Die Kosmischen Kuriere (Moritz Von Oswald & Thomas Fehlmann mix) (6:30)
Die Kosmischen Kuriere (5:20)
Jazz Is The Teacher (Magic Juan edit) (9:39)
Jazz Is The Teacher (Moritz Von Oswald + Thomas Fehlmann mix) (7:09)
The 4th Quarter (5:07)
Review: Tresor is celebrating 30 years in the game with a series of special reissue projects. This one really goes way back to almost the start, when Juan Atkins was already defining the early techno sound. For this one he linked up with Moritz von Oswald and Thomas Fehlmann in 1992 for a second iteration of the 3 Men in Berlin project. The monumental results join the dots between Detroit and Berlin across a collection of timeless cuts that meld bassline funk, hypnotic minimalism and soulful machine sounds into propulsive, emotive dance floor joy. The unbridled energy and cosmic elegance of 'Jazz Is The Teacher' might just be the highlight.
Review: Made up of Jun Miyake and Ichiko Aoba's live sessions held in Tokyo in November 2016 and the following February 2017, Pneuma consists of valuable recordings that had only been released in high-resolution format for distribution; the record is now finally released in vinyl format here on P-Vine. The first performance in January featured Tatsuhisa Yamamotoon on drums and the second in February made up a quartet formation with the addition of bassist Hitoshi Watanabe. The two ultra-talented musicians provide us a glimpse into how the music of Jun Miyake and Ichiko Aoba is made and this record breathes into their practice a new life.
Review: British crime television series Sherlock has proved hugely popular in recent years. The latest adaptation of Sir Arthur Conan Doyle's writings have also been hugely enhanced by the soundtrack. That score has been composed by David Arnold and Michael Price, and has won the pair numerous awards including a 2014 EMMY as well as two further nominations for an EMMY and a BAFTA nomination. Their contribution to Sherlock is immeasurable as exemplified by this soundtrack which is thrilling and sinister, playful and suspenseful in equal measure. The music from all three of the first series is captured here on this limited blue vinyl.
Review: Pierre Bastien and Michel Banabila are bonafide musical visionaries who have come totters for the first time on this debut collaborative album, Baba Soiree. They have achieved plenty over their careers in electronic music and draw on all of it here as they fuse their own idiosyncratic styles into something new. The churning and rigid mechanical loops and experimental instrumental setups come from Bastien while the sound designs and superbly chosen and assembled samples come from Banabila. Sitting somewhere between dance floor fun and avant garde invention this is a great piece of sonic alchemy.
The Ballad Of The Witches' Road (True Crime version) (1:41)
The Ballad Of The Witches' Road (Sacred Chant version) (3:12)
The Ballad Of The Witches' Road (Lorna Wu version) (4:41)
The Ballad Of The Witches' Road (Cover version) (4:40)
The Ballad Of The Witches' Road (Nicky version) (0:48)
The Ballad Of The Witches' Road (Agatha Through Time version) (2:29)
The Ballad Of The Witches' Road (Pop version) (2:33)
The Ballad Of The Witches' Road (Score version) (1:23)
Agatha's Theme Score (2:09)
Billy Kaplan Score (2:38)
Rio (Love & Death) Score (4:29)
The Coven March Score (2:49)
Tricks & Trials Score (1:56)
Salem's Seven Score (5:02)
Magick Medley Score (1:29)
Review: The new Disney+ TV miniseries Agatha All Along sees Kathryn Hahn reprise her role as Agatha Harkness, a central superheroine and witch of the Marvel Comics universe. A sequel to the live-action miniseries WandaVision, Agatha All Along charts Harkness' travails of escape and persecution, in a contemporary magic realist narrative blending witch coven and superhero themes. Here the soundtrack to the new series appears in tasteful and fitting fashion and in LP format, featuring such well-chosen as 'Hava Nagila' by Traditional, 'Visions' by Plastic People, 'Season Of The Witch' by Donovan and 'Heads Will Roll' by the Yeah Yeah Yeahs.
Review: The nearly mythical Buckingham Nicks from 1973, featuring Stevie Nicks and Lindsey Buckingham, has gained significant acclaim despite its original obscurity. With no CD or streaming availability, its tracks are typically found only through rare vinyl copies or dubious online rips. Enter Andrew Bird and Madison Cunningham, whose collaborative project, Cunningham Bird, breathes new life into this largely forgotten album. Produced by Mike Viola, this reinterpretation strips away the original's heavy production, showcasing Bird's exquisite violin and Cunningham's smooth vocals. Their shared harmonies replace the tension that characterised the Buckingham-Nicks dynamic, transforming songs like 'Long Distance Winner' into poignant laments. Notably, 'Lola (My Love)' is reimagined as a heartfelt ballad akin to Dolly Parton's 'Jolene', adding depth to the material. Bird and Cunningham's interpretations not only honour the original but also enhance it, proving the songs' flexibility and enduring appeal. Their unique sound and vibrant acoustic instrumentation, offer a fresh perspective for a new generation, making Cunningham Bird a compelling and accessible homage to a classic.
Review: It's often the albums that fall between the cracks that are the greatest. Violin virtuoso and singer Andrew Bird and Americana singer-songwriter Madison Cunningham shine a light on the underrated pre-Fleetwood Mac gem of an album, Buckingham Nicks, by fully covering it. Released five years before Stevie Nicks and Lindsey Buckingham went on to have mega success with Rumours, Buckingham Nicks was such a flop commercially that they were dropped by their label Polydor. But it is a cracking album and in covering it in their own style and having a palpably strong musical connection as a duo themselves, Bird and Cunningham have done it absolute justice and changed it. They have shed the 70s pop sheen of the original and made something more timeless to behold. 'Stephanie' is moody, majestic and cosmic and 'Without A Leg To Stand On' is one of the most stirring vocal performances you'll hear in 2024. A highly rewarding listen throughout.
