Young Pulse & Fleur De Mur - "Smooth Sweet Talker" (6:53)
Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.
Review: A modern lunar take on jazz and disco, Jazz On The Moon hears Italian producer Paolo Fedreghini moonwalk backwards through live horns, bass, synth and guitar for a crisply produced six-track EP. Opening with original NASA-issue intercom vocals from the 1968 moon landing, 'Interstellar' crafts a moonscape of Harmon-muted trumpet and avant-garde growls, while expansive electro-funk opens out on the title track and 'Distant Planet', by which point a tonal shift is underway. The vibe is increasingly P-funky, erring desolate on the interluding 'Outer Space', before we wind up purblinded by the light side of the mood on closers 'Groove Odyssey' and 'Cosmic Funk'.
Review: Originally released in 1979, this is a highly sought-after gem due a reissue to bring its soulful, classic charms back into the spotlight, complete with the original B-side. The opening track, 'Hollywood Dreaming', is a smooth, catchy piece that expertly blends a funky rhythm with a rich horn section and excellent vocals. The infectious melody and creative arrangement make it a standout in the band's catalog. It's a track that embodies the essence of late '70s soul and funk while still feeling fresh and timeless. 'Shine On' delivers a late-night disco groove, heavily influenced by the genre's rise during the era. Its funky bassline and smooth rhythm provide a perfect soundtrack for dancefloors and intimate settings alike. The track oozes with soulful energy, showcasing the band's ability to seamlessly merge funk and disco influences into a cohesive sound. Father's Children, formed in Washington, D.C., originally as a doo-wop group, evolved into a funk and soul powerhouse by the late 70s. It is certainly bittersweet to hold this piece of music in your hand - and especially without having to take out a second mortgage.
Review: Australian singer Nicky Nite Time and veteran Chicago second wavew house don Felix Da Housecat team up to rework Wham!'s 1984 classic 'Freedom', transforming its uplifting energy into a darker, harder-hitting, and low-key surreal dancefloor weapon. This bold refix pushes the track into pulsatory, late-night club territory, where the four walls about the dancefloor melt into strange shapes, and the checkered footlit floor cycles through the rainbow. The B-side includes Nicky's dub version for an alternative spin, along with an acapella, furthering our sense of possibility. A fresh, edgy, multi-version take on a beloved hit.
Review: The Treasure team keeps up the momentum of its early release with another fruitful dive into the annals of house history. This time, they have dug up more nuggets from FR and have refined them for contemporary floors. 'ET Is Coming Home' (vocal) is a slow and dubby cut with percolating live bass and muted horns next to some Ubiquity style vocal soul. The instrumental allows the superbly loose-limbed and live drums room to really shine, and then comes an epic, 10-minute-plus jazz-drenched house odyssey that's alive with swirling cosmic radiance and busy chords and synths. A real trip for proper music heads.
Review: Emma Noble, the emerging soul singer from London, delivers a powerful performance on the girl group soul anthem 'Unstoppable'. Her second single, it's poised to become a next-gen floor-filler; catch us playing it on repeat, *in flagranti*, after it premiered on Craig Charles' BBC6 Soul Show in early 2025. 'Going Going Gone' backs it up on the B-side, as the first single from FPE's upcoming album Waves. Hearing rising Australian singer-songwriter and pop genius J Mahon on vocal duties, the track's catchy brass sections combine with J's androgynous soul vocals, and evokes the sounds of young Motown artists in the style's 60s adolescence.
Review: Gerardo Frisina, the Italian musician and producer renowned for his expertise in Latin jazz, delivers a captivating experience with Mystical Funk on Schema records. Side-1 presents 'Mystical Funk,' a mesmerizing blend of tribal drums, smooth funk grooves, and island vibes that transport listeners to exotic landscapes. On Side-2, 'Spaced Out' takes a more urban direction, featuring an infectious hip-hop/funk beat infused with sophisticated organ sounds and hints of jazz influences. Frisina's masterful production seamlessly merges diverse elements into cohesive compositions that exude elegance and groove.
Review: After their hair-dropping debut LP Latin Freaks, Funkool Orchestra keep the stovetop hot with a high-energy 7" vinyl, bridging the delta between their first and second albums. A Maledetta Discoteca production, 'Tengo Che Ffa' blends Mediterranean funk, disco, and Neapolitan groove into an allusive proto-P-funk prance, especially if, at least, the B-side's title is to be believed. The latter alternately named 'Dance With Pezz', we hear them pick up the pace with a clav-spiced, conga-crammed number. Take it from us: the record is a clavi-net good.
Review: Montreal producer Jesse Futerman returns a refined sound that has carefully developed since the early 2010s. With past support from BBC Radio 1 and 6 Music champions like Gilles Peterson and Benji B and collaborations with the legendary Beverly Glenn-Copeland, Futerman is a real contemporary favourite. These four cuts blend swinging vocals and organic live drums with introspective downbeat bliss outs like 'Velvet Glove' and 'The Case of The Lost and Found' marries the sort of life-affirming piano lines and persuasive Balearic grooves that will light up more mature parties. 'You Are All The World Of Hero' is a delicate dub with fluttering percussion and hand drums lending it great intimacy.
