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Review: German artist Uwe Zahn (Arovane) and 12k's Taylor Deupree join forces for the first time, having first become acquainted through a shared love of music tech. As Zahn recalls: "After a long email conversation, Taylor and I came up with the idea of recording an album only with sound sources from the Nonlinear Labs C15 synthesizer that we both own. The first sketches were made with an exchanging of C15 patches and a constantly growing shared sound pool that led to the structure of the first songs. Preferring to work in person, but hampered by the pandemic, we resorted to sending projects back and forth. and developed an organic method that inspired and excited us."
With a shared love of experimentation, the two partners took on different roles, Deupree offering the rough diamonds, organic loops and mixing skills, while Zahn took on the more fragile, miniscule sound design. Described as "deep and haunting", with massive worlds compacted into each sound and movement.
… Read moreWith a shared love of experimentation, the two partners took on different roles, Deupree offering the rough diamonds, organic loops and mixing skills, while Zahn took on the more fragile, miniscule sound design. Described as "deep and haunting", with massive worlds compacted into each sound and movement.
Played by: Joachim Spieth
in stock $14.64
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Cat: 060349 7826612. Rel: 18 Jul 24
Jazz
Review: Benson's first album since rejoining Warner Music Group earlier this year, it was originally recorded in 1989 but was never released. It features the celebrated composer-arranger Robert Farnon and his orchestra and Farnon's lush arrangements beautifully complement Benson's soulful vocals and fluid guitar work on American standards like 'Autumn Leaves,' 'At Last,' and 'My Romance', as well as reimagined pop classics such as the Beatles' 'Yesterday' and Leon Russell's 'A Song For You.' The album was delayed and subsequently lost until recently rediscovered in Benson's archive and with the help of pianist, composer and arranger Randy Waldman, Benson has revived and remastered the recordings, adding new overdubs and choral arrangements. This release adds a new chapter to Benson's illustrious career, following his tenure with Warner Records from 1976 to 1993, during which he released 12 studio albums, including the triple-platinum Breezin'. Recognised as a jazz master by the National Endowment of the Arts (NEA) in 2009, Benson continues to be a giant in both jazz and contemporary music.
… Read morePlayed by: Juno Recommends Jazz
in stock $12.70
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Review: Over the years, Sam Shepheard's work as Floating Points has become increasingly ambitious, moving further away from his dancefloor roots and closer to spiritual jazz, new age and neo-classical. Even so, it was still a surprise when Shepheard announced Promises, a 46-minute piece in 10 "movements" featuring the London Symphony Orchestra and legendary saxophonist Pharoah Sanders. It's an undeniably remarkable piece all told; a constantly evolving fusion of neo-classical ambience, spiritual jazz and starry, synthesizer-laden soundscapes notable not only for Sanders' sublime sax-playing and Shepheard's memorable melodic themes, but also the intricate, detailed nature of the musical arrangements. It's a stunningly beautiful and life-affirming piece all told, and one that deserves your full attention.
… Read more in stock $13.54
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Review: This double CD showcases two live radio broadcasts from jazz hero Herbie Hancock, and each one was recorded two years apart. The first disc features the early Headhunters lineup delivering dynamic jazz-funk with tracks from Manchild and a fresh take on the classic 'Watermelon Man.' The second disc highlights the skills of Jaco Pastorius on bass, and he is joined by James Levi in a tight rhythm section. Herbie Hancock and Bennie Maupin lead with powerful performances including an electrifying version of 'Chameleon.' Together, these recordings capture Hancock's innovative mid-seventies jazz-funk sound in all their glory.
… Read more in stock $15.19
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Review: Karl Hector and the Malcouns are an interesting proposition. While ostensibly a funk band, their output regularly touches on Afrobeat, exotic Indian instrumentation, trippy psychedelic rock, atmospheric soundtrack fare and wonky, drum-Laden sci-fi weirdness. This sophomore set - their debut, Sahara Swing, dropped in 2008 - includes all these influences and more, offering a vivid, off-kilter journey taking in psychedelic jazz-funk, Arabic instrumental soul and Hammond-laden psychedelic freak-outs. It's hard to pin down, for sure, but that just adds to its' humid, kaleidoscopic allure.
… Read morePlayed by: Rowed Out Records, Originals
in stock $13.25
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Review: It's fairly bold to call your album The Legendary Sessions but few could argue that this album certainly does capture some legendary sessions. They are previously unreleased recordings that stem from the iconic Jimi Hendrix and Traffic becoming friends in 1967. They were both innovates, both technical, and both progressive with what they did and that bares out across this fascinating album. It was captured between 1968 and 1970 and is full of freeform jams with atonal structures and shifting tempos as well as great complementary interplay between Jimi and Chris Wood.
… Read more in stock $11.60
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Review: The Modern Jazz & Folk Ensemble's eponymous album, led by saxophonist Sean Khan, is a captivating tribute to the late 60s and early 70s folk revival, reimagined within a jazz framework. With guest vocalists like Jacqui McShee, Rosie Frater-Taylor, and Kindelan, the album breathes new life into compositions by iconic artists such as Pentangle, Sandy Denny, John Martyn, and Nick Drake. Khan's mastery of the saxophone shines throughout the album, bridging the gap between jazz and folk with finesse. The recent singles, including 'Solid Air' featuring Rosie Frater-Taylor and a mesmerizing rendition of Nick Drake's 'Parasite' with Kindelan, offer a taste of the ensemble's innovative approach to these classic tunes. Driven by Khan's dedication to pushing musical boundaries, The Modern Jazz & Folk Ensemble promises to be a compelling addition to his repertoire, seamlessly blending the timeless allure of folk music with the improvisational spirit of jazz.
