: This album recorded by Tatum and Webster in 1956 came just prior to Tatum's passing less than two months later. Revered as a masterpiece, the dynamic interplay between Webster's blend of aggression and lyricism and Tatum's flamboyance and delicacy creates a captivating encounter, with Callendar and Douglass providing impeccable support. Reissued previously by Essential Jazz Classics, this new edition adds bonus tracks from a 1953 Tatum solo session and four numbers from a summit meeting between Webster and Teddy Wilson.The opener sets a languid tempo, diverging from the breakneck pace of many bebop jams, establishing the album's relaxed vibe. And even as later cuts quicken the pace, there's an underlying sense of ease that permeates throughout. Tatum's cascades of notes serve as ornamental accents rather than urgent directives, while Webster, despite the excess reverb of the era, focuses on melody.

Review: In 1957, Art Taylor brought together an all-star ensemble for a recording session that captured the swinging energy of his Taylor's Wailers group. Featuring Donald Byrd, Charlie Rouse, and Jackie McLean, this Prestige session showcased the rhythmic intensity expected from a drummer-led band. The inclusion of two Thelonious Monk compositions, 'Well, You Needn't' and 'Off Minor,' arranged by Monk himself, adds a distinctive flair. Another highlight is Jimmy Heath's 'C.T.A.,' featuring John Coltrane alongside Red Garland and Paul Chambers, a dream lineup of Prestige regulars. Taylor's Wailers embody the pulse and drive of jazz's golden era, making this a timeless addition to any collection.

Review: The Alternate Blues presents a standout gathering of three iconic trumpeters - Dizzy Gillespie, Freddie Hubbard, and Clark Terry - alongside jazz luminaries like Oscar Peterson, Joe Pass, Ray Brown, and Bobby Durham. Recorded in 1980, this album captures the essence of a classic jam session, showcasing the musicians' virtuosity and camaraderie. The slow blues jams on this album, each exceeding eight minutes, allow the players ample space to explore and express themselves. Despite the relaxed pace, the performances are emotionally charged, drawing listeners into the heart of the blues tradition. Granz's decision to release alternate takes adds a layer of authenticity, capturing the spontaneity and energy of the sessions. Highlights include Hubbard's soulful rendition of 'Here's That Rainy Day' and the stellar ballad medley featuring all three trumpeters. The interaction between the musicians is seamless, resulting in a cohesive and stunning recording. In sum, The Alternate Blues is a bookmark for jazz aficionados, offering a rare glimpse into the creative process of three legendary trumpeters.

Review: Thelonious in Action, recorded live at the Five Spot Cafe in 1958, captures jazz king Thelonious Monk at his improvisational best. Featuring Johnny Griffin on tenor sax, Ahmed Abdul-Malik on bass and Roy Haynes on drums, the album showcases the quartet's dynamic interplay and Monk's unique, percussive piano style. Highlights include the lively 'Blue Monk' and the intricate 'Rhythm-A-Ning.' Griffin's robust sax lines complement Monk's eccentric rhythms throughout to create a vibrant, engaging atmosphere. The album's live setting adds an intimate, spontaneous feel, making this newly reissued classic a must listen for jazz enthusiasts and a brilliant example of Monk's enduring genius.