Review: The Loneliest Punk was Fatlip's debut solo album and was originally released in 2005. It now returns on vinyl as it has remained a cult classic that captures the Pharcyde MC at his most raw and introspective. Produced by J-Swift of Bizarre Ride II and Squeak E. Clean, the album fuses quirky hip-hop drum patterns with sharp lyricism and features standout collaborations with Chali 2na from Jurassic 5 and the late Shock G aka Humpty Hump. Long out of print, this latest reissue revives a hidden gem of underground hip-hop that deserves as much spotlight as it gets.
My Nigga (feat $ilkmoney, Quelle Chris & Big Kahuna OG) (4:58)
Lil One (intro) (1:26)
Lil One (4:39)
CheckOnMe (feat Lojii) (3:51)
Nottooshabby (feat Quelle Chris, Nickelus F & $ilkmoney) (4:51)
Lord Forgives, I Hold Grudges (feat Denmark Vessey & Pink Siifu) (3:58)
The Times (4:02)
Forever Dream (interlude) (0:31)
Forever Dream (3:17)
Corner Pocket (feat Quelle Chris & BbyMutha) (3:05)
Dr Phil (feat Sycho Sid - skit) (1:23)
YOUGOTME!! (3:09)
Foreverever Dream (interlude) (0:56)
Say Thank You (feat Pink Siifu & Turich Benjy) (5:21)
Review: Fly Anakin's latest fun length marks a new chapter in his career, but it still brings forth the sharp lyricism and soulful, experimental production he is known for. This one was executive produced by Quelle Chris, whom he has worked with since 2019, and finds Fly serving up his ambitious work to date and collaborations with Denmark Vessey, BbyMutha, Pink Siifu, and The Alchemist. After years of honing their chemistry, Anakin and Quelle Chris deliver their most bold, unorthodox sounds yet and push new boundaries for hip-hop while exploring freedom and artistic evolution. It all reflects Anakin's mastery of both lyricism and production with plenty of intimate, emotive moments.
My Nigga (feat $ilkmoney, Quelle Chris & Big Kahuna OG) (4:58)
Lil One (intro) (1:26)
Lil One (4:39)
CheckOnMe (feat Lojii) (3:51)
Nottooshabby (feat Quelle Chris, Nickelus F & $ilkmoney) (4:51)
Lord Forgives, I Hold Grudges (feat Denmark Vessey & Pink Siifu) (3:58)
The Times (4:02)
Forever Dream (interlude) (0:31)
Forever Dream (3:17)
Corner Pocket (feat Quelle Chris & BbyMutha) (3:05)
Dr Phil (feat Sycho Sid - skit) (1:23)
YOUGOTME!! (3:09)
Foreverever Dream (interlude) (0:56)
Say Thank You (feat Pink Siifu & Turich Benjy) (5:21)
Review: Fly Anakin is a multi-talented rapper and producer from Richmond, Virginia, with more than a decade of experience in the hip-hop game that has established him as a sharp lyricist and soulful producer. Anakin's collaborations with artists like Freddie Gibbs and Pink Siifu have shown his mastery of both classic and pioneering sounds, and this new album, The Forever Dream, is a marked shift that explores unorthodox and experimental approaches with executive producer Quelle Chris. The project is built on unconventional beats and represents a new phase of freedom for Anakin. After years of refining his craft, Anakin remain one of the purest and most direct rappers in the scene.
Heartbreak (In A Really Good Way) (feat J Mahon) (3:12)
Caught In Your Web (feat Nicke Andersson) (2:14)
Swinging Party (feat J Mahon) (3:22)
Ride (5:01)
Maggot Brain (feat J Mahon) (4:03)
Common Stranger (feat Audrey Olleson) (4:27)
Review: Frank Popp Ensemble returns via its fourth studio album, recorded and produced in Spain throughout 2024. Known for their sleek combos of flared orchestration with retro soul motifs, Popp once again brings in a wide array of guest vocalists: Gerard Love, formerly of Teenage Fanclub, on the strings-laced rework of his own deep cut 'Save' from 2004; then Nicke Andersson (The Hellacopters, Entombed, Imperial State Electric) on 'Caught In A Web', a high-energy Northern soul workout reproduced in full Magic Touch style. An impeccably done cinematic indie soul rouser, wrestling the nubby essence of a sound to the ground.
Review: Frollen Music Library is a premium sample library and production house focused on live ensemble recordings and analogue production techniques. Drawing inspiration from the 60s and 70s - which is of course - the era that shaped hip-hop sampling, it provides producers with accessible, high-quality sample packs. Founded by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are all active members of Melbourne's soul scene, the library offers a rich collection of sounds perfect for film, television and music productions. It's an essential resource for fans of artists like David Axelrod and Ennio Morricone and also makes for a good standalone listen.
Review: Frollen Music Library is a high-quality sample library and production house specialising in live ensemble recordings and analogue production techniques. It has a creative process rooted in a love for 60s and 70s music, the foundational sounds for hip-hop sampling, so offers producers easy-to-use sample packs. Created by long-time collaborators Darvid Thor, Henry Jenkins and Hudson Whitlock who are members of Melbourne's soul scene, Frollen Music Library is a rich sound source for productions and compositions in film and television and a go-to resource for fans of artists like David Axelrod and Ennio Morricone. It also works as an evocative mental trip when listened to from back to front.
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