Everything Is Recorded, Noah Cyrus & Bill Callahan - "Porcupine Tattoo" (3:31)
Everything Is Recorded - "Norm" (feat Bill Callahan) (3:04)
Review: XL boss Richard Russell's Everything Is Recorded returns with 'Porcupine Tattoo', an unexpected yet compelling collaboration with Bill Callahan and Noah Cyrus. The track, released via XL Recordings, came about during sessions at LA's infamous Chateau Marmont hotel, when Russell asked Callahan who he'd most like to write a song for. Callahan's surprising answer: Noah Cyrus. The result is a stripped-down folk tune with subtle gospel undertones, featuring Callahan's deep, pitched-down vocal layered alongside Cyrus' delicate voice. Russell's production, iminimal yet atmospheric, ihighlights the contrast between Callahan's gravelly tone and Cyrus' ethereal presence. Recorded during a rain-soaked week, the track evokes a sense of melancholy and intimacy. On Side-2 'Norm', is a tribute to comedian Norm Macdonald, featuring only Callahan. This release continues Russell's tradition of creating genre-blurring, evocative collaborations.
Review: Steve Earle's Jerry Jeff is truly poignant album. The third in a series of tributes to what the main man describes as "first-hand teachers, the heroes I was lucky enough to sit across the room from so I could listen and learn up close," in this case he's talking about Jerry Jeff Walker.
So this is a record about paying homage to those that inspired and influenced, while also presenting another fine example of why Earle himself is considered one of the contemporary greats, no doubt inspiring and influencing the next generation of folk and Americana troubadours. And by that we mean one of the finest vocalists to ever grace those canons, and a master instrumentalist to boot, capable of delivering tracks at once powerful and thick with atmosphere, yet also delicate and vulnerable. Utterly captivating, you might say.
Review: Seattle songster Chris Eckman returns with his latest album for Glitterhouse, solidifying a now well-defined solo career after his split from the indie rock band The Walkabouts. Recalled easily by the sublime valley lodge depicted on the front cover, Eckman's brief new LP, taking form as eight new indie folk laments, depicts a gruff bard's persona, documenting the recording artist's response to the long passage of time and his recent relocation from Washington to Ljubljana. As if to blur associations of tumbledown American prairie and rustic Slovenian mountainscape, we hear homebound paeans ('Genevieve') and mixed-emotive reminiscences on wild youth ('Haunted Nights').
Review: Ammar El Sherei's intoxicating instrumental album Oriental Music was written in 1976 and has remained a cult classic for all the deep diggers, world music lovers and curio obsessives. For this record, the iconic Egyptian artist, composer and producer actually served up his own take on six classic compositions by another Egyptian legend, Mohamed Abdel Wahab. The results are utterly hypnotic and majestic melodic affairs with organic drums and percussion and North African melodies that worm their way deep into your brain and transport you to the hustle and bustle of a dusty open air market or street side coffee spot.
Review: Cass Elliot, released in 1972, marked a significant moment in the career of the iconic vocalist, formerly of The Mamas & The Papas. Shedding her Mama Cass alias, Elliot embraced her real name for the first time on this album, which exudes the nostalgic glamour of 1930s Hollywood. Featuring songs by talented songwriters like Judee Sill, Bobby Darin and Bruce Johnston of the Beach Boys, the album showcases Elliot's unparalleled vocal strength. Each track shows her ability to captivate listeners with her emotive delivery and soulful interpretation. This limited edition reissue on silver-colored vinyl, housed in a gatefold sleeve, is a fitting tribute to Elliot's enduring legacy. With only 1000 individually numbered copies available, it's a must-have for fans and collectors alike, allowing them to experience Elliot's timeless talent in a new light.
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