Back catalogue: All genres

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: Black version of Arturia's superb KeyLab MK3, one of the best MIDI controllers around. 88 full-sized keys with fully weighted Fatar keybed, plus the option to use pads, rotaries, faders, built-in arpeggiator and other performance features.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Main features

Redesigned Keybed

88-note fully-weighted Fatar TP/110 keybed with aftertouch

Pads & controls

1 clickable encoder
9 360- rotary encoders
9 x 50mm faders
8 transport switches
4 command switches
1 modulation wheel & pitch wheel
12 touch & pressure-sensitive pads

Advanced display

Full Color 3.5" 320x480px screen with 8 contextual buttons for intuitive control and feedback

Smart features

Multi-mode arpeggiator
Chord mode with smart voicing
Scale mode
Hold function

Software integration

Seamless integration with Analog Lab V and V Collection instruments: select sounds, browse presets, smart-assigned controls
Advanced integration with FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services

Analog Lab Pro software with 2000+ sounds
Ableton Live Lite
Mini V, Augmented Strings, Piano V, Rev PLATE-140
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity

USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, modulation and expression plus an additional Aux-in
USB-C powered

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration


Works in Standalone, VST, AAX, Audio Unit.
Analog Lab not compatible with NKS

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Box contents

KeyLab 88 mk3 Unit
Laptop plate
Musical sheet holder
USB-C to USB-A cable
Registration card
QuickStart

Size & weight for 88 keys

Size : 50.98 x 12.72 x 4,45 inches (1295 x 323 x 113mm)
Weight : 34.6 lbs. (15.7 Kg)

Notes: Third-generation version of Arturia's exceptional KeyLab controller is presented here in a white, 88-key format. Top quality, expressive performance and Arturia's famed reliability.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation.
4 control buttons for octave shift and navigation.

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation, 4 control buttons for octave shift and navigation

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded second-generation version of the high-end DT 1990 features improved sound, increased comfort and top quality sound, all based around the new generation Tesla 45mm driver.

Supplier's Notes:
DT 1990 PRO MKII - the evolution of a studio legend

The DT 1990 PRO MKII open-back studio headphones are the second generation of the popular premium model. They boast improved sound, increased comfort and industry-leading workmanship made in Germany. At the heart is the newly developed TESLA.45 driver technology. Suitable for mixing, mastering and editing, they are the perfect choice for discerning users who want to take their tracks to the next level.

The open-back reference

Thanks to their open-back design, the DT 1990 PRO MKII offers a natural, spatial sound pattern, which makes them ideal for professional mixing, mastering and editing.

The new generation of TESLA technology

TESLA.45

The DT 1990 PRO MKII feature the latest generation of TESLA driver technology TESLA.45. Redesigned from the ground up, the 45mm driver system boasts an excellent resolution, extremely low distortion and outstanding impulse behaviour. The TESLA.45 provides signal fidelity even at high volumes. Beyerdynamic's engineers have managed to combine studio-sound and flexibility thanks to weight-optimized materials. The DT 1990 PRO MKII has an impedance of 30 ohms, which means that the studio headphones can be used with a variety of end devices.

When it comes to sound, the reference headphones boast precise bass response right down to the lowest octaves. The slightly reduced highs compared to the previous model offer a high amount of information and help to avoid wrong decisions when mixing. Thanks to the wide soundstage, instruments and voices can be precisely pinpointed.

The sound transducers are manufactured at the company headquarters in Heilbronn, Germany. Each DT 1990 PRO MKII contains two TESLA.45 sound transducers, which are measured several times during the various production steps.

Maximum comfort

The DT 1990 PRO MKII is designed for several hours of use in the studio and offers outstanding comfort. The robust, flexible spring steel headband design ensures optimum contact pressure. Thanks to the skin-friendly velour ear pads, the headphones are comfortable to wear even during long sessions. The headband, consisting of soft memory foam and durable leatherette, adapts perfectly to the shape of the head. And thanks to the fontanelle recess, potentially pain-sensitive areas on the head are avoided. Both the headband and the ear pads can be replaced if necessary.

Two sound signatures

Designed to maximise flexibility, the DT 1990 PRO MKII is supplied with two different types of ear pads. The 'Producing Velours' fitted as standard deliver a full sound thanks to a slight bass boost. The 'Mixing & Mastering Velours' offer a more analytical sound. Two cables are also included: a 3m straight cable and a 5m coiled cable. Both cables have a lockable 3-pin mini-XLR plug. Everything is safely stored in a high-quality hard case.

Industry-leading workmanship

Thanks to German manufacturing expertise, the DT 1990 PRO MKII sets the benchmark in workmanship and durability. The TESLA.45 driver systems are measured within tight tolerances several times during production. High-quality materials such as anodised metal and hard-wearing plastics make the DT 1990 PRO MKII a long-term investment. In the interest of sustainability, almost every part of the premium headphones can be replaced.

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Use familiar gestures to easily animate the sound of your favourite hardware and software synths.

Push your favourite synths further

Press Touche to activate a filter on your hardware synth or gently bow Touche's plate to add arpeggiator action to your favourite software synth. These are 2 examples of the many possibilities Touche can interact with your gear. This standalone MIDI controller simply translates your gestures into data (MIDI, CV or USB). Touche precisely allows you to modulate any sound, from the subtlest brush to the wildest strike.

Sturdy & precise

Touche boasts a solid monoblock design with few replaceable moving parts, equipped to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Universally compatible

Touche is compatible with any software or hardware synthesizer thanks to its built-in CV, MIDI and USB outputs. Internal memory even lets you control hardware synths without a computer.

Ready to use

Touche can control all your favourite third-party software instruments too. Pre-made mappings for all best-selling VST instruments, as well as hardware instruments, are included.

Sounds included

Touche ships with UVI Workstation, a plug-in providing over 250 custom-designed instrument sounds. These sounds come pre-mapped with Touche so you can focus on producing.

A new, tactile playing experience

Touche bypasses the traditional limitations of most synths' and MIDI controllers' keybeds, seamlessly connecting your gestures to sound. Less programming, less automation, more creativity!

4 degrees of freedom

Each direction on the control surface affects different parameters. Combine movements for amazing effects.

Capturing precision

Touche captures your movements with pinpoint precision. Record incredible performances in real time.

Get percussive

Tap your melodies rhythmically, creating percussive tones unique to the Touche family.

Hands down

Discover new ways to articulate your sounds with your keyboard and Touche working in harmony.

A powerful companion software

Meet Lie, Touche SE's control centre and companion software. Lie allows you to:

Browse easily the included sound library (+250 presets)
Host any third party plug-in and map it to Touche and Touche SE
Create mappings for hardware gear in a blink (Touche only)
Adjust Touche's sensitivity to your taste

Rediscover your favourite hardware synths

Touche includes more than 250 hardware synthesizer mapping presets - providing instant, ready-mapped control of the factory presets included with most popular synthesizers.

Rediscover your favourite plugins

A beautifully engineered hardware instrument, able to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Extraordinary sounds included

Touche comes with a professionally-designed sound library, so you can start exploring right after installation. Explore ripping basses, soaring leads, evocative pads and pounding percussion, all pre-mapped to take full advantage of the hardware.

Expand your soundscape with Touches expansions and instruments plugins

Need more sounds? Expansions and instrument plugins are an ideal playground for Touche. Discover a whole new universe of sounds and playing articulations, fully compatible with Touche and its software companion, Lie.

Touch plate

We are all different, and your Touche can be different too. You can fully perfect your Touche's response with adjustable controls, and you can even customise its appearance with our range of alternative touch plate finishes, available separately.

Cylinder

The cylinder is the heart of the Touche - it controls exactly how your Touche reacts to pressure. The 'Shore 40 Pink Cylinder' is the classic all-rounder and is included with Touche. It's suited for a wide range of gestures, soft or hard, progressive or percussive. But for those interested in a softer or harder response, we have a range of other cylinders to try.

No computer required

Touche can operate completely standalone, controlling MIDI and CV hardware without a computer connected. Pre-prepare your perfect control mappings and select and recall them live onstage - Touche is the perfect companion for adding expression to your live rig.

Touche

USB: USB Powered
MIDI in: 1/8" (3.5mm) jack socket
MIDI out: 1/8" (3.5mm) jack socket
CV: 4 x 1/8" (3.5mm), up to -10V to 10V
Axe: 4 axes with customizable sensitivity
Lie: Lie: macOS 10.11 and higher / Windows 10, VST / AU format, hosts VST instruments only
Dimensions: 9.7" x 3.9" x 2.4" / 246 x 100 x 62 mm

Box content:
Touche
1x USB Cable
2x MIDI break-out cable (jack to DIN)
1x Ground Loop Adapter

Notes: ***B-STOCK: Box opened, product in perfect working order***


Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.

The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.


OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Class-leading performance from Genelec's compact monitors, packing huge power into a small footprint. 32 Hz - 25 kHz frequency response and 110 dB maximum SPL for true professional sound in a tiny package.

Supplier's Notes:
Nearfield monitoring with real muscle. The 8050B has power in abundance, making it ideally suited to larger spaces and longer listening distances.

Detail and transparency

The 8050B represents a class-leading balance of extraordinary SPL output, expansive dynamic range and an intensely detailed, transparent performance. With superb directivity and a wide sweet spot, you're free to move position and still trust what you're hearing.

Mixes that translate

With its neutral performance and ability to adapt to your room via simple rear-panel room compensation switches, the 8050B ensures a flat playback response to help you really analyse the spectral balance of a recording and produce mixes that always translate reliably.

Package contains:
1 x 8050B monitor
1 x mains cable 1,8 m
1 x operating manual

8050B Technical Specifications

SPL:
110 dB

Amplifier Power:
150 W Bass (Class AB) + 120 W Treble (Class AB)


Frequency Response:
32 Hz - 25 kHz ("-6 dB")

Accuracy of Frequency Response
+/- 2 dB (38 Hz - 20 kHz)

Driver Dimensions
o 205 mm Bass + o 25 mm Treble

Dimensions:
H 452 x W 286 x D 278 mm, with Iso-Pod (view in inches)

Weight:
14.4 kg / 31.7 lb

Connections:
1 x XLR Analog Input

Notes: ***B-STOCK: Box opened, missing a nut on left output, otherwise in perfect working condition***


Blue version of the Bree6, GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control.

Supplier's Notes:
The Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltagecontrolled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.


The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: Blue version of the DJ Control Inpulse 200 MK2, a superb option for beginners and anyone looking for an ultra-portable DJ controller. Great value.

Supplier's Notes:
Elevate your DJing journey with the Hercules DJControl Inpulse 200 MK2 Blue Edition. This sleekcontroller comes packed with powerful features, including Serato DJ Lite and DJUCED software,designed to inspire creativity and unlock your full potential. The groundbreaking Stems feature lets youeffortlessly blend instrumentals from one track with vocals from another, opening endless possibilities for unique mixes.

Master the art of beatmatching with the intuitive Beatmatch Guide, featuring built-in light indicators below each jog wheel and beside each tempo fader, making track syncing a breeze. With 4 performance pads and 4 versatile modes (Hot Cue, Stems, FX, Sampler), you'll have everything you need to craftseamless, professional-level transitions that will captivate any crowd.

Whether you're a beginner or looking to refine your skills, the DJ Academy video tutorials offer step-by-step guidance, expert tips, and tricks to help you perfect your mixing techniques and take your sets to the next level. Let your creativity shine with the DJControl Inpulse 200 MK2 Blue Edition

Notes: Silver version of Hercules's Inpulse 500. Designed for Serato and Djuced, this two-deck DJ controller offers excellent value for money and industry-standard features to help develop your mixing skills.

Supplier's Notes:
The DJ Control Inpulse 500 Silver Edition is more than just a DJ controller - it's a complete package designed to ignite your passion for DJing

This special edition boasts sleek silver-coloured finishes, combining aesthetics with cutting-edge technology to enhance your performance. Whether you are a beginner looking to master the basics or an experienced DJ seeking advanced features for a mobile setup, the Inpulse 500 Silver Edition delivers everything you need to make your mark.

It includes a transport bag, ensuring your gear stays protected anywhere effortlessly, Serato DJ Lite + compatibility with Serato DJ Pro (upgrade licence required), and and a license key to the all-new DJUCED Pro software with performance-ready features for any kind of DJ, such as VJing, Day mode, advanced FX and so much more.

A unique DJ controller for live performances

Stand out with the elegant silver finish that adds a touch of sophistication to your setup. The sleek and modern aesthetic not only looks great but also complements any professional or home studio environment.

DJUCED Pro

Gain access to DJUCED Pro software, providing you with powerful tools to mix and create your unique soundscapes. This comprehensive software offers an intuitive interface, advanced features, and seamless integration with your DJControl Inpulse 500 Silver Edition controller.

Advanced software features

With Unlock mode, you can get ready for your performance without having to connect your DJ controller. You can analyze, add hot cues, add saved loops and test your transitions with just your laptop. With Remapping, you can assign different functions or commands to the knobs, buttons, pads and faders on your DJ controller to tailor your gear to your specific preferences or workflow.

Interactive performances made easy

With the new VJing feature in DJUCED Pro, you can incorporate visual elements from a built-in library of video loops that sync to your music and enhance your performance.

Ready for wherever your DJ career takes you

Protect your gear on the go with the included high-quality transport bag, designed specifically for the DJControl Inpulse 500. This durable bag features padded compartments and reinforced stitching to ensure your equipment stays safe during travel.

Professional-grade audio connectivity

The controller features a range of inputs and outputs, including 2x RCA and 2xTS master outputs, a microphone input, an AUX input, and a headphone output for seamless integration with your setup. This ensures you can connect to any sound system or external equipment with ease.

Beatmatch Guide

Master the art of DJing with the helpful light guides that assist with beatmatching, syncing, and understanding the layout. These visual aids are perfect for beginners and provide an extra layer of support for experienced DJs looking to refine their skills.

Intelligent Music Assistant (IMA)

Get song recommendations based on your library to keep the energy up and the crowd dancing. The IMA helps you maintain a seamless flow of music, ensuring you always have the perfect track ready to go.

Specifcations

Audio
44.1 kHz / 24-bit AUX input 3.5 mm Headphone output 3.5 mm + 6.3mm Microphone input 6.3mm Master outputs: 2 x RCA + 2 x TRS

Mixer controls
1 Filter, 3 EQ, 1 Gain and 1 volume fader per deck Crossfader, volume master, headphone volume, master and deck VU meters Headphone cue to mix, microphone volume, microphone 2-band EQ AUX volume, AUX Filter Filter/FX rack with 4 FX select buttons and 2 rotary knobs

Deck controls
Touch-sensitive jog wheel Tempo fader 8 pads x 8 modes (Hot-Cue, Loop, Stems, Sampler) Vinyl/Slip/Quantize Loop In/Loop Out buttons Autoloop knobs

Minimum system requirements

Intel Core i7
Windows 10 & 11
AMD Ryzen 5 3000 series or higher (Serato)
Apple M1 or better
macOS 12 or later
8 GB RAM or more

What's in the box

DJControl Inpulse 500 Silver Edition controller
Controller unlocks DJUCED and Serato DJ Lite licenses
DJUCED Pro license card

Notes: Introducing the DJ Control Inpulse T7 White Edition, the latest release from Hercules DJ following the success of the Inpulse range and the DJ Control Inpulse T7.

Designed with precision and elegance, this model is perfect for both seasoned DJs and beginners. Experience unparalleled control and creativity with features that cater specifically to your artistic needs, like the FX section, the Stems functionalities and so much more.

Whether you are performing at a club, a party, or honing your skills at home, the DJControl Inpulse T7 White Edition transforms your music and elevates your performances. Discover the future of DJing with a controller that combines innovation with timeless style.

Product weight : 11 lb / 5 kg
Product dimensions (W x D x H) : 25.7 x 13.8 x 3.5" / 65.2 x 35 x 9 cm
Master outputs for speakers : 2 x XLR + 2 x RCA
Diameter of jog wheels : 7 inches / 17.8 cm
Headphones outputs : 1/8" / 3.5 mm stereo mini-jack + 1/4" / 6.35 mm stereo jack
Audio resolution : 44.1 kHz / 24-bit
Motorized platters : 33 1/3 RPM motorized metal platters for 7" discs (can switch to 45 RPM in Serato DJ Pro)
Computer interface : USB
Included software : Serato DJ Lite, DJUCED

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

The PRO Large holds 150 x 7" records, and is available in your choice of 2 finishes: Dark Walnut or Graphite Grey.

This new updated design is again custom made to an exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to Jazzman's exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
The base has 4 sturdy rubber feet to protect the bottom of the case when standing
Each cases has dual compartments, securely holding up to 150 