… Read more in stock $12.15
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Review: Kyoto Jazz Sextet are an acoustic jazz 'unit' established in 2015 fronted by Shuya Okino. After their first two albums 'Mission' and 'Unity' this new third album channels only the best of what Tokyo's jazz scene has to offer, illuminating both past and present musical narratives in Japan by enlisting both new artists and legends (Takeo Moryiama appears on drums) alike.
… Read morePlayed by: Mukatsuku Records Chart, * Record Breakin' Music *
in stock $30.93
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Review: The Last Poets, pioneers of revolutionary spoken word and proto-rap, return with a powerful new album that blends their fiery lyricism with the infectious rhythms of Afrobeat. 'Africanism' sees the legendary duo, Abiodun Oyewole and Umar Bin Hassan, collaborating with a stellar cast of musicians, including the late Tony Allen, Prince Fatty, and members of Seun Kuti's Egypt 80. The result is a potent and timely exploration of social and political issues, delivered with the same raw energy and uncompromising spirit that has defined The Last Poets' music for over five decades. Abiodun revisits classics like 'When The Revolution Comes' and 'Gash Man', their messages of social justice and self-empowerment still burning bright. Umar's 'Niggers Are Scared Of Revolution' and 'Just Because' remain as potent and provocative as ever, their unflinching commentary on race and inequality cutting through the noise of contemporary discourse. The album's musical landscape is equally captivating, with Tony Allen's polyrhythmic drumming providing a driving force, complemented by the soulful melodies and intricate arrangements of the contributing musicians. A powerful reminder of the transformative power of music and spoken word.
… Read morePlayed by: Mukatsuku Records Chart, Craig Charles Funk And Soul
in stock $17.41
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Review: Last year Detroit techno stalwart Jeff Mills launched a new project, The Zanza, an ever-changing collective of jazz, Latin and electronic musicians who could help him explore his love of a wide variety of styles and genres. Following on from the project's debut release, Mills has now delivered a debut album that once again proves not only his versatility as a producer, but also the vivid, widescreen nature of his musical vision. Wonderland is not an ambient or techno album - though it does contain multiple nods to the latter - but rather a hybrid affair that draws great influence from Latin music (and samba in particular), jazz in many forms, dubbed-out electro, jazz-funk and, on the rushing 'The Time Is Tight', organ and piano-heavy gospel house.
… Read morePlayed by: ISOUL8 (Volcov)
in stock $19.33
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Review: Before Marc Bolan's untimely passing in 1977, T. Rex was a cultural whirlwind, an electric force that blurred the lines between glam rock and larger-than-life mythology. The band's influence during the early 70s reached levels that not only defined a generation but also cultivated the feverish phenomenon known as "Trextasy," rivaling even the mania of Beatlemania. Amid the hits that catapulted them into superstardom, hidden on the flipsides of their most famous singles, were some of Bolan's most vivid and unpredictable musical momentsitracks that now stand as an alternative narrative to the T. Rex story. This collection brings together 27 of these gems, charting a journey from the swaggering energy of 'Telegram Sam' to the reflective tones of 'Celebrate Summer.' These B-sides, often overlooked in favour of their A-side counterparts, show a different side to Bolan's genius. Many of these tracks, such as 'Cadillac,' 'Thunderwing,' and 'Lady,' could have easily stood on their own as hit singles, their impact only diminished by their position as B-sides. 'Born To Boogie' gets a newly discovered single mix, while 'Sunken Rags' offers an introspective side of Bolan that feels like a hidden treasure. The inclusion of Gloria Jones adds a fresh layer of soul to the proceedings, her voice a perfect foil to Bolan's otherworldly swagger. These tracks, strung together in one place, feel like an alternative history of T. Rex, highlighting the artistry that was often buried beneath the mainstream success. They not only reaffirm Bolan's stature as a visionary, but they also open up new pathways for the listener, offering an alternative lens through which to understand the full depth of his music.
… Read more in stock $23.19
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Review: Released in May 1972, Bolan Boogie is a pivotal compilation album by T. Rex, capturing the height of T. Rextasy. Following Marc Bolan's departure from Fly Records to form his own label, this album was released by Fly as a collection of recent single A- and B-sides from 1970 and 1971, many of which had not appeared on previous albums. The compilation also includes tracks from the albums Unicorn (1969), A Beard of Stars (1970), and T. Rex (1970). With T. Rex at the peak of their popularity, Bolan Boogie quickly soared to number one on the UK Albums Chart, spending three weeks at the topimarking Bolan's last album to achieve this feat. The tracklist features some of Bolan's most iconic work, including 'Get It On,' 'Ride a White Swan,' and 'Hot Love.' This reissued 2xCD edition offers fans a chance to relive the glam rock magic of T. Rex during one of the most influential periods in the band's history, solidifying Marc Bolan's legacy as a cornerstone of the genre.
