Back catalogue: All genres

Review: Alessandro Alessandroni (often said to be the most famous whistle in the history of film thanks to appearing on famous spaghetti western 'A Fistful of Dollars') is a legendary composer and musician who very much had a big say in the characteristic sound of Italian soundtracks during the 60s and 70s. This lovely 7" from Four Flies showcases that with two well chosen cuts that have been taken from a dusty tape found in the great man's vault. 'Shine On' is superbly stylish funk with some seductive vocals and rolling drums all peppered with golden chords and dynamic horns. 'Prohibition' is a little more mellow but still features magic Rhodes and characterful horns.

Review: 'Dreamtime Trance' is a cult gem for those who like to dig deep, and Alston Koch is exactly that person. She is a Sri Lankan-born Australian musician and the mastermind behind the Kookaburra Connection project, a collaboration with Aboriginal musicians, and this track blends indigenous themes with a unique, game-changing beat and infectious groove. It's a pure dancefloor revelation and this reissue includes a new extended version with a longer intro buildup that adds depth to the track. On the B-side, the heartfelt ballad 'Midnight Lady' offers a contrasting mood that is perfect for after-hours relaxation with PiNa Coladas. Remastered and re-issued with the original artwork, this EP is a must.

Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.

Review: Maledetta Discoteca closes out its year with this special blue vinyl featuring a mix of brilliant Italo disco artists. They all hail from Italy and Argentina and are editing originals that span disco, electro, proto-house and more. Hararis' 'Si No Pagan' is the first under the scalpel and is a funky cut with raw drums. Lance's 'Yo Quiero A Lucy' is a more slowed down and seductive sound with 80s synths, Marta Paradise's 'Calling' (edit) is a direct and sugar synth laced house stomper and Alan Strani's 'Tension Salsable' brings things to a closer with a nice stomping disco grove with mysterious synths and lush percussion.

Review: A Certain Ratio's core trio of drummer Donald Johnson, bassist/vocalist Jez Kerr, and multi-instrumentalist Martin Moscrop make ACR Loco a perfectly fluid and funk album. In fact, on this, their first album in more than ten years, the Manchester post-punk outfit are as funky as they have ever been. Their tried and tested sound gets nicely updated with modern beat driven sounds and plenty of redefines to today's political strife in the lyrics. There are plenty of smooth and cool synth led grooves like 'Get A Grip' and messages of unity on 'Family' that we can all relate to.

Review: In celebration of 50 years in the performing arts, Idris Ackamoor presents Artistic Being for Record Store Day 2025-a powerful blend of jazz, spoken word and activism. Featuring the voices of acclaimed actor Danny Glover and stage legend Rhodessa Jones, this record captures highlights from the Underground Jazz Cabaret, which was performed during Black History Month 2024 at The Lab in San Francisco. Co-produced by Ackamoor's Cultural Odyssey, the release fuses poetic storytelling with evocative musical textures while reflecting on social justice, identity and resilience. Artistic Being is a profound statement from a visionary artist.

Review: Classic psychedelic rock singer Han Young-ae was a big deal back in the 80s and 90s, then disappeared before returning with a new album in 2014. This album, Vol 2, on C Sharp comes on limited transparent yellow wax with an insert and nine tracks that fuse her theatrical rock singing style with old school 90s rock licks and cold electronic drums on the opener then switch it up entirely for the sentiment soul ballad on track two. There are more soft rock pieces, 80s disco tinged rock, and many other weird and wonderful in between sounds from this cult artist. It shows she has come a long way since starting out with a folk band in the 70s.

Review: Kalita has a fine record of unearthing holy grail records and reissuing them to rabid fans around the world. The latest is a real corker even by their standards - an unrelated album of soul, gospel and disco songs from Al-Dos Band. It is part of the first drop for Record Store Day 2021 and immediately melts the heart. 'Don't Come Smiling Back' is a deeply emotive slow jam with an impassioned vocal and pained chords, while 'Your Presence' is a much more rapturous and uplifting bit of musical worship, 'Some Things Don't Mean A Thing' is a robust and rugged bit of strident disco with magic funk riffs, and 'Love Jones Coming Down' is a real dance floor heater.

Review: RECOMMENDED
It was two in two for Alabama Shakes when they first unveiled this bonafide swamp rock masterpiece. Released in 2015, Sound & Color took the blueprint laid out with Boys & Girls and then kicked up into fifth gear. It's soul. It's blues. It's sweat-soaked funk. Most importantly, though, it's the kind of record that keeps giving the more you listen, sounding equally at home in the 1950s as it does the 2010s.

It's hard to really put into words the level of husky, pained, heart-on-sleeve musicality at the core of this record. Brittany Howard's voice might never again sound as utterly distraught and reflective, pained and somehow filled with hope for a brighter day. Individual readings aside, this is among the finest blues records to land this century, and ranks up there with some of the greats of the 20th, so don't sleep on this edition complete with closing tracks recorded live at the legendary Capitol Studios.

