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Back catalogue: All genres
Juno's full catalogue of All genres
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Review: Despite the dystopian and post-apocalyptic aesthetics, some electro music stuanchly refuses to let up on the fun. Acidulant, Dima Gastroler, Pozek and Johnfaustus' new collab V/A for Zodiak Kommune is one such firelighter: 'The Electro Guilde III' seems to say, "you'll have fun on the floor, or else us mecha-cops will come for you!" Acidulant's 'Collateral Funk' leads the charge with a persistent drive to "identify" some lost subject of misdemeanour and/or truancy, as rapidfire snare snaps and licking bass stabs scour the lower terrain for a heat-sought outline of the perp. Dima Gastroler's 'We Will Survive' depicts an unstoppable robotic invincibility, the track's searing robo-voices seeming to portray the last stragglers of a cyborg race battling their way through fire thanks to a bioengineered, adaptively fireproof armour. B-siders 'Ept' and 'Oberon' from producers Pozek and Johnfaustus let up on the voicework for two melodic, yet corruptingly authoritarian air-raiders.
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Review: Paris label Positive Future release positive music for positive people, but that doesn't hold them back a bit from concept-releasing V/As about future dystopias! "Once upon a time in a dystopian future", so the liners go, "humans are winning the battle against a zombie invasion" by fighting back, somehow, with their vinyl records (it's not stated explicitly, but we presume this means by playing them). "To defeat them forever and avoid a wicked future, DJs will have to join forces for a big party with every human still left standing." Of course, before the zombie plague, as far as sonic warfare went, military-grade sound design had been sanctioned for government use only, and the recording industries had precious little involvement. That all changes with producers Aline Brooklyn, Krol, Briki, Samuel Jabba and P.O., each of whom have reproduced and mass marketed their very own subsonic, antiviral weapon, of which there are four classes: A1, A2, B1 and B2. We choose B2, 'The Night', an instrument whose unsettling, garbled vocals and spine-tingling melodies make for, in our view, the best sonic zombie-away spray.
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Review: Bill Converse and Patricia land on Acid Test with more of their dynamic beat machine workouts in the form of this '380/750' EP which merges their distinct styles into an introspective, dancefloor-driven four-track workout. Recorded live at Ravitz's Brooklyn studio in just two days, the EP features raw, unedited performances that show off the duo's intuitive rhythm-making skills while drawing on Converse's 90s Michigan rave roots and Ravitz's Chicago upbringing. The immersive, bubbly, rubbery sounds are perfect blends of body music and heady synth work and cannot fail to take you deep.
… Read morePlayed by: Skudge
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Review: Yay Recordings closes out another solid 12 months with a various artists' EP that showcases right where the label is at. Heavy Mental kicks off with 'Dabro', a colourful and loopy house jaunt for sunny days. Twowi's 'Metaverse' takes off to the cosmos on lithe electro rhythms with ice-cold beats and widescreen pads. Parchi Pubblici & Lucretio's 'Aladdin Sane' brings some wonky deep tech vibes with of-balance drums and muffled spoken words and Rinaldo Makaj closes down with a fresh party sound perfect for cosy floors. There's plenty of variety here, which makes this a great addition to your bag.
… Read more in stock $15.15
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Review: Human Rebellion & Power's 'Fake Reality' EP on Midi Mode Records delivers five heavy electro tracks for the headstrong. Side-1 starts with the title track, a dark, brooding piece with intense vibes, followed by 'Rabbit Hole,' a nod to Detroit electro with influences from genre greats. On Side-2, 'I'm A Freak,' is a chord-driven techno track with an electric, vibrant acid line that will have listeners eyes wide open in awe. 'Human Squad' stands out as a favorite, featuring a robotic and danceable bassline. Closing the EP, the 'Fake Reality' (Nite Fleit remix) offers a powerful reimagining of the original, making this EP a solid addition to any electro enthusiast's collection.
… Read morePlayed by: Juno Recommends Electro
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Review: The Berlin-based 432HERTZ crew kicks on here with a new various artists 12" packed with electro heat. Rinaldo Makaj gets things underway with the serene grooves of 'Computational Universe', which has some of the nicest snares we've heard in some time. Rickie's 'Mesosphere' is a nice off balance sound with thumping kicks and melodic bass, then it's time to get sleazy and more than a little ghetto with the raw Electric City jam 'Escape From Reality.' Pumio Space brings a little colour and playfulness to closer 'Mario's Juice'.