… Read more in stock $21.82
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Review: Erik Tagg's Rendez Vous (1976) is pure seventies soft rock with a touch of jazz fusion, creating a rich, melodic experience. As his second solo effort, it showcases Tagg's evolution from his earlier work with Dutch bands Beehive and Rainbow Train. Produced by Hans Vermeulen, the album is a masterclass in intricate harmonies and sophisticated arrangements, all underscored by Tagg's warm, resonant vocals. Tracks like 'Life Goes On' highlight Tagg's ability to infuse soul-searching lyrics with a smooth, soothing delivery, creating a sound that is both introspective and comforting. The album's lush instrumentation, blending elements of jazz, pop and rhythm & blues, evokes a sense of romantic escapism, making it a hidden gem of the AOR and modern soul genres. Though it didn't achieve mainstream success, Rendez Vous developed a cult following, appreciated for its nostalgic and warm vibes.
… Read more in stock $14.92
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Projection: The Complete Inspiration & Power Live At Shinjuku Art Theater (CD with obi-strip)
Cat: B 37. Rel: 21 Jun 24
Jazz
Review: This newly reissued album is being heralded as something of a miraculous discover. It is the complete live performance of Masayuki Takayanagi's New Direction For The Arts Discography at Inspiration & Power 14 at Shinjuku Art Theatre in 1973, all uncut and as it originally was. The concert has been released before, but only in parts, and now the entire thing arrives on this CD which has only been made possibly a recent discovery of a cassette tape among the belongings of Masayuki Takayanagi, and Otomo Yoshihide, who once studied under Takayanagi. It has been fully restored and sounds great so now sits up there with some of Takayanagi's best works.
… Read more in stock $25.70
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Stop Making Sense (Deluxe Edition) (2xCD + Blu-ray)
Cat: 060349 7832828. Rel: 25 Jul 24
Indie/Alternative
Review: The 40th anniversary deluxe reissue of Talking Heads' Stop Making Sense is a brilliant and complete package that truly is a tribute to this monumental release. Encompassing a double CD + Blu-ray set, it celebrates the enduring impact of Jonathan Demme's iconic concert film soundtrack. David Byrne reflects on how the live energy and audience inspiration infused these performances with a dynamism that often surpasses the studio recordings. The reissue brings this excitement to the forefront with improved mixes and sound quality for a next-level experience. This edition stands out with its Dolby Atmos soundtrack, mixed by Jerry Harrison and E.T. Thorngren, enhancing the auditory experience. Tracks like 'Psycho Killer' and 'Once in a Lifetime' pulsate with renewed vigor, while the inclusion of bonus tracks 'Cities' and 'Big Business/I Zimbra' adds to the appeal. This reissue not only revitalises the original live album but also introduces it to a new generation with unparalleled sound clarity. It's a fitting tribute to Talking Heads' innovative and electrifying performances.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $30.16
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Talking Heads: 77 (expanded reissue) (limited 3xCD + Blu-ray + book)
Cat: 060349 7829729. Rel: 07 Nov 24
Indie/Alternative
Talking Heads: 77 (Blu-ray)
Review: Talking Heads proudly reintroduce their iconic debut album, Talking Heads: 77, with the extensive Super Deluxe Edition, available in a comprehensive 3xCD + Blu-ray + Book format. This edition features a fresh AAA remaster cut directly from the original master tapes, ensuring that the album's unique sound is presented in the best possible quality. This release documents the evolution of the band, originally formed by David Byrne, Chris Frantz and Tina Weymouth and later expanded with the addition of Jerry Harrison from the Modern Lovers. From the outset, Talking Heads: 77 distinguished itself within New York's vibrant CBGB scene, characterised by Byrne's distinctive, high-pitched vocals and the band's tightly wound yet dynamic instrumentation. Key tracks like the haunting 'Psycho Killer' and the upbeat 'Pulled Up' stand out. Spanning nearly three hours, the Super Deluxe Edition includes many rarities such as outtakes and unreleased alternate versions, along with a never-before-heard recording of their final CBGB performance on October 10, 1977. The accompanying Blu-ray features an immersive Atmos mix and various remastered formats. Housed in an elegant 80-page hardcover book, this edition includes new liner notes and rare photos, celebrating the band's influential legacy.
… Read more in stock $83.43
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TALLA 2XLC / CIARAN McAULEY / VARIOUS
Techno Club Vol 72 (mixed 2xCD + air freshener)
Cat: ZYX 831442. Rel: 29 Jul 24
Uplifting Trance
Review: For fans of euphoric and melodic trance, get locked into this latest edition of ZXY's techno club compilation. Volume 72 is another banger and it features a guest mix by Irish DJ and producer Ciaran McAuley alongside series regular Talla 2XLC. This double CD is packed with the freshest tracks and remixes from top international trance artists while also showcasing both Talla and Ciaran's signature sounds. As a special bonus, the album includes a unique air freshener featuring the faces of Talla 2XLC and Ciaran McAuley-a unique treat next to the electric sounds.
