Back catalogue: All genres

Review: With 'breaking' making its debut in the 2024 Paris Olympics, it seems an apt time to go back to where it all began and showcase some of the music that first made break-dancers move in the early years of hip-hop culture. Soul Jazz Records clearly agrees, hence this two-disc retrospective of early 'breaker' favourites curated by Arthur Baker - a man who's productions and remixes soundtracked many dancefloor battles in the early 80s. It's a suitably strong selection all told, with dusty funk, soul and funk-rock favourites (Johnny Bristol, James Brown, The Jimmy Castor Bunch, Spanky Wilson) being joined by disco-funk jams (Herman Kelly and Life), extra-percussive workouts (Manu Dibango, Mongo Santamaria, Candido) and a smattering of key Baker productions (Afrika Bambaata and Soul Sonic Force's 'Planet Rock' and his own infectious 'Breakers Revenge').

Review: Curated as part of the iconic street artist's Tate exhibition this year, The World Of Keith Haring unites many of the talented souls Keith knew, or was inspired by, during his prolific rise as one of the most vital cultural spokesmen through the 70s and 80s. Soundtracking the gritty downtown NYC streets he made his first mark on, this limited collection captures the whole melting pot from b-boy culture with cuts such as "E.T Boogie" and "Bump N Grind", raw boogie and soul ("Over & Over") and pure drama ("The Guardian Angel Is Watching Over Us"). A powerful collection as striking and relatable as his own signature.

Review: It's been a while since Soul Jazz tapped into the seemingly bottomless well that is the Studio One archives. This latest trawl through "Sir" Coxsone Dodd's landmark label focuses on the Jamaican imprint's ska output in the "downbeat" period between 1962 and 1965. It was in this period that the ska movement, reflecting Jamaica's newfound independence from the UK, truly began to find its own voice. While that alone makes Studio One Ska Fever worthy of further inspection, it's the tracklist - heavy on early scene classics such as "Freedom Sounds", "Marcus Garvey" and "Mad World", as well as lesser known gems and early works from Lee 'Scratch' Perry and the Wailers - that makes is essential listening.

Review: Studio One Soul 2, the highly anticipated second volume of Soul Jazz Records' acclaimed Studio One series, dives deep into Jamaica's enduring love affair with American Soul and Funk. This special 18th anniversary edition features a vibrant array of legendary reggae artists like Horace Andy, The Heptones, Cornell Campbell, and Ken Boothe, all of whom got their start at Studio One before achieving global success. The album features a unique blend of classic and obscure American Soul and Funk tracks, reimagined with a distinct Jamaican flavour. Standout tracks include Cornell Campbell's stunning recut of The Mad Lads' Curtis Mayfield-penned 'Ten to One,' Winston Francis' soulful interpretation of The Five Stairsteps' 'Don't Change,' and Devon Russell's powerful take on 'Make Me Believe in You,' which arguably rivals Mayfield's original. This collection, featuring a mix of classics, rare gems, and previously unreleased tracks, has been meticulously remastered. Perfect for a serious reggae enthusiast, this compilation embodying the Studio One ethos of reworking influential soul records into a Jamaican soundscape.