Back catalogue: All genres

Review: Back in February, East End Dubz launched a new label, Rhythm Traxx - an imprint which the London producer intends to use as a vehicle for "timeless house music with an emphasis on raw energy and infectious grooves". For release number three, he's turned to newcomer Oncho - a producer with little or no online footprint. Title track 'Paradigm' sets the tone, with fluid synth motifs, sampled vocalisations and glitchy tech-house sounds riding polished beats and a deep, weighty bassline. 'Goes Like This' joins the dots between vintage UK tech-house and the alien, bass-heavy sounds of bleep techno, while 'Get Back'is a dirty, acid-fired slammer and 'Thorough' is a TB-303-powered slab of deep tech-house. Closing cut 'Dreamin', meanwhile, is - unsurprisingly given the title - dreamy, glassy-eyed and hypnotic.

Review: Celebrating 25 years of two of the most influential house labels around, this joint double-pack from London's R2 and Osunlade's Yoruba Records is a heavyweight offering that bridges soulful roots and dancefloor depth. Karizma's long-awaited 'Spirit' appears in multiple formsihis original gospel-powered burner, a Josh Milan remix (as Honeycomb), and a dub version featuring Nicholas Ryan Gant, all radiating righteous, late-night warmth. The second R2 cut, 'W!thout !t' is stripped and punchy, full of Karizma's trademark percussive invention. Yoruba's side sees Osunlade light up the system with 'Electricity' and 'Sumpin' Like Dis', both steeped in rhythm and spiritual uplift. Afefe Iku's '823' dives deep into his signature twilight textures, while Karizma's Baltimore remix of Mr. Flip's 'Drippin'' closes the set on a loose and funky high. It's a snapshot of two defining voices in house musicirich in groove, spirit and intention.