… Read more in stock $21.82
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TALLA 2XLC / JES / VARIOUS
Techno Club Vol 70 (mixed 2xCD box set + LED wristband + stickers)
Cat: ZYX 831262. Rel: 07 Nov 23
Uplifting Trance
Review: 26 years on from the release of the very first Techno Club mix CD, the popular series has reached its 70th instalment. There's a celebratory feel about it, too, with series founder (and Teutonic trance behemoth) Talla 2LXC being joined by rising star Jes (who handles disc two) and the CDs coming packaged with stickers and a light-up wristband (ideal for creating that 'rave at home' vibe). Musically, it's tons of fun, with Talla 2LXC using his mix to surge between uplifting, hands-aloft cuts by John O'Callaghan, Cold Blue, John Askew and Ronski Speed & Sigma, as well as loads of his productions and collaborations. Jes takes a similar approach on her mix (CD2), flitting between her own tracks, remixes and collaborations and fine cuts by the likes of BT, Matt Fax, Sunbeam and Solarstone.
… Read more in stock $21.27
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TALLA 2XLC / WESTBAM / VARIOUS
Techno Club Vol 73 (mixed 2xCD box set + sticker pack)
Cat: ZYX 831532. Rel: 07 Nov 24
Uplifting Trance
Review: ZYX Records' latest double mix CD brings together German legends Talla 2XLC and Westbam, two DJs whose influence on the techno and trance scenes over the past four decades is undeniable. This collection takes listeners on a journey through the vintage sounds that helped shape Germany's electronic music culture. Talla 2XLC and Westbam each curate one disc, infusing it with their unique style and expertise. The result is a blend of nostalgic, high-energy techno and trance tracks that evoke the iconic rave scenes of past eras while showcasing timeless beats and rhythms. This release is a celebration of Germany's rich electronic heritage with the rave culture.
… Read more in stock $22.65
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Review: Although not as celebrated as many of his Motor City contemporaries, Norm Talley has been a key figure on the Detroit deep house scene for the best part of 25 years. Here he presents his debut album, a set that appears exactly 20 years on from the release of his debut 12". It's a largely warm, rich and inviting affair, with Talley combining samples from classic disco, soul and boogie jams with his own drums, keys and chords. The results are uniformly superb, with highlights including the beatdown style hypnotism of "Dub Station", the disco-house bounce of "Alright", the deep and percussive dreaminess of "Earth Vibrations" and the brilliantly jazzy "Paradise Garage", where Talley cuts-up killer electric piano solos over a sumptuous, jazz-funk inspired house groove.
… Read more in stock $22.38
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Phaedra (50th Anniversary Edition) (5xCD + Blu-ray (no sound files available))
Cat: 658132 0. Rel: 17 Apr 25
Experimental/Electronic
Phaedra (CD1: Phaedra)
Mysterious Semblance At The Strand Of Nightmares
Moments Of A Visionary
Sequent C
Phaedra (Steven Wilson Stereo mix)
Sequent C (Steven Wilson Stereo mix)
2nd Day (CD2: November 1973 Phaedra Out-takes Volume 1)
Flute Organ Piece
Phaedra Out-Take Version 2A
Phaedra Out-Take 1 (CD3: November 1973 Phaedra Out-takes Volume 2)
Phaedra Out-Take 2B
2nd Side Piece 1
2nd Side Piece 2
Organ Piece
The Victoria Palace Concert (CD4: live At The Victoria Palace Theatre, London 16th June 1974 - part 1)
The Victoria Palace Concert (CD5: live At The Victoria Palace Theatre, London 16th June 1974 - part 2)
The Victoria Palace Concert - Encore
Phaedra (Blu-ray: Phaedra 5.1 Surround Sound mix By Steven Wilson)
Mysterious Semblance At The Strand Of Nightmares
Moments Of A Visionary
Sequent C
Review: Phaedra is the fifth studio album by German electronic group Tangerine Dream, recorded in November 1973 at The Manor in Shipton-on-Cherwell, England, and released in 1974 through Virgin. An icier, tempoless departure for a band otherwise better recognised for their sequencer-led, soundtrack-bred sound, this was a hidden moulin for frost-drone fanatics, and a deviant pupil of the otherwise strict Berlin School. Despite receiving little to no airplay, Phaedra gained significant traction through word of mouth when it was released by a rather more hippified Richard Branson's fledgling Virgin label, eventually reaching number 15 on the UK Albums Chart and remaining on the charts for 15 weeks. Its long-form pieces, such as 'Sequent C' and 'Mysterious Semblance At The Strand Of Nightmares', represent an indifference to constraints of timing, instead washing over the ears as diachronic, swirling, crisp ice ambient smirrs.
… Read more in stock $58.01
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Review: Astonishingly, a decade has now passed since Todd Gauthreaux first donned the Tapes & Topographies guise. Since then, he has released countless inspired and immersive albums, offering up an attractive ambient sound rich in drifting chords, densely layered sound design and contemplative musical motifs. Plumage, his first full-length excursion of 2024, sees him pop up on ROHS! for the first time. He's typically delivered the goods, matching ocean-deep ambient soundscapes with slow burning, melancholic melodies, evocative flashes of field recordings, hazy aural textures and twinkling, occasionally sorrowful, piano solos. It's arguably one of his most accessible and aurally striking sets to date - not bad for someone whose output has been consistently excellent for some time.
