Where Are You Coming From (Jane Weaver rework) (4:05)
Out From Under (Emperor Machine extended rework) (8:49)
We All Need (Jezebell Ghost Train mix) (5:47)
Review: Perhaps one of the most important bands to come out of Manchester ever. Up there with Joy Division, their funky post-punk is the very essence of that genre and possibly why a lot of bands like to call themselves post-punk. They're just wishing they sound as good as A Certain Ratio. For this latest release, the follow-up to their album It All Comes Down To This, they've reworked songs from said album - sensationally - and released a Christmas single. 'Now And Laughter' is described as an ode to "the unsung heroes that are on hand when the pressures of the festivities can become too much to bear." It's awash with sumptuous echoing guitar, a somber lead vocal which makes you want to raise your lighter and gently sway. There's a hint of David Bowie in there and the lyrics appear genuinely emotional and appreciative. This is a song of blissful poignance that can help remind us of what really matters in life as it captures a sense of vulnerability and awe in the magic of the moment.
Let Me Be Your Fantasy (Dimitri From Paris club mix) (6:14)
Let Me Be Your Fantasy (Dimitri From Paris dub) (7:16)
Let Me Be Your Fantasy (Masters At Work Clap Yo Hands dub) (7:25)
Let Me Be Your Fantasy (Moplen remix) (5:03)
Let Me Be Your Fantasy (Mousse T Fantastic Shizzle mix) (6:00)
Let Me Be Your Fantasy (Blackchild remix) (6:00)
Let Me Be Your Fantasy (Two Soul Fusion remix) (12:05)
Review: Anane's soulful vocal delivery takes centre stage on her reimagining of this evergreen disco cut - originally crafted by Love Symphony Orchestra in 1978 - rebooted here through a series of new mixes from some massive house names. Dimitri From Paris delivers two irresistible cuts, his club mix a vibrant and energetic journey through classic house sounds, while his dub strips things back to a hypnotic groove. Masters At Work's 'Clap Yo Hands Dub' injects a dose of infectious energy, while Moplen's remix takes a more atmospheric approach, its swirling synths and hypnotic rhythms creating a mesmerising soundscape. Mousse T's 'Fantastic Shizzle Mix' adds a touch of soulful bounce, while Blackchild's remix delves into deeper, more tribal-infused territories. Two Soul Fusion's remix closes out the collection with a smooth and uplifting vibe, its soulful melodies and infectious groove leaving a lasting impression. A true classic reimagined through the lens of a host of diverse, talented producers.
Review: Ahead of an oncoming Tbilisi party set to be thrown by the Sameheads crew, their latest 7" appears ahead of time as the latest offering by fellow friends, Andrea & Alexander. With just 300 copies available, this dreamy duo share a juxtaposed space with a more esoteric, gritty B-side, occupied by TINA's 'Vacation', which breaks from the usual Sameheads sound, almost entirely, to indulge a massively wonky inhumation. The A's own 'Olias', by contrast, is light and sixteen-thy, dotting along with detuned Italo saws and descending cadences of relief. Once performed live at the fabled Sameheads festival, City Of A Thousand Suns, the label here celebrate its recorded version for the world to hear on repeat.
Review: Detroit mainstay and masterful hip hop and deep house fusionist Andres is back with not one but two new EPs. For this first one, he brings some silky electro rhythms to his signature sound but doesn't forgo that irresistible sense of r&b lushness he is known for. Track 1 brings a heart-aching vocal sample to quick beats and pristine snares, Track 2 has skittish rhythms topped with snapping snares and another classic, well-worked sample, then Track 3 takes off to the cosmos on ice-cold electro rhythms topped with plaintive chords. There is a hint of acid squelchy to Track 4 but it still somehow sounds very much like Andres. A fresh EP indeed.
Review: From the wide-ranging livestream sets he does from his basement to the sprawling hip hop and house albums he does for Moodymann's Mahogany via disco-laced house anthems like 'New 4 U', Andres always unites this music with a unique sense of groove and emotion. That is still true now as he steps out on GT Flips with a bunch of electro-leaning cuts that are classy yet primed and ready to ignite any party. Track 2 is a quick and punch one with ghetto undercurrents and jazzy keys, Track 4 is an excellent ass-wiggler with expertly deployed vocal hooks and Track 3 is a stripped-back bumper with a feel-good vibe.