Review: The magnificent Luaka Bop label has been showcasing the work of Alhaji Waziri Oshomah - a master of Afro sounds and rhythms that cut deep - for a while now across several albums and compilations. He hails from Edo State in southern Nigeria and is known for holding sermons of the religious as well as musical sort. After various volumes of work and the superb World Spirituality Classics 3: The Muslim Highlife Of Alhaji Waziri Oshomah record comes this new series of gems that show off his unique take on international rhythms across four long, ever evolving and always engaging grooves.

Review: Nestor Alvarez, known for his vibrant fusion of sounds, brings forth Melting Pot - an album embodying his diverse musical influences on the always good value Original Gravity label. It finds Alvarez delve into the core essence of his music, capturing the raw energy and authenticity that define his sound across eight party ready cuts. From Latin rhythms to electronic beats, Alvarez seamlessly blends several genres, creating a trip that transcends boundaries and eras. Some are fiery and upbeat, others are more slow burning funk but all of them are testament to Alvarez's innovative approach to music production and showcase his ability to craft dynamic compositions that resonate with audiences worldwide.

Review: Initially released in South Africa in 1982, Gyedu-Blay Ambolley's sophomore set is now regarded as a boogie-era Highlife classic. Here issued on CD for the very first time via Mr Bongo, the album features the Ghanaian star brilliantly joining the dots between driving disco-funk, jazz-funk, intoxicating slow jams, calypso, dub reggae and his beloved highlife. Highlights come thick and fast throughout, with standouts including heavy percussion jam "Simigwa", the boogie-dub skank of "Adwoa", the down-low grooves of "Walking Down The Street" and the killer disco highlife anthem "It's High Life". Simply essential.

Review: Freestyle Records reissues The Apples Kings a full decade and a half after its first release. This version has been fully remastered and re-cut for an even more dynamic sound to remind why the landmark album was so special. It was a first for the band who crafted it with specific collaborators in mind and worked with funk legend Fred Wesley and Israeli world music icon Shlomo Bar In fusing elements of The JB's funky foundations, soul, dub, and Middle Eastern influences, they cooked up a genre-defying mix filtered through The Apples' unique decks-horns-bass-drums lineup. These unmistakable, floor-shaking grooves are just as potent today as they were in 2010.

Review: Blue Foundation returns with another lush and immersive album that deepens their signature blend of dream pop, shoegaze and ambient electronics. Crafted over three years by the much loved Danish duo Bo Rande and Tobias Wilner, Close to the Knife explores themes of melancholy and introspection through layered textures and haunting vocals from Wilner and Nina Larsen. Guest appearances from Scarlet Rae, Helena Gao, and Sonya Kitchell enrich its emotional depth, while contributions from Chinese experimental noise band Wang's Xie Yugang and drummer Federico Ughi add complexity to this shapeshifting soundtrack.

Review: Campania-based combo Asakaira has delivered a genuinely brilliant debut album here. Rooted in improvisation and the collective's combined love of jazz, Afrobeat, jazz-funk, hip-hop and the Afro-cosmic sounds that have long been a staple of Italy's underground music culture, the album's six original tracks (the seventh is an alternate 'Night' take on the jaunty, energetic and percussive 'Skijii') bristle with imagination and inventiveness. For proof, check the tropical disco delights of 'Night Tales', the head-nodding hip-hop-jazz of 'Chatting With You' and the dubby jazz-not-jazz shuffle of 'Moon Phases', a track that just intensifies and gets bigger as it progresses.

Review: Rewind to 1975, Brazilian supergroup Azymuth hit their richest creative vein with this self-titled full-length. Just as the band remain so themselves, this is still hugely relevant and ridiculously on-point considering it's 40 years on the clock. Proof can be found on every track from the sedative harmonic charms of the opener "Linha Do Horizonte", the raw slap bass funk, velvet keys and soaring synths on "Seems Like This" and the frenetic, almost techy mentality of "Wait For My Turn". An essential addition to any collection, this would have blown minds to pieces back in 1975.

Review: Before they found fame with their 1975 debut album, Azymuth divided their time between working as backing musicians (attending recording sessions with some of Brazil's top talent) and recording experimental home demos. Recently rediscovered, these demos are finally being given a release thanks to the efforts of Far Out chief Joe Davis. There's much to admire on this first batch (a second volume is also available) of previously unheard early recordings, from the high-octane Brazilian funk insanity of "Prefacio" and Jimmy Smith-esque "Melo De Cuica", to the spacey samba/jazz-funk fusion of "Xingo (Version One)" and the relaxed, slow-burn brilliance of seven minute B-side opener "Laranjeiras".

Review: Strut present an exclusive collaboration between two jazz greats, multireedist Bennie Maupin and percussionist Adam Rudolph, on Symphonic Tone Poem For Brother Yusef, originally commissioned by the 2020 Angel City Jazz festival in Claremont. This long yet impressive album weaves across a sonic landscape in five movements, blending electronics, sax and voice and binding them all together via the deft use of intervals and improv. A strong and moving debut from the clear clarinetist and the percussive polymath.