… Read more in stock $7.19
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Review: Ebo Taylor, a towering figure in highlife and afrobeat, recorded his latest album during his debut US touria milestone that came at the remarkable age of 88. Teaming up with Adrian Younge and Ali Shaheed Muhammad, Taylor crafted a psychedelic journey steeped in 70s-inspired rhythms. Tracks like 'Beye Bu, Beye Ba' and 'Kusi Na Sibo' reflect his spiritual depth and lyrical wisdom, exploring themes of gratitude and divine guidance. Recorded at Linear Labs, the album pulses with fuzzed-out guitars, polyrhythmic percussion, and Taylor's signature vocal style, standing as both a testament to his enduring brilliance and a crown jewel in the Jazz Is Dead series.
… Read more in stock $13.82
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Cat: ARCD 004. Rel: 16 Jun 23
International
Review: Tchiss Lopes's Stranger Ja Catem Traboi is as good a debut album as you could ever wish to hear. It is a world fusion of great rhythms, high-energy grooves, politically and socially aware vocals and reggae and funana collisions that brims with life and vitality. It was recorded in Rome after the artist spent 11 months at sea and was drawn from his personal and collective experiences of hardship, education, love and the loss of lives at sea. Though now 40 years old, the album has stood the test of time musically and lyrically and now gets a welcome reissue on CD.
… Read more in stock $16.02
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Review: An absolute delight for Tears For Fears fans, this archival radio broadcast showcases the Bath band at the peak of their powers during a U.S tour in 1990. As was the fashion for decades, the concert - in Santa Barbara Bowl in California - was recorded for, and broadcast by, local radio station KROQ. It offers a snapshot of the outfit's career up to that point, flitting between evocative versions of genuine classics ('Head Over Heels/Broken', 'Mad World'), fan favourites ('Advice For The Young at Heart', 'Famous Last Words'), insopired covers (a storming run through of 'When The Saints Go Marching In', a loved-up interpretation of Beatles classic 'All You Need Is Love'), and extended versions of the band's most inspiring moments ('Everybody Wants To The Rule', 'Shout').
… Read more in stock $11.88
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Danny TENAGLIA / VARIOUS
Global Underground 45: Brooklyn (mixed 2xCD)
Cat: 505419 7634178. Rel: 10 Nov 23
Progressive House
Review: From his marathon 24-hour sets to his legendary Twilo residency via the fact he has a club sound system set up at home to listen to his vast record collection American Danny Tenaglia is a legend, make no mistake about it. As such he is just the sort of person you want to helm a mix series as long-running and influential as Global Underground. This is a double CD version that perfectly embodies his driving sound - part prog, part techno, part tribal, it's a textbook musical trip one from of the best in the game. Do not sleep.
… Read more in stock $14.43
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Review: Thee Sacred Souls return with Got A Story To Tell, the highly anticipated follow-up to their 2022 self-titled debut. This new album, featuring 12 original tracks, showcases the band's growing artistry, recorded and produced by Gabriel Roth at Daptone's Penrose Recorders in Riverside, CA. Drawing from a deep well of soul music, Got A Story To Tell weaves a timeless yet contemporary tapestry. The album kicks off with 'Lucid Girl,' a celebration of independence set against powerful drums and bass, while 'Waiting On The Right Time' brings a hint of slow-burning psychedelia. In 'One and the Same,' vocalist Lane delivers a heartfelt plea for unity through her passionate lyrics. With lush orchestration, including strings, congas, and horns, the album is rich and textured, making each listen a rewarding experience. Got A Story To Tell marks a stunning evolution in Thee Sacred Souls' sound.
… Read more in stock $12.98
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Review: Back in 2017, Thievery Corporation's Rob Garza and Eric Hilton performed a now legendary concert in their home city of Washington D.C in which their band was backed by a fully-fledged orchestra. Three years on, they've decided to commit the orchestrated alterations to album. The results are largely superb, with the pair's slinky dub, lounge music and hip-hop influenced grooves and traditional guest vocals now coming accompanied by orchestral arrangements that veer from the subtle and sympathetic to the swooping, soaring and grandiose. Some of the versions of Thievery Corporation classics are particularly potent, with "Weapons Of Distraction" and "Lebanese Blonde" - one of their most celebrated early cuts - standing out.
… Read morePlayed by: Juno Recommends Downtempo
in stock $9.67
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Review: World music and downtempo pioneers Thievery Corporation dropped their seminal It Takes A Thief album back in 2010 and it instantly became another one of their many classics. Drawing on sounds from across the globe from Indian tablas drums to Lebanese funk via Far Eastern strings, it's a cultured and laid-back listen rich in instrumentation and escapist grooves. The beachy bliss and gentle horns of 'All That We Perceive' and dubby swagger of 'The Richest Man In Babylon' are just two standouts among many.
… Read more in stock $12.98
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Cat: CAT 859TCD. Rel: 21 Nov 24
Pop
Review: The Thompson Twins' iconic 1984 album Into the Gap is getting a fresh, deluxe reissue from BMG this fall. Remastered by Frank Arkwright, this special triple-disc collection includes the original album, which features hits like 'Hold Me Now', 'Doctor! Doctor!' and 'You Take Me Up', plus 30 additional tracks. These extras include B-sides, single edits debuting on CD and unreleased remixes by Pete Hammond of PWL fame. Into the Gap marked a pivotal moment for the Thompson Twins, as they transitioned to a trio after reducing their lineup. Working with producer Alex Sadkin at Compass Point Studios in The Bahamas, the band embraced synthesisers and electronic instruments, moving away from traditional rock sounds. This bold, experimental approach resulted in a new sonic identity. The reissue's accompanying booklet includes rare photos and insights from the band members themselves: Tom Bailey, Alannah Currie, and Joe Leeway. Overall, a terrific edition to honour the 40th anniversary of the album.