… Read morePlayed by: Juno Recommends Electro, Juno Recommends Experimental
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Review: FaF's Marseille-based label Durite has assembled another Various Artists compilation full of global soundscapes inspired by Middle Eastern rhythms on one side, while the other blends psychedelic Japanese and Chinese samples into trippy, atmospheric cuts. Italian producer Nativo balances deep house and electro with worldly flair, French artist Pagenty keeps ting dubby and slow with snaking leads and hiccuping drums. Fellow Frenchman Blinkduus Dischetto sparkles with raspy synth leads and celestial keys and Crane De Poule then serves up 'Lucky,' the clear EP highlight with its hurried Eastern Melodie and vocal samples over a clipped and tight tech beat.
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Review: A rich exploration of minimal and tech house sounds with a nostalgic twist. The EP kicks off with 'Istinto,' blending futuristic techno with elements of house music and early 90s bass vibes, all wrapped in spacey sounds that evoke a sense of cosmic adventure. Next, 'Aura' delivers a stomping, darker beat designed to capture attention and drive energy on the dancefloor. Side-2 features 'Potenza' which channels raw techno reminiscent of 1991, incorporating trance elements for a nostalgic feel. The track's energetic vibe and vintage touches make it great for old skool sets. 'Essenza' ends the EP with a great groove and atmospheric feel good melody. A devastating blend of beauty and brawn. Dynamic, engaging tracks that will resonate with techno enthusiasts.
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Review: Kumquat returns with their second release, his time a various artists' EP packed with sleek tracks perfect for all sorts of movers and shakers. Four standout artists from the legendary French party scene deliver an irresistible blend of wonk and bounce across four groovy cuts. Noiro keeps it slinky and minimal on 'Yougoslash' then Belic & Mani get more stark and twisted with their tech sounds on 'The Flow.' Rancel's sound is laden with a libidinous sax line over clipped and crisp beats and Paradise City Breakers close down with the future tech of 'Mentalist.'
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Review: FXHE maintain their monthly heat emission for 2012, with label boss Omar S displaying all aspects of his production prowess (as well as skill for a humorous track titles) across four productions - one of which features the button bashing assistance of one Patrik Sjeren. There's something icily brilliant about the restrained "Income Tax Refund Dance" melding a dark piano riff with snapping 808 kicks and rippling lo fi rhythms which only further justifies the title of Omar S's killer 2011 LP. It's complemented by the far rowdier box jam "The White Castle Song" which jackhammers a simple yet highly flammable key riff over low rent percussion for FXHE's most potent ode to the perfect warehouse moment since the all conquering "Here's Your Trance..." Given the lack of additional info, we presume the Patrik Sjeren that produces the B Side "Untitled" track is the same Patrik Sjeren that released in the mid 90s under a multiplicity of aliases, and his contribution is every bit as incendiary as the track preceding it, whilst "3c 273" sees Omar S slip into pensive utopian electro mode with aplomb.
… Read morePlayed by: Ben Sims, Jimpster, Domenic Cappello, Stojche, Flori, Steve Macri (s_m music/Two&Eight), Ethyl, Ernie (Minuendo Recordings), Owain Kimber (Owain K), Mental Vibe Construction, Eamon Harkin, Mister Saturday Night, Attan, REVERIE, Carlos Nilmmns, Dan Curtin, Charlton, Satore (Hizou Deep Rooted Music), Roberto Rodriguez (Manolo), Juno Recommends Deep House, Jamie Behan, Zoo Look, Sisterhood, Ney Faustini, Frawl, Felix Bergleiter (Nonetheless), Sleep D / Butter Sessions, Djs: Most Charted - Deep House, East Soul Person, Villa Savoye, Desos, Sev Dah, Colman Buckley
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Review: 'Move It Or Lose It' isn't just the name of the latest release from Brit producer Joseph Nugent aka Papa Nugs, it's a mantra for our time. Emboldening Big Saldo's Chunkers imprint with an uncaged, high-octane batch of "house" cuts, this is the label's first release for 2025, dialling in to the label's signature bandwidth-filling "chunkers" sound. Rave-ready FX are the order of the moment, as flashes of early trance, progressive and hard house motifs, and Ibizan sample banks all hear Nugs truncate old-school references into a contemporary hip house come rave-breaks template. 'Turn it Down''s irresistible hook, "we're here to have a good time," has to be the bugler's choice moment.