Review: This is a full artwork version of the same release that dropped recently as a pre-release white label, so will look as good on the shelves as it sounds on the decks. DJ Dez Andres has been particularly productive of late after releasing a series of" records that showcase his signature edits. The collection includes 'Boogie,' a broken beat banger featuring a catchy whistle, followed by 'Maxin',' a sensuous, downtempo track with smooth pads and laid-back beats. The final track, 'Talking,' wraps things up with soulful vocals and a romantic, late-night vibe.
Review: Apparel Wax on Apparel Music records has recently started a 7" series of which this is the third instalment of. These 45 DJ friendly records are sure to be hits with house music DJs and fans both. The music does the talking as the tracks are simply called 'Track 1' and 'Track 2'. The first blends jazz, funk into a house instrumental frenzy that has all the makings of a classic late night success. The second one is quite unusual and unique, adding a broken almost jungle beat that goes great with the piano. This gives us some real early 90s UK rave flashbacks! This versatile 7" should go over great with those who hear it!
Review: This Vincent Arthur album is a tribute to his daughter Vivian and was crafted by talented musicians from Africa, the Caribbean and Germany. Once obscure for 30 years, its standout track, 'Travel With The Music' became an anthem after making a high-profile appearance in a Dekmantel set where its euphoric afro-disco sound really made a lasting mark. Online sleuths uncovered its origin which has reignited interest in this hidden gem, which has been remastered by Frank at The Carvery. It revives three key tracks in 'Travel With The Music' which shines with afro, disco, and gospel-like euphoria. 'Afro Disco' brings playful energy while 'Jubilation' closes the night with deep, celebratory vibes.
Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.
Review: This third volume of instrumentals continues the faultless Isle of Jura label's deep dive into dub versions and beyond. Side one takes in references from UK street soul and reggae and features two late-'80s tracks by Howard Hill with machine-led rhythms, rudeboy reggae skank and soulful pads. Protek's 'I Love to Dance With You' is a proto-house gem featured in a Jura Soundsystem mix and here it gets a loving re-edit by The Nightlark. Side B includes an instrumental-driven track with spacey FX from The Cool Notes' and Ilija Rudman's 'Dub 4 Love' which is a knowing nod to acid house's golden era.
Review: Bongo Joe and Sofa Records' third instalment of the Maghreb K7 Club Disco Single series dives deep into Algeria's vibrant 1980s scene, offering four tracks that shine a light on the region's overlooked gems. The A-side is led by two irresistible pop-boogie-funk tracks from Khaled Barkat: 'Galouli Enshara' and 'Zourini'. Self-taught and self-produced in 1983, Barkat's music was a hit at the time but got overshadowed by the rising tide of rai. His dynamic collaboration with Yazid Fentazi, Redouane Ayoub, and Mhenni Benlala resulted in a sound that blends infectious grooves with local flair. Now, for the first time, these tracks are on vinyl, offering fresh ears the chance to rediscover a key player in Algeria's pop history. Cheb Tati takes over on the B-side with 'Dub El Hammam', a heavyweight dub number that showcases his range as a rai vocalist. Tati was flown to London in 1989 to work with dub pioneer Denis Bovell, and this track is a standout from their sessions, merging the pulsating rhythms of reggae with a distinctly North African flavour. Closing out the release is the Kabyle band Asif, whose only known recording, 'Tafsut', serves as a fitting finale. Formed by three brothers in Lille during the late 70s, this beautifully crafted pop-boogie track captures the band's unique sound, bringing a sense of nostalgia and triumph to the collection.
Review: After the first in this new Mellow Bangers series got us nice and twisted we're delighted to have the follow-up from Italo Moderni. Cryk kicks off with an eerie blend of Italo arps and dark wave drums with electro overtones on 'Double Crash' then the moodiness continues with the depraved bass warbles and crashing hits of Fragedis and his 'Disco Nicotina.' Antoni Maiovvi brings a lightness of touch to his delicate arps and celestial harmonies on 'Stopping Power' and Adrian Marth layers plenty of sugar and pixelated synths into his loopy 'Modernism.'