… Read more in stock $19.33
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Cat: ARKCD 021. Rel: 13 Jun 24
Dub
Review: Spanish dub maestro Roberto Sanchez first met Channel One artist and all right reggae legend Linval Thompson 15 years ago. In the time since, the pair have collaborated on numerous projects, though nothing as ambitious as this. It sees Sanchez provide an authentically dusty, deep and rhythm-focused dub translation of Thompson's 1978 album I Love Marijuana - a set that, despite King Tubby handling production duties - had never been fully re-worked in. Largely working with the original master tapes, Sanchez has delivered a dub re-imagining that sounds like a long-lost King Tubby or Lee 'Scratch' Perry production - all weighty low-end 'riddims', effects aplenty and echoing organ, guitars and vocals.
… Read morePlayed by: Juno Recommends Reggae, Juno Recommends Dub
in stock $14.09
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Review: Amongst fans of the late Coil member (and prolific electronic experimentalist) Peter 'Sleazy' Christopherson, the Amulet album has long been spoken of in hushed tones. The second and final set he recorded as The Threshold Houseboys Choir, it was recorded in 2008 and only available at gigs (or via mail-order) in a "hand-made four mini-CDR package housed in a circular Thai amulet case". This, then, is the set's first "proper" release, with the material now stretched across two CDs. Reminiscent of some of Coil's more colourful and polished works of the early-to-mid 1990s, much of the material on Amulet blurs the boundaries between ambient, dub, trip-hop and downtempo psychedelia, sitting somewhere between vintage Orb albums and the more out-there escapades of Future Sound of London.
… Read morePlayed by: Juno Recommends Downtempo
in stock $31.49
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Cat: TGCD 20. Rel: 13 Dec 19
Industrial/Noise
Review: When Throbbing Gristle performed live at Camber Sands in December 2004, it was an emotional occasion. All four members had reunited for only the second time since 1981 in order to pay tribute to their dear friend and fellow industrial pioneer John Balance. The resulting performance was electric, with the legendary four-piece putting on a dazzling show of doom-laden industrial magic that is still talked about in hushed tones to this day. This double-disc set, which was previously only available as a limited CD-R release in the days following the performance, presents the 90-minute show in full. It's arguably one of the band's strongest live recordings and feels particularly potent given the circumstances leading up to it.
… Read more in stock $12.98
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Cat: TGCD 19. Rel: 13 Dec 19
Industrial/Noise
Review: When it was first released in 2007, "Part 2: The Endless Not / TG Now" was Throbbing Gristle's first studio album since 1982. The pioneering industrial band had been drawn together again in 2004 to mark the passing of friend John Balance with a rare performance, and spent the next two years sporadically recording new material. The set was produced slightly differently to the all-analogue early works, with greater use of sampling and digital instrumentation. Yet despite the new toys and techniques, the music remained as antagonistic, forthright, intense and otherworldly as it had been two decades before. In other words, it's a proper Throbbing Gristle album, made by the original members to their original ethos, with a slightly different production approach. For that reason it remains a must-have for all fans of industrial music past and present.
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Cat: TGCD 3. Rel: 06 Sep 19
Industrial/Noise
Review: Throbbing Gristle's second studio album is an essential work that conjures some of the most harsh and nauseating music you can imagine (not a surprise given "Hamburger Lady" is a piece about a patient burned from the waist up and forever contained in a hospital). It was pioneering in texture and technique, and mixes both live and studio recordings into one of the band's most stylistically varied works. Creeping and haunting, confrontational and challenging from front to back, the spoken word samples from children and mutated voices will probably haunt your dreams forever, so listen with caution.
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Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."
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Review: Tinashe's seventh LP marks an exciting chapter in her career, particularly following her departure from RCA Records. This album is the second part of her trilogy, building on the creative foundation laid by the independently released Baby Angel. Featuring the viral hit 'Nasty', which has quickly become a cultural sensation, Quantum Baby speaks to Tinashe's evolution as an artist. The album opens with 'No Simulation', a contemplative track that sets the stage for her journey toward finding authentic love. While 'Getting No Sleep' may feel subdued, it speaks about her hectic lifestyle, adding depth to the narrative. Other tracks like 'Thirsty' and 'Red Flags' explore the complexities of modern relationships and the album closes with a trio of highlights. 'When I Get You Alone' delivers sultry vibes, while 'No Broke Boys' serves as an empowering anthem for self-worth. Finally, 'Nasty' cements Tinashe's prowess with its infectious energy. Overall, Quantum Baby celebrates her unique sound and potential for future projects. The album is a refreshing addition to her discography, inviting listeners on an engaging journey.