The Main Thing Is To Keep The Main Thing The Main Thing
Yonders
Supreme Alchemy
Freequency (with Black Thought)
No Fear Of Time (with Yummy Bingham)
Review: No Fear of Time, the long-awaited sophomore album from the legendary hip-hop duo Black Star, is finally available in physical formats, including a stunning gatefold LP. After a digital-only debut in 2022, this release celebrates the dynamic collaboration between yasiin bey and Talib Kweli, who first captured hearts with their iconic 1998 album. Produced by Madlib, No Fear of Time showcases the duo's evolved artistry, recorded in diverse locations worldwide, including hotel rooms and backstage at Dave Chappelle's shows. The album's unique style flows seamlessly, with tracks like 'So be it' and 'Sweetheart. Sweethard. Sweetodd', igniting old-school vibes while addressing contemporary issues with sharp wit. With their powerful reunion, Black Star reaffirms their influential status in hip-hop, reminding listeners of the genre's rich cultural depth.
Review: The reissue of Booker Little 4 & Max Roach as part of the Tone Poet Vinyl Series is an exciting announcement for jazz fans. Booker Little, a brilliant trumpeter whose life was tragically cut short at 23, left an indelible mark on the jazz world. This 1958 album, recorded when Little was just 20, showcases his extraordinary talent both as a musician and composer. The LP features the dynamic interplay between Little and Max Roach, one of jazz's most influential drummers, along with George Coleman on tenor sax, Tommy Flanagan on piano and Art Davis on bass. It opens with a spirited rendition of Miles Davis' 'Milestones', setting the tone for the session, before the standards 'Sweet and Lovely' and 'Moonlight Becomes You' are given fresh interpretations. But the heart of the album lies in Little's original compositions: 'Rounder's Mood,' 'Dungeon Waltz,' and 'Jewel's Tempo.' These tracks highlight his inventive melodic sense and technical strength. The Tone Poet Series ensures an audiophile-quality experience, with meticulous mastering by Kevin Gray and a deluxe presentation that lives up to the highest standards.
Review: This trio performance from saxophonist Peter Brotzmann, drummer Milford Graves and double bassist William Parker now gets a look back via Black Editions, and captures a moment in time when greater synergy between jazz musicians might have been possible. Broadcast from the front room of CBGBs in 2002, this is the first ever recording of the band playing together, mainly cementing Graves' chops and standing as an immensely great drummer and worthy of his place in the percussive hall of fame. Graves lives up - our through - to his Thurston Moore-dubbed "living myth" status, with each musician feeding off each other in an impossibly timeless, rare, and sleek New York jass standoff.
Review: Clifford Brown is one of history's finest trumpet payers. Here he adds his style to nine engaging tunes recorded in 1955 with the Max Roach Quintet. One of the leading hard bop gangs of the time, tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow all featured and gave rise to these lively and energetic cuts. The likes of 'Cherokee' certainly blow away any cobwebs with the fluid and florid trumpets dancing over sizzling drums, and the more swinging (and excellently named) 'Gerkin For Perkin' is super short but sweet.
Review: Celebrated English composer Gavin Bryars has his 80th birthday marked by the release of the magnificent In LA, an all-new album on the Alga Marghen label. The album is the result of a collaboration between Bryars and Italian visual artist Massimo Bartolini. It is music played pipe organ bars, suspended from the ceiling at the Luigi Pecci Centre for Contemporary Art in Prato, Italy. It is an experimental concept that results in absorbing ambient works that very much capture the energy, essence and architecture of the spaces. It's a live, living, real time adventure full of evocative imagery and sombre moods.
Review: Berlin Atonal returned two years ago from a long hiatus, 23 years to be exact. After three tremendous festivals this decade, they now present us with their first recordings since 1984. These particular ones from the 2014 edition. Cabaret Voltaire (in this incarnation featuring only Richard H Kirk) was a true highlight and contributes "Microscopic Flesh Fragment" and "Universal Energy". One half of Demdike Stare Miles Whitaker went solo, presenting his truly unique take on techno, and the slow burning attitude of "Vagabond No. 7" is evidence of this. New Zealand's Fis also appears; rather uncategorisable as always on "Dist CL (Atonal Version)." On the third disc we have Northern Electronics main man and modern auteur Abdulla Rashim presenting two commissions from his captivating atmospheric set that year. Limited to 700 copies.
Review: Following mesmerising Marseilles mutations from the likes of Syqulone, Kabylie Minogue and Lisa More, Cain ? Muchi return to Gros:Oeuvre with their remarkable debut album. A heady tagine of grime, beats, techno, global bass and contemporary electronica with a title that either refers to famed Moroccan popstar or, far more likely, relates to meaning as 'universe', Dounia is a beguiling clash of western electronics and eastern bars, lyrics, and vocal harmonies. Fractured and macabre throughout from the distorted hardcore bass highs of 'J'wadi' to disarming vocal cries of 'Majdouba' this post grime, pre apocalypse opus is a trip from edge to edge.
Review: Renowned bassist Ron Carter's inaugural album, 'Where?' introduced a stellar lineup of talent alongside the main man including Eric Dolphy on clarinet, saxophone, and flute, and pianist Mal Waldron. Originally recorded at Rudy Van Gelder Studios in New Jersey in 1961, the record showcases the early brilliance of Carter's musical vision. Now reissued as part of the Original Jazz Classics Series, this edition is pressed on high-quality 180-gram vinyl by RTI. Mastered with meticulous care by Kevin Gray at Cohearent Audio, using analogue techniques from the original tapes, this release offers a pristine listening experience and is a great chance to rediscover the timeless allure of Carter's debut masterpiece.
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