Back catalogue: All genres

Review: With a name like Global Underground, we're left starry-eyed at a fanciful idea: a vast, interconnected network of tunnels, reticulating every nightclub in the world. Who wouldn't want that? While the possibility of such a thing is most likely inexistent in our human lifetimes, the eponymous international record label at least aim to make a "global underground" real in spirit with their City Series of mixes. Their latest full-length from Montreal native Joseph Capriati captures this fervent mood: with the initiate DJ repping the jubilant Canadian city, the mix segues between Ame, Len Faki, Deetron and Louie Vega highlights, and is a modern house and techno showstopper.

Review: Joseph Capriati has very quickly risen from underground techno player to top-tier titan. The Italian hails from Naples, a famous hotbed of minimalism that has spawned stars like Marco Carola. whose footsteps Capriati has followed in by securing his own Ibiza residency for his Metamorfosi party. The sort if sounds you can expect to hear on that label and at the events are well showcased here on his new mix of the legendary Global Underground series. From dark and driving techno to more emotional and melodic house, it's a colourful and widescreen ride that features a couple of his own fresh jams and many more from contemporary artists.

Review: Journeys through melodic electronica by blending new material with club-ready reworks like the Radio 2-supported (!!) 'Love Love Love - Here I Come.' True to Chicane's aesthetic, the album is rich in atmosphere, optimism and nostalgia and is great for both relaxation and dancefloor workouts. The 2025 vinyl release for Record Store Day marks the first time these mixes and extended versions have appeared in physical format. With a global tour, club shows, and a Royal Albert Hall orchestral concert on the horizon, Trampolines kicks off another great chapter for Chicane.

Review: Chlar's sophomore album crafts a bold vision of techno's evolution, blending stripped-back grooves with a sharp focus on rhythm and syncopation. In a departure from the rigidity dominating much of hard techno in recent years, this LP injects fluidity and funk into its clean, minimalist beats. Tracks like 'Fortress of Illusion' exemplify this approach, with deep, grooving basslines and carefully layered rhythms that subtly push and pull the tempo. The result is a style that feels fresh yet grounded in the genre's roots. Chlar's music juxtaposes the forward-driving optimism often associated with funk-inspired beats against darker emotional undercurrents. This tension reflects the record's thematic exploration of societal divisions, echoing the release notes' commentary on political climate. By reimagining the boundaries of techno with rhythmic sophistication and a conceptual edge, Chlar reaffirms the genre's capacity for reinvention. In a landscape of extremes, this LP stands out as a thoughtful and innovative contribution to modern electronic music.

Review: Some 20 years after its original release, the long-awaited follow-up to Archive One finally arrives on vinyl for the first time. Half-speed mastered for Record Store Day 2025, this edition breathes new life into classics like 'Way of Life,' 'The Wolf,' 'The Wiggle' and 'Just Ride.' The tunes showcase a more refined yet adventurous side of legendary techno Baron Dave Clarke's electronic palette and blend cinematic textures with club-ready drums. It's a deep, atmospheric techno with his signature post-punk energy and sleazy vocal edge that captures his restless creativity across four sides of vital wax. The swelling synths and fuzzy pads of 'Deo Gratias' and unhinged percussive layers of 'The Wolf' are two standouts amongst many.

Review: In musical terms, Bill Converse is as iconic as the basketball sneaker with which he shares his name. He's a techno favourite and veteran of the Midwest scene who has come up under the likes of Claude Young and Traxx but very much fomented his own sound. Here the American ace returns to Dark Entries with a new seven-track exploration of raw, analogue-driven techno. His sound blends the acid grit of Relief Records, the hypnotic pulses of early IDM and Detroit's energy all with an unpredictability that mirrors that of his live sets. He makes fine use of classic hardware like the Roland TB-303 and modern modular synthesis to cook up off-kilter rhythms and abrupt shifts that keep you on edge. Another vital and visceral offering from this legend.

Review: Max Cooper has never been one to conform. The electronic composer, musician, producer and DJ has built his career around trying to push the limits of musical and visual arts tech, either in the studio or live arena. So it's little surprise to learn On Being, his latest long player, was conceived through a process of reversing standard relationships between artist, their experiences and influences, and the audience. Over a two year period, Cooper gathered anonymous quotes from strangers dealing with existential questions: what do you want to express that you can't in everyday life? What's it like to live inside your mind? More so, what does it mean to be human in 2025? As a result, shared and collective grief, regret, hope, joy, hurt, love and other emotions are the root of every track here, each named after evocative bits from those quotes. It's stunning and emotionally powerful, even if you don't know the back story, with the artist now intent on continuing the concept through other projects.

Review: Courtesy's second studio album is another no-holds-barred deep dive into the heart of a minimal and tech house dance floor. Eschewing the usual ambient intro in favour of getting right down to business, things kick off with the surging comic-tech of 'I'm Happy I Am Not Susan Sontag', then the slamming drums of 'My Dazed Friend (feat Klo)' come with zoned out and alluring vocal musings. 'Let There Be LOVE! (feat Lyanne)' is another fast but smooth tech cruise with emotive vocal textures and 'Does Every Track Have To Be A Journey?' is a punchy tool which suggests not.