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Review: Marseille's IOT Records is the home for Azu Tiwaline's latest dubbed out and dreamy pads and manipulated field recordings. It's her second album and is another one that stands up to her reputation for being a true innovator. Following on from Draw Me a silence in 2020, Teh Fifth Dream is an hour long session that veers from reverberating and bass heavy steppers to next level synth-scapes. Field recordings made in the desert of her native El Djerid, in South Tunisia, feature heavily as do tombak drums and modular synths from Franco-Persian spar Cinna Peyghamy.
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Review: During the 1960s, jazz marimba maestro Cal Tjader performed at Seattle's Penthouse Jazz Club countless times, with many of these performances - made with various quintets and a dizzying array of sidemen, sidewomen and guest performances - being recorded for posterity. This superb double-disc set showcases these atmospheric, often lively recordings for the first time. Tjader is naturally the star throughout, dizzying the audience with mazy and mind-blowing Marimba solos, but at various points he steps back and lets his musical collaborators share the spotlight. For the most part, the tracks are energetic and up-tempo, giving the whole thing a giddy, celebratory feel that's always alluring.
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Review: Now I See The Light is the comeback album from often-overlooked Japanese math rock pioneers Toe. As the title suggests, the blissful, meditative soundscapes offer listeners a refreshing perspective, providing the emotional grounding needed to view life through a renewed lens. Toe exemplifies modesty in their artistic expression. Their music, characterised by intricate instrumental subtleties, reflects a reserved demeanour, paralleling their minimalist online presence. Their focus remains solely on creating music, naturally attracting those who truly appreciate their craft. Discovering toe is thus a serendipitous experience. Blending elements of post-rock, pop, jazz, electronic and ambient genres, toe has crafted a sound that feels both seamless and cohesive. The album opens with '????', enveloping the listener in the warm embrace of intricate guitar harmonies, akin to a comforting reunion. The band's chemistry radiates through each hypnotic rhythm, reflecting their strong bond. Though primarily instrumental, tracks like 'Loneliness Will Shine' feature tender vocals from guitarist Yamazaki Hirokazu. His airy voice enhances the beautiful instrumentals, creating a captivating atmosphere reminiscent of Dredg's El Cielo. The placement of these vocal tracks within the album ensures a well-balanced pacing, making it feel neither purely instrumental nor vocal. The pristine audio quality of the album allows every detail to shine. '??????' exemplifies this, with carefully panned elements creating an amazing depth. Despite its clarity, the production maintains a human touch, avoiding sterility and instead feeling authentic. What stands out most about toe is the unwavering authenticity woven into their music. There are no gimmicks or over-the-top embellishments, just pure auditory bliss from beginning to end. After a nine-year hiatus, it's as if they seamlessly continued their musical journey, allowing us to experience the light they bring to the world. The CD includes a poster, adding an extra touch for fans.
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Cat: WWSCD 67. Rel: 22 Dec 22
Jazz
Review: Way back in 1979, Japanese composer, bandleader and percussionist Masahiko Togahashi headed to Paris for a set of recording sessions with bassist Charlie Haden and trumpeter Don Cherry. Under the watchful eye of Martin Meissonnier - then Don Cherry's right-hand man - the trio recorded 'Son of Soil', a magical and spiritually enriching set that mixed elements of free-jazz improvisation with Japanese musical motifs, Togahashi's sublime percussion work, Haden's fast-fingered bass-played, and Cherry's mastery of various brass and woodwind instrumentation. The set was initially only released in Japan, so this worldwide reissue - accompanied by a booklet featuring extensive liner notes, previously unpublished photos and new interviews - is very welcome.
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TOLOUSE LOW TRAX / VARIOUS
Kiosque Versions (unmixed CD)
Cat: BBCD 466. Rel: 24 Sep 24
Experimental/Electronic
Review: Detlef Weinreich's latest release as Tolouse Low Trax is something of a curio, albeit one that's predictably impressive and off-kilter. It's a compilation that boasts some of his own cuts, alongside edits and reworks by friends of tracks described by Bueau B as "hits that never took the charts by storm". Check first 'Subghosts (Tolouse Low Trax Rework)', a bizarre but brilliant fusion of modular electronics and head-nodding organic instrumentation, before admiring the sparse, hard-to-pigeonhole electronic experimentation of Simo Cell's edit of 'A Song and a Photo Novella', the Autechre-esque beats of 'Down Is Temporal (Beat Detectives Dawn Rerub)', and Joakim's club-ready revision of 'Rushing Into Water'. Further inspired excursions are provided by Ido Plumes (the throbbing techno psychedelia of 'Tristoeros Empire') and Froid (the trippy IDM digi-dub of 'Make Friends').
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Cat: IARC 88CD. Rel: 31 Oct 24
Broken Beat/Nu Jazz/Nu Soul
Review: Tom Perera-Chamblee is one of New York's more interesting jazz musicians - a long-term, genre-bending member of Brooklyn's DIY music community whose creative efforts have to be balanced with a day job as a 'bioinformatician' (we have no idea what that entails, but it sounds fairly weighty). A Willed and Conscious Bias is the multi-instrumentalist's debut album and was recorded with an impressive ensemble of independent musicians and fellow rising stars of alternative jazz. Musically, it's undoubtedly exceptional, drawing as much influence from contemporary musical culture as jazz of old - all inventive rhythms, slowly unfurling solos, soul-fired electric piano stabs and heady spirituality. For proof, check out the gentle musical flowering that is 'Love' and the jazz-funk and fusion-infused warmth of 'Life'.
