Back catalogue: All genres

Review: Rambadu's self-titled label is young but already onto a good thing with a distinctly deep brand of techno. This time out the boss is back once more but in cahoots with Italian techno legend Claudio PRC. They cook up a trio of mind melters starting with 'Sai.' Warped lines menacingly roam about the stereo field over sparse kicks and deep abs. 'Matika' is just as paired back and atmospheric in a deep, dark way with slowly churning drums taking you deeper down the rabbit hole. 'Aqua' is a meatless blend of distant groans and wispy pads that keeps you in suspense.

Review: The Shot of T label serves up a versatile new split EP with CV Smiles kicking things off. A long, drawn-out and emotive synth opens up on 'Home-schooled' and comes layered with bubbly pads and serve effects that soothe the mind. Then comes a rap mix that is detailed with louche bars and more 909 production to make it pop. On the flip side, the masterful Porn Sword Tobacco flips the script with a gurgling, pulsing, deep and linear techno roller in the form of 'Techno Story' which is perfect for late-night sessions.

Review: This classic techno record has been remastered and repressed on nice blue limited translucent midnight vinyl to mark its tenth anniversary. It finds CV313 casting you adrift into a world of deft ambient pads, fathom-deep dub undercurrents that are so subtle you barely know they are there, and then mesmerising with ghostly apparitions and analogue modulations. On the flipside is a live version of the same tune that has a slightly more raw, textured rhythm and scraping synths so exudes a slightly different mood but is no less immersive.

Review: After many years of waiting, CV313 (Stephen Hitchell) brings out blue vinyl editions of some of his cherished dub techno classics. Originally released in 2007 and again in 2009, 'Subtraktive' took the M7 formula and deepened it even further becoming the blueprint for CV313 and the Echospace label for years to come. Comes with the live in Japan version also. This reissue is a warm welcome for those concerned about ever getting a copy.

Review: Los Angeles-based sound designer, experimental musician and ambient explorer Richard Chartier - considered by some to be one of the world's leading exponents of "minimalist sound art" - recorded much of On Leaving, his 24th solo set, while his friend and fellow sound artist Steve Roden was dying. The album is naturally dedicated to him, and its hazy thickset collages of reprocessed found sound, ghostly tones and melancholic, slowly shifting ambient textures are for the most part poignant - a kind of audio translation of slipping in and out of consciousness while fading away. It's an arresting listen, best enjoyed with a good pair of headphones, full of impeccable sonic details and the creeping darkness of approaching grief.

Review: Loren Connors and Alan Licht's collaborative journey spanning 30 years culminates in their eighth album, At The Top Of The Stairs, is a great example to their enduring partnership and musical evolution. Recorded live in 2018, the album features two side-long pieces that showcase the duo's ability to create ethereal, abstract soundscapes with intricate arrangements. Throughout their collaboration, Connors' ghostly blue tones and Licht's meticulously crafted feedback and harmonic patterns have formed the core of their unique sound. At The Top Of The Stairs captures the duo's ascent through layers of atmospheric tension, punctuated by Connors' thunderous waves of effects. Connors and Licht have left an indelible mark on the experimental music landscape.

Review: Coral Morphologic's brilliant debut album guided us through space but with their sophomore LP, if feels much more like we're arriving at a final destinationia vibrant, water-filled world brimming with life. The rhythms are lithe and heavily atmospheric with distant pads, sci-fi motifs and sense of the unknown ever-present. It's brilliantly evocative and cinematic from front to back. To sweeten the deal even further, the album comes with a foldout poster with the fantastically dreamy and otherworldly album art by Robert Beatty

Review: Regular collaborator with label boss zake, City of Dawn teams up with From Overseas, an aptly named producer based on Reunion Island in the Indian Ocean. The result is classic Past Inside The Present - quivering, celestial ambient music that would fit into the drone category if it weren't for the fact it's constantly, subtly changing and evolving almost imperceptibly. Utterly horizontal in attitude, utterly heavenly in realisation, this is a corker even by PITP's very high standards, with this edition arriving in limited transparent sepia vinyl LP (+ download code) form.

Review: American DJ, producer and electronic musician Evan Shornstein, AKA Photay, is perhaps best known for his work on labels like the uber-exalted Ninja Tune, highly respected Astro Nautico, and super-good Mexican Summer. And at times (well, on 2022's On Hold), he's worked with telephone hold music samples. Forget all that, though, because here he teams up with the similarly visionary-minded Carlos NiNo for a masterclass in atmosphere and laidback, slick, immersive tones.

It's hard to really put your finger on what's happening with An Offering. In some ways, it's contemporary classical, or at least it makes you feel like you're listening to an orchestra warming up, possibly playing incidental parts to augment some narrative playing out on an audibly large stage. In other ways, this is highly experimental business that occupies a space in a kind of instrumentally-unique ambient world. Jazzy, strange, ethereal, and utterly mesmerising.

Review: It's not just a clever name. Zake and City Dawn have come up with a record that genuinely sounds like the reflective moods that so often follow great loss, realised on record. Sweeping synth-strings on 'We Once Believed We Owned The Sky' only serving to reiterate the sense of lamentation that seems to pervade every corner of this album.

Sometimes looking back on what was but will never be again is the only real way of making ourselves feel better - by connecting to intensely emotional memories we can trigger an outpouring that's truly cathartic. As if following that pattern, Frizzell & Duque: A Sorry Unrequited is a strangely uplifting experience by the time we're listening to the closing bars of 'The Sparrow's Flight', even if that's only because of the sense that others have the capacity to feel the same as we do.