Back catalogue: All genres

Review: Pellegrino & Zodyaco's skillfully intertwine Neapolitan disco, funk, jazz and world music while channelling a spirit of creative escape of this new album, which is inspired by Henri Laborit's 'Eloge de la fuite'. It explores conscious escapism as a return to authenticity and seeks a "common language" through sound by merging Mediterranean melodies with global rhythms, vintage instruments and ethnic percussion that all bridge past and present. Four years after his last outing, Morphe, Pellegrino is still in top form here with a soulful, genre-blurring portrait of modern Naples that reflects the fact that, in the city, musical traditions meet modern experimentation.

Review: Having recently struck internet-age meme-gold thanks to iconic frontman (and sole original member) Bobby Liebling's iconic, seemingly "drugged out" gaze whilst performing live on stage, there really could be no more ample time for doom metal pioneers Pentagram to be releasing a new album. Returning a full decade on from 2015's Curious Volume, the band's ninth full-length Lightning In A Bottle offers up yet another entirely new revitalised lineup featuring guitarist/producer Tony Reed (Mos Generator, Big Scenic Nowhere), drummer Henry Vasquez (Legions of Doom, Saint Vitus, Blood of the Sun) and bassist Scooter Haslip (Mos Generator, Saltine), while the decades of performing, touring and admitted drug addiction have done little to dilute Liebling's looming presence and powerful vocal cadence. Unmistakeably still Pentagram, complete with heaving grooves and occult charisma, the material doesn't simply rethread past glories, but makes a vital case for the band's inarguable place in the doom metal cosmos, with Liebling balancing his aura with sobering introspection of his own years of opioid abuse on standout cuts such as 'Dull Pain' or the haunting 'Lady Heroin', where he ponders - "Lady Heroin, have I seen the last of you?" We hope so, Bobby, but we hope to see plenty more of you eyeballing fans in the front row whilst getting your macabre groove on.

Review: Returning from a near-decade long hiatus with their first album in eight years, At Peace marks the eighth full-length from Manitoba punk heroes Propagandhi, serving as their follow up to 2017's Victory Lap. Channelling an anti-fascist ethos of skate punk meets thrashcore since 1986, their latest effort showcases a band doing their utmost to come to terms with the despondency they've been warning about since their inception. Recorded shortly before the re-election of Donald Trump and his assertion that the band's home country of Canada become the U.S.'s 51st State, the messaging here is as earnest and vital as ever, yet admittedly more worn out and exhausted following three decades of the same oppressive system, with vocalist Chris Hannah somewhat accepting defeat and altering what we can about our outlook - "Now it's the existential dread of eking out a life worth living in this completely failed society."

Review: Alex Puddu dropped his last album, Deliria, only back in September, but has been busy in the studio since then cooking up more of his international disco grooves. Professione Reporter is a stylish funk, soul and disco-pop workout all sung in Italian and recorded at Piero Umiliani's legendary Sound Work Shop in Rome. The album follows the cinematic story of a photojournalist who becomes a gigolo entangled in a glamorous underworld of money, romance and danger. Around that vocal narrative, Puddu delivers sleek, seductive grooves and plenty of authentic vintage flair with a sharp ear for melody and melodrama. Professione Reporter feels like a lost soundtrack to an Italian crime film that is moody, playful, sexy and irresistibly cool from start to finish.