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Cat: ETTB 152. Rel: 25 May 23
Metal
Review: Transmission Impossible charts the early career of American alt-rock masters Tool via performances recorded for radio broadcast - and the odd snippet of the accompany interviews. A majority of the tracks featured were recorded for radio stations across the US (and on a couple of instances, in the UK) between 1991 and 94, though disc three also boasts cuts laid to tape in 1998 and 2000. The band's original line up (which features throughout) was known for its loud, dynamic and energetic performances - all ten-ton guitar riffs, sweat-soaked drums, heavy bass and wild lead vocals - and these recordings capture their live sound perfectly. For fans of Tool, it's a genuine must-have collection.
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Review: .During their live appearances - and especially ones captured for posterity by radio stations - Tool have often delivered surprisingly and unlikely cover versions. These, alongside a smattering of similarly eyebrow-raising duets and demos, form the basis of Absolute Ultra Rare, an unofficial compilation of obscurities that should be essential listening to fans. It sees the alt-metal and progressive metal heroes variously turn their hand to Pink Floyd (a surprisingly jangly take on 'Comfortably Numb'), Rage Against The Machine ('Know Your Enemy'), ska ('Wrong Way'), and Wings ('Silly Love Songs', which is turned into a moody growl). Throw in some heavy takes on their own tunes (see the opening rendition of 'Passenger') and you have a suitably epic collection of rarely heard tracks.
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Review: We've become accustomed to Chazwick "Chaz Bear" Bundwick surprising with each successive release. He's at his genre-bending best once more on Hole Earth, the Oakland native's eight album as Toro Y Moi. Born of a desire to incorporate elements of "rap rock, Soundcloud rap and 2000s Emo", much of the material sees the proudly independent musican blend head-nodding hip-hop beats with picturesque synth sounds, pop-punk guitar licks, multi-tracked vocals (sung more than rapped, interestingly) and a radio-friendly veneer. There are some suitably entertaining and ear-catching moments, from the lo-fi indie pop cheeriness of 'Hollywood', and the picturesque electronics of 'CDR', to the low-slung grooves and fuzzy guitar riffs of 'Tuesday' and the jangly dreaminess of closing cut 'Heaven'.
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Review: Vittoria Totale is a genuinely unique creative: a self-styled 'independent curator, language researcher and writer' who divides her time between stints in London, Berlin and Rome. Solo Voice, her debut album, is a similarly unusual proposition - a collection of written and improvised 'sound poetry' that alternates between impactfully recited poems, layered vocal experiments (see 'Sometimes', where Totale cuts and pastes phrases, the effects-laden poetic collage that is 'The Messenger Messes With The Masses', the vocalisations and spoken phrases of 'Text Me Next', and the Steve Reich-esque 'Bitte'). With Totale variously musing on sexuality, fantasy, life in the city and much more, it's an intriguing and ultimately fascinating listen.
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Review: TR/ST's Performance delves deeper into the dark synth-pop realm Robert Alfons has mastered over the past decade. Recorded in Los Angeles with producer Nightfeelings, the album presents a smoky fusion of eerie synths, deep bass and Alfons' haunting vocals. The title reflects a friend's remark about Alfons' performative essence, a theme echoed throughout the album's narrative. The opener, 'Soon,' starts with ethereal electronics before exploding into a danceable new wave anthem laced with biting lyrics. Tracks like 'All At Once,' 'The Shore,' and 'Boys of LA' showcase Alfons' ability to blend melancholic beauty with intense, almost cinematic production. His voice anchors the emotional turbulence of the album, navigating through themes of guilt, desire, and haunting memories. Performance is an immersive experience that straddles the line between mesmerizing and unsettling. Alfons' lyrical introspection and dynamic soundscapes make this record a standout in the synth-pop genre, cementing TR/ST's place as a rising force in electronic music.
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Review: London-based Australian vocalist, producer and multi-instrumentalist Penelope Trappe has always made immersive, enveloping and deeply atmospheric that sidesteps convention. It was that uniquely haunting and emotive approach to ambient and electronica that earned her deals with Optimo Music and Houndstooth, amongst others. Now signed to One Little Independent, Trappes has pushed the boat out further on Requiem, a mournful and bittersweet musical meditation in which her distinctively sweet-but-drowsy vocals rise above manipulated cello textures, hushed field recordings, ambient textures and intriguing electronic sounds aplenty. It's bold, beautiful and at times breathtakingly brilliant, once again marking Trappes out as an artist with a genuinely unique musical vision.
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Review: As he's moved further towards a career in soundtrack composition, Trentemoller's music has become increasingly widescreen and atmospheric, with the Danish artist drawing inspiration from dream-pop, the Cocteau Twins and Durutti Column as much as the ambient, electronica and immersive techno he was once famous for. All of these strands combine beautifully on 'Memoria', a picturesque and enveloping affair whose multitude of highlights include the yearning, string-laden and bittersweet brilliance of 'No More Kissing The Rain', the wall-of-sound dream pop shimmer of 'In The Gloaming', the mid-80s indie-pop haziness of 'Dead or Alive' and the glassy-eyed and tactile 'All Too Soon'.
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