Review: Maledetta Discoteca closes out its year with this special blue vinyl featuring a mix of brilliant Italo disco artists. They all hail from Italy and Argentina and are editing originals that span disco, electro, proto-house and more. Hararis' 'Si No Pagan' is the first under the scalpel and is a funky cut with raw drums. Lance's 'Yo Quiero A Lucy' is a more slowed down and seductive sound with 80s synths, Marta Paradise's 'Calling' (edit) is a direct and sugar synth laced house stomper and Alan Strani's 'Tension Salsable' brings things to a closer with a nice stomping disco grove with mysterious synths and lush percussion.
Review: Italian producer LTJ Xperience (Luca Trevisi) and fellow jazz-funker Papik (Nerio Poggi) join forces for a fresh new track here, 'Best Life', featuring the American singer Anduze. Recalling the classic sound of Marvin Gaye and Stevie Wonder, the track brings a hard-hitting verve to their bright spark, and does good justice to the trio's prior collaborations, coming hot on the heels after one of their earlier works was included on the GTA V soundtrack. This 12" version also includes an instrumental version as well as a radio edit.
Ambra Orfei - "Love Me Too" (Eddy Mi Ami remix) (5:57)
Alex Germana - "Uomo Con Te" (Electro Potato remix) (6:49)
Chuck Simmons - "Love Is Overrated" (5:38)
Review: Welcome back to ID Limited's Disco Planet which returns with a four-volume of irresistible dance floor goodness here. Eddy Mi Ami is charged with kicking things off and offers up 'Androids Escape'. Ambra Orfei's 'Love Me Too' then gets an Eddy Mi Ami remix which ups the cosmic quota and keeps the dazzling melodies flowing, and also featured is the 80s track 'Uomo Con Te' by Alex Germana, remixed by talented producer Electro Potato. Closing the collection is 'Love Is Overrated' by Chuck Simmons, another alias of Electro Potato, who delivers a fittingly big finale.
Review: Broken beat legends Nautilus return with a futuristic teaser for their upcoming 2026 studio album, and on this evidence, it's going to be superb. The first single reimagines a legendary anime soundtrack with their signature groove and features Japanese singer and sanshin virtuoso Anna Sato, whose vocals elevate the track to a new dimension. The release is completed by Berlin-based DJ and producer Delfonic, a well-known disco and house don and label head, renowned for his deep club remixes and praised by Gilles Peterson. Delfonic adds a magical touch with heavy beats that come with plenty of lavish synth work.
Review: North of Loreto is a side project of Bassi Maestro and Alex Fernet, who are both prominent figures in the Italian nu-boogie scene, and this is their first collaboration. 'Disco/Diavolo Blu' are two tracks that allow you a peak into the distinct musical styles of both artists. It finds them blending their talents to create a cool and complementary sound with artwork from Riccardo Michelazzo. 'Disco' is a lovely laid back vibe with bokken, steely beats and retro chords and vocals and 'Diavolo Blu' has more direct drum energy and a killer bassline.
Review: Opolopo and Alafia have hooked up here to work together on a new musical journey that takes the form of these two richly layered percussive monsters. 'Axxanxxan' and 'Axxiove' which arrive on this 12" from Canopy are as addictive as it gets - they fuse Afro rhythms and disco dazzle with synth innovation to create a pair of dance bombs with real tribal energy. The A-side is detailed with metallic bass, choppy guitars and swirling synths that add up to a nice tropical sotmg, while the flip has more prominent drums and hypnotic rhythms that have a subtle cosmos twist. Two gems from Canopy, then.
Asha Puthli - "Our Love Is Making Me Sing" (Black Devil Disco club remix) (4:04)
Review: Naya Beat, the LA reissues and reworks label gathering and recasting some of the most delicious sounds of the South Asian diaspora, gathers some of its standout digital-era reworks onto vinyl for the first time, offering a vibrant cross-section of global disco, house and experimental editry from its roster. At the centre is a brand-new reimagining of Asha Puthli's 'Our Love Is Making Me Sing' by Bernard Fevre, better known as Black Devil Disco Club, who brings to the fore his signature moody synth atmospheres. Also included is a pulsating disco mix of Pinky Ann Rihal's 'Party Tonight' by Turbotito & Ragz, already spun by the likes of CC:DISCO and Barry Can't Swim. JKriv then twists RD Burman's 'Birth of Shiva' into a house stomper laced with bansuri and squelching bass, while Daniel T. transforms 'Zindagi To Zindagi Hai' into a dubbed-out Bollywood journey.
Review: Venti d'Azzurro Records has hit another milestone - this marks the Italian label's 50th release. In honour of that, they have put together this lovely picture disc with six of what they think of as their most classic songs. The wax has art on both front and back and comes in a special sleeve so looks as good as it sounds with plenty of disco goodness. Swan kicks off with 'Shining Star', Ken Laszlo brings Italo magic to 'Dancing Together', Ryan Paris brings some stepping cosmic brilliance to 'I Wanna Love You Once Again' and there is plenty more from Albert One, Miko Mission and others.
Review: The summer is almost here which means this is exactly the sort of record we want to be reaching for. It's a lush and tropical work of idealised disco grooves, deepest house, Balearic, smooth jazz and Mediterranean cool that cries out to be played loud while you sip on cocktails and dream of being somewhere utterly blissful and classy. Dreamy textures define each cut with nice fresh rhythms, glistening chords and lush melodies all sprinkled with delightful percussive detail. Big up to A Vision Of Panorama for serving up a beautiful album that is sure to soundtrack the warmest months of the year for many.
I Love You More Than Mysel (feat Rome Fortune) (5:19)
Spaces (feat Noemie, Mowgli) (3:25)
Review: Parisian house music producer and artist Agoria (Sebastien Devaud) channels his delight at the 20th Century so far into a new album, theming it after illumination and individual self-becoming. In a rare case of an artist penning a short LP-accompanying manifesto - doubling up as a thankful testament to the opportunity to travel the world for the past 30 years, and to experience the richness of diversity in sound and culture - Agoria is quick to wax spiritual: "the metamorphosis is coming", "the light that chases away the shadow". Building on the now towering Detroit-influenced house and techno discography amassed since 1999, Unshadow is a feature-packed compendium, bringing a newfound, downtempo, graceful serenity to the artist's already varied discography.
Elvira Voca - "Drugo Vrijeme (The Second Time)" (3:46)
Opatijski Suveniri - "Vamos A La Playa" (3:28)
Roman Butina - "I'm Gonna Get Your Love" (3:52)
Review: This limited gatefold edition compilation, curated by Leri Ahel & Zeljko Luketic, brings together 18 rare disco tracks from Yugoslavian artists, pressed on 2 x vinyl. Featuring the likes of KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, and more, the collection is sourced from original master tapes, ensuring pristine audio quality. Disco, a Trojan horse in Yugoslavia's pop music scene, thrived for an unexpectedly long time. Influenced by American and European disco acts like Boney M and Amanda Lear, Yugoslav producers and record companies like Jugoton and PGP RTB embraced the genre's vibrant energy. The scene fostered a unique blend of genre hybrids, electronic experimentation, and bold themes, with artists creating memorable and innovative disco music. This compilation captures the spirit of that era, shows both chart-toppers like Zdravko Colic and experimental gems. It highlights the creativity and freedom that disco provided, allowing musicians to push boundaries and deliver unforgettable tunes.
Review: Arabic music crate-diggers Habibi Funk have so far proved adept at unearthing killer material from the 1970s and '80s that joins the dots between indigenous styles and dominant Western genres. Their latest collection focuses on the work of 1970s Egyptian band Al Massireen, an outfit funded by one of the country's most successful producers of the period, Hany Shenoda. Modern Music, so called because the band was Shenoda's attempt to modernize Arabic music, includes tracks taken from a wealth of forgotten cassettes and albums. Musically, it's rather special; a heady blend of Arabic vocals and instrumentation, orchestral disco influences, blue-eyed soul, grown-up pop and dreamy West Coast style rock.
Review: Fusion five-piece Aldorande are no fustians when it comes to full-length LPs. These self-styled groove adventurers remain radically open to the sound, thanks to their stylistic touchstone, 70s funk, and its diachronic conduction of future styles. Recorded on tape in a top Parisian studio, their third record Trois brims with trifect textures, bold phrasing, and soaring choral waves. Mathieu Edouard's precise drumming is glued to the spot by Erwan Loeffel's plaited percussion, all the while Laurent Guillet's fingertips and Florian Pellissier's splayed hands make the best uses of Fender Rhodes, axe and Minimoog.
Are We There Yet (feat West Felton , Howard Wazeerud-Din II, Malik Alston) (5:31)
Boom Bap Jazz 7 (feat Dave MCmurry, Takashi Iio, Malik Alston) (2:55)
We Have Been Assimilated (feat Malik Alston, Dave Mcmurry & The Black Light Collective - Malik Linwood mix) (3:58)
Vampires (feat Elmus, Allan Barnes, Cen Dervin, Craig Huckaby - Malik Afro remix) (7:58)
Shine (instrumental) (5:59)
The Doctor (feat Zacland) (7:06)
Soul Guitar Love (feat Gabe Gonzalez & Bubz Fiddler & Malik Alston) (4:16)
We Can Make It Through (feat Doc Link, LaRonn Dolley, Malik Alston) (3:05)
Review: Truth Manifest Records proudly presents Beyond Jazz Volume 2, the next instalment in this futuristic four-part series. Produced by Malik Alston and distributed by Mother Tongue, this vinyl release takes listeners on a journey to the edge of their senses. With its blend of live instrumentation and a hip-hop foundation, the album morphs into an Afro-Cuban, up-tempo dance jazz banger. Poetry interweaves throughout, reflecting urban realities while reminding us that through struggle comes victory. This record captures the essence of boom bap jazz, offering a funky jazz groove that lets your spirit shine. A must-have for any jazz lover.
Review: Initially released in South Africa in 1982, Gyedu-Blay Ambolley's sophomore set is now regarded as a boogie-era Highlife classic. Here issued on CD for the very first time via Mr Bongo, the album features the Ghanaian star brilliantly joining the dots between driving disco-funk, jazz-funk, intoxicating slow jams, calypso, dub reggae and his beloved highlife. Highlights come thick and fast throughout, with standouts including heavy percussion jam "Simigwa", the boogie-dub skank of "Adwoa", the down-low grooves of "Walking Down The Street" and the killer disco highlife anthem "It's High Life". Simply essential.
Review: On its initial release on Black Riot five years ago, Amp Fiddler's long-delated comeback album - produced in cahoots with London scene mainstay Andy Williams AKA Yam Who-- Motor City Booty was rightly praised for showcasing the Detroiter's P-funk, boogie and deep house roots. This fifth anniversary reissue on South Street, pressed on blue and yellow vinyl, serves as a reminder of the album's undoubted quality. Fiddler's soulful vocals and dusty keys provide the sonic glue that holds everything together, with the plentiful highlights including the two-part, Dames Brown-sporting Motown soul tribute 'Soul Fly', the squelchy, gospel-tinged P-funk house brilliance of '1960 What?' (featuring the London House Cats Choir) and the hazy, head-nodding electronic soul brilliance of 'Send a Message To Me').
Review: Andres, or DJ Dez, is a beat-maker extraordinaire. His Cuban heritage and background as a hip-hop DJ for Slum Village mean that he comes at house music from a slightly different perspective than most. Couple that with a vast record collection and next-level ear for samples and he rarely turns out a dud tune. Enter Address V, his latest album on Moodymann's Mahogany label and another masterful one that straddles moods and grooves with effortless ease and rare style. There are crisp house kickers like 'Cybermate,' heavyweight funk beatdowns like 'Funky 2Step' and slouchy and low-slung joints like 'Detoxfromtheworld' amongst dirty hip-hop jams and so much more. Another timeless album from a Motor City great.
Review: The UK's Robin Lee is one of the members of much-loved disco gang Faze Action but also he's behind Andromeda Orchestra who return here with an album that offers a cosmic fusion of jazz-funk and disco. It's been put together with Moogs, clarinets, Rhodes and rich analogue textures that make for a mix of nostalgia and sonic richness that sinks you in deep. Blending nostalgia with innovation, Lee creates deep, immersive soundscapes. There are widescreen odysseys like 'Mythical', loved-up bunkers such as 'Thinking About Your Love' and a rare Nick The Record remix of 'Get Up & Dance' that overflows with cosmic melodies and lush, life-affirming strings.
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