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Review: Nug Nation Vol. 2 is here for all your high-energy and nuggety needs. This one is another four-track journey into club-ready sounds that pick up where the first instalment left off. It's a knowing mix of golden era house and progressive influences with a contemporary twist from the back-to-the-wall prog-trance-techno of 'Three Of Hearts' to the unrelenting machine drum sounds of 'Hyperdrive'. 'Are U Ready (Flight To Toulouse mix)' is brilliantly clipped and bouncy and 'You Don't Know (Another Nother mix)' is a turbocharged face-melting tackle for fun dance floors only.
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Review: Get ready to ride a cosmic wave of progressive sounds and speedy acid baselines with these new sounds from Osaka's enigmatic Ryunosuke Tahara, aka Paperkraft. For the past decade, this Japanese producer and DJ has been hard at work crafting the beautiful four-track EP 'Acid Asia' and it opens with 'P Spectrum,' a psy-trance anthem packed with ravy sounds, fast beats and potent acid bass. The title track explores a cruising house groove and melodies from the Land of the Rising Sun. On the B-side, 'Munchakoopas' offers sweet melodies next to edgy acid synths, and a nod to Yoshi, the legendary Nintendo character. 'Cosmic Flower' shuts down with strong percussion and psytrance vocals that will leave you entranced.
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Review: Aad de Mooy is better known as Paradise 3001 and has been releasing his fulsome take on techno since the mid 90s. Blue Highway is an EP from back then, 1994 to be exact, and it has aged faultlessly because these tracks will slot into any modern set without a problem, and likely be some of the best in it, in fact. It kicks off with the warped synth and bass entanglements of 'Mind & Motion' before the more gloopy and cosmic bass of 'Ludomil 75'. It's a masterful bit of future music that's followed by the vibrant Jaydee-like 'Blue Highways' and dreamier scapes of 'The Gates Of Dawn' and progressive cosmic funk of 'Mellow Moebe.'
… Read morePlayed by: DJ Mau Mau
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Review: As you can tell from the title of this ongoing series, System Error likes to serve up only 100% party bombs. The third volume lives up to that once more with Parchi Pubblici kicking off with the acid-laced bumps of 'Perfect Vacuum2Disco' complete with zippy synths and snappy percussion. Lanzieri's 'Twisted Tango' hits just as hard with an electro-techno fusion that rides on psychedelic synth loops with jacked-up drums. Raku's 'Valle Dei Templi' has a more pared-back sound with a menacing and rubbery low end and creeping synths that keep you on edge. Phill Prince's 'Indigo' shuts down with something tripped out and retro with 90s techno vibes colouring the drums.
… Read more in stock $19.07
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Review: Pascale Project debuts on Craigie Knowes with her 'Good People Only' EP, a melodramatic exercise in bubblegum kitsch, dramatized synth-organ hums and eerily quantized vocal recordings. The title, of course, takes its namesake from lead track 'Cafe Crazy' - a dance-pop hybrid soaked in a simple viscous formula: good vibes and electronic fun. The three originals making up its bulk come laced with nostalgic lyrics recalling hyperpop, but also carry retroisms of noughties dance-pop and trance, 'Hang Out' being the post-ironic jubilant highlight. The lyrics are, of course, written and performed by Pascale Project, and what's more, 'Cafe Crazy' comes remixed and refoamed by D. Tiffany with additional vox by NAP (yes, your eyes do not deceive you - a remix on Craigie Knowes! What?!)
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Cat: HYPM 003. Rel: 08 Feb 23
Electro
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Black Round 36: A Journey Into Hypnotic Minimalism (limited 12")
Cat: CBV 002. Rel: 20 Aug 24
Minimal/Tech House
Review: Dreamloops is a collection of long-form tracks spanning two and a half hours across four, yes four, records - that's a mighty eight sides of wax all created, mixed, and designed by Dennis Huddleston, aka 36 ("three-six"). The album offers a profound subconscious connection that was originally released as cassettes in 2019 and was revisited by Huddleston in 2023 to enhance its clarity and cohesion. The eight 18-minute pieces unfold slowly and build emotional power through developing themes. Imperfections like tape hiss add depth while influences like Henryk Gorecki and Max Richter help to shape the album's epic and haunting soundscapes.
… Read morePlayed by: Jane Fitz, Marcelo Tavares(Deep Space Podcast)
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The Psychonautic Adventures Of The 187 Year Old EDM Intolerance Survivor Gunnar Oliasson (clear & black smoke vinyl 12")
Cat: SC 007. Rel: 09 May 25
Techno
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Review: Under the PDQB alias, Sascha Dornhofer has deliberately crafted an enigmatic persona - a move that has allowed him to explore different underground electronic styles while building an audience of curious followers. On his latest EP, he continues this trend, first serving up an analogue-rich, mind-mangling slab of '80s horror soundtrack-infused 'Giallo' disco rich in loose-sounding machine drums, throbbing sequenced bass and spiralling melodies ('Cychochloride'), before opting for a weirder, darker and more angular proto-techno sound on the even more inspired 'Thromboembambino'. Legowelt handles remix duties in his usual confident and eccentric manner. 'Cychochloride' is re-imagined as a cheery and decidedly intergalactic electro workout, while 'Thromboembambinio' becomes a raw, acid-speckled shuffle through sprightly synth sounds and urgent post-electro beats.
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Review: Perel launches her own new label Hits Hits Hits! with a potent new single that is backed by a great remix from Canadian talent Jex Oplois. The lead tune on this 12", which also comes with a sticker, is '1 Life', a full throttle and thumping cut that is packed densely with 90s tribal techno synth sounds, old school house piano chords and a nice r&b vocal all of which serve to sweep you up and journey you to the stars. After the instrumental comes the remix from Jex Opolis that dials things back and makes it even more zoned out and subtly euphoric.
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Review: Perko is one of those newer-school experimental artists whose fingers straddle many pies, but who nevertheless refuses to allow this inner tendency towards versatility to hold him back. The FELT label owner has welcomed artists as far-flung as Civilistjavel! to Moxie into his inner circle; and the fruits of this open-mindedness are more than translated into his latest EP for Glaswegian dance legends Numbers. 'Prang' errs on the side of playfulness, giving some hot seconds of pure danceable flavour. Huerco S lends his usually-texturally-rich addprod to the nominal A-sider, a rather impressive future-garage-acid cut that recalls some of Objekt's earlier stuff, while regular collaborator and mournful vocalist-producer Cucina Povera crops up on the ambient dub plunger-into-the-sound that is 'Sisu'.
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Review: Three and a half years have passed since Jasen Loveland and Patrick Russell debuted their Pervocet project on Interdimensional Transmissions' ongoing Acid Series. This belated follow-up promises more "psychedelic music used to induce moderate to severe psychosis" (as their brief bio puts it). They set their stall out with 'Neighbor', a sparse and punchy acid-electro workout where raw, razor-sharp TB-303 motifs and vocoder vocal snippets catch the ear, before opting for a more relaxed - but no less psychedelic - acid-electro flex on the faintly foreboding 'Rawlo'. Loveland and Russell flip the script on 'L0V3 S1R3N', peppering a bouncy acid house-goes-techno beat with sweat-soaked percussion filled and hard-wired acid lines, while 'Phasy Suzan' is a deep, effects-laden, mind-mangling slab of expertly hallucinatory, mid-tempo excellence.
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Review: Cultivated Electronics Ltd's For The Floor series is back with another split EP on 12" and it's packed with floor-facing cuts that showcase a mix of regular label artists next to fresh talents. Volume 4 presents two tracks each from Bristol-based Ben Pest and Maelstrom. Pest is known for his jacking live hardware techno and electro and delivers bass-heavy, distorted vocal beats with 'Who Would Have Thought I'd Be' and '26 Hybrid,' while Maelstrom, who is co-founder of RAAR, contributes his signature dark and rave-inspired sound on the cyborg funk of 'Permanency' and dystopian energy of 'Ascii Twins'.
… Read more in stock $15.44
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Review: Extramusical hugeness from Texas's best experimental electro outing, Science Cult. A name like 'Commuting Observables', when lent to a V/A mini-album, is abstract enough to immerse us in the implied concept; it conjures a mental image of a glaucous laboratory of sorts, in which a cadre of sonic mad scientists toil tirelessly to yield the batch of effervescent sense-smushers you hear here. Be warned, this isn't your bog-standard, one-or-two-part acid-analog jam EP; no, every track and alias here plays out like a different iteration of some carefully spliced yet still egregious biogenetic experiment; monster faunamechs bursting free from their respective vitreal nutri-vats, and embarking on respective misanthropic rampages, all leaving trails of mimetic polyalloy gunge behind them. Were we to choose one of said bio-beasts as our fighter, it'd have to be Syrte's 'I'm A T-Shirt', shortly run up by a tie between Fleck Esc' 'Unrefined Intentions' and Ben Pest's 'From AU'. But we have to say, none of this music is standard fare techno: all of it is really quite wild.
… Read morePlayed by: Juno Recommends Electro
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Review: Karsten Pflum's album Liars explores the underground sound of techno and creates a captivating and energetic soundscape. Pflum's album is a journey through the dark and enigmatic underbelly of electronic music. He skillfully blends elements of techno, electro, and acid to create a unique and immersive experience. The album's jittery rhythms and moody soundscapes are perfect for late-night listening or for energizing a dancefloor. Tracks like 'Mousfolk Acid' are raw, intense, and uncompromising. Tracks like Lola' are sure to get comparisons to AFX and Squarepusher and that's not a bad thing at all. But for those who are willing to delve into its depths, Liars offers a rewarding and transformative experience.
… Read morePlayed by: Juno Recommends Electro, Sikka
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Review: Rezpektiva welcome the elusive but impressive Phantom Power back to their roster for yet one more release - albeit consisting of formerly released tunes on Crib Records in 1994. These tracks are exemplary of the UK techno heyday and its weirder, madder crannies: 'Helter Skelter' opens with trilling mark tree caresses and riffing basses; 'Travelogue', meanwhile, indulges mouthy synths and cheesy crashes marking the on-beat. Both convey the redlining feel of driven movement on aero-arterial future freeways; despite the name, these guys are arguably the least in need of an outside energy source.
… Read more in stock $18.80
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Review: Two distinctive tracks that balance industrial and techno grit and dancefloor energy. Side-1's 'Territorial Discrepancy' kicks things off with a driving beat layered over EBM influences and rave-inspired keyboard stabs. Its catchy rhythm and raw energy make it a surefire crowd-pleaser for peak-time sets. On Side-2, 'Notions Of Ceremony' takes a more experimental turn, blending techno grooves with a danceable, vocal-infused vibe. The track's unique character evokes comparisons to early Severed Heads and Underworld, combining fun, depth and innovation into a seamless whole. With its sharp production and bold creativity, this ia memorable addition to the techno landscape.
… Read more in stock $16.55
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Review: London DJ and producer Jules Von Daniken sets his phasers to fun, returning under his Phase O'Matic alias for another fresh EP-label inauguration (Blur Detection Program). His third release for 2025 (it's only May, god damnit), 'Behind The Glass' smashes through two-way mirror with gloomy glom-on acid, sparky redux design, slithery melodies and claspy 909 snareology, all of which together increment in intensity over a four-step dance inductor, seconding with the speak n' spelt post-new wave pranger 'Retroflex' and ending on the Robo-voiced 'Finetune (Darkest Day)'.
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Review: UK-based Jules von Daniken is Phase O'Matic and he takes charge of the third outing from Reheat with his typically assured hand. 'Access Denies (K9 mix)' is warped cyborg tech with gremlins in machines, gurgling acid and flat, firm drums making for a marching beat. 'Plastic Memory' has a more electro-feel to it with some snappy kick and hits retro 80s synth nostalgia. 'Recollect' is a sci-fi techno stomper with reverb-heavy bass and 'There's More Of Them Than There Is Of Us' closes with another intergalactic techno sound that comes from a distant planet with rueful pads and chugging low ends.
… Read morePlayed by: Juno Recommends Techno
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Review: New Zealander via Berlin Philippa's passion for house music, tireless commitment to her craft and ear for what makes a dancefloor tick is slowly but surely starting to pay off. With her recent release, 'Rainy Nights', on Slothboogie and 'Things I'd Like To Be' for Razor n Tape getting a lot of love, Philippa continues to deliver the goods, further lending remixes for Fat Freddy's Drop (The Drop) and Roach Motel (Faith). Here on the 'Latent Magic' EP we're treated to three new tracks highlighting Philippa's deft touch and musical approach to making interesting and leftfield house. Opener 'Hold' sets the tone with lush orchestral strings, crunchy drums and a bouncing analog synth bassline, while 'There It Is' umums hints of Mr Scruff with looping horn stabs, live drum grooves and rolling basslines. All in all, another mighty fine Philippa release recalling the early days of Freerange when artists such as Square One, Shur-i-kan and Jimpster were melding live musicians with electronics, for a refreshing, UK-centric take on house music.
… Read more in stock $17.12
