Back catalogue: All genres

Review: Herbie Hancock's Maiden Voyage, recorded in 1965, remains a cornerstone of jazz history, capturing the the era's musical evolution. The ensemble, featuring notable players like Freddie Hubbard on trumpet and George Coleman on tenor sax, creates a rich blend of sound that resonates with listeners. Hancock's piano feels more vibrant, with increased dynamic range, while Hubbard and Coleman's horns possess a lifelike clarity with this new pressing. The bass from Ron Carter has a rich pluck and Tony Williams' drumming resonates beautifully as the celebrated pianist navigates a sonic ocean with his stellar MDQ crew, crafting a series of tone poems that evoke the essence of water. Hancock's compositions explore the delicate balance of movement and stillness, with Coleman providing a reassuring anchor amid the chaos. Freddie Hubbard's more disruptive approach contrasts beautifully, adding depth to the texture. The rhythm section is perpetually in motion, embodying the album's theme of fluidity. Tracks like 'Survival of the Fittest' show Hancock's deft architecture, oscillating between chaos and calm, making for a timeless exploration of sound and emotion, a masterpiece that resonates through the ages.

Review: Bashed out in no time at all, Andrew Hill's Andrew!!! drew on an astonishing creative upsurge enjoyed by many a musician in the early 1960s, which proved fortuitous for the pianist's storied early-career Blue Note run. Captured in 1964 with a distinctive quintet including John Gilmore, Bobby Hutcherson, Richard Davis, and Joe Chambers, this de facto debut showcases Hill's singular compositional voice across six dense, exploratory originals like 'The Griots' and 'Black Monday'; while his earlier Point Of Departure tends to attract the spotlight, Andrew!!! colours between the lines in a different shade. But like the former, it no less now benefits from BN's Joe Harley's audiophiliac oversight, preserving the subtle textures and telepathic interplay that define Hill's gauche-adroit playing.

Review: Andrew Hill's 1968 release merges intricate rhythms with dense, harmonically rich compositions that push the boundaries of jazz. The ensemble, featuring Lee Morgan and Booker Ervin, dives into challenging material that unfolds with every listen. The intricate brass work on tracks like 'Grass Roots' contrasts with the fluidity of Hill's piano, while the rhythm section locks into an effortlessly tight groove. Hill's compositions are complex yet absorbing, blending intellectual depth with emotional resonance, creating a unique sonic landscape that rewards careful listening.

Review: Jutta Hipp's At The Hickory House Vol. 1 is a window into a world where jazz piano can swing without fanfare and charm without overstatement. Recorded live in 1956, it captures a moment in time where Hipp, a little-known German transplant to New York, performed with bassist Peter Ind and drummer Ed Thigpen in a tight, energetic trio format. Hipp's lightly-swinging style moves effortlessly through bebop themes and standards, showing a deftness that feels unforced and natural, with just the right amount of flair. This Blue Note Classic Vinyl Edition is about the purity of soundimono, all-analogue, and mastered from the original tapes by Kevin Gray. The 180g pressing at Optimal guarantees that every note rings out with clarity, allowing listeners to experience Hipp's playing as it was meant to be heard. It's as close to stepping into that intimate club setting as you'll get without a time machine. There's a reason this release still resonates: the understated brilliance of a pianist who never quite got the limelight she deserved, but certainly made a lasting impression on those who tuned in.

Review: Recorded in 1962, this album captures Hubbard at the peak of his powers, his fiery trumpet soaring alongside a stellar lineup that includes Wayne Shorter, Cedar Walton, Reggie Workman and Philly Joe Jones. From the explosive opener, 'Philly Mignon', to the tender beauty of 'Body and Soul', the album showcases Hubbard's versatility and masterful command of the trumpet. This all analogue reissue, mastered by Kevin Gray from the original master tapes, really captures the energy and intimacy of this classic session.

Review: Bobby Hutcherson's innovative 1969 session Medina features a stellar lineup with Harold Land on tenor saxophone and flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums all joining the legendary vibraphonist. The album showcases original compositions by Hutcherson, Cowell and Chambers and was recorded on August 11, 1969 at the Van Gelder Studio, Englewood Cliffs, New Jersey. This special reissue comes as part of the Tone Poet series produced by Joe Harley and mastered by Kevin Gray from the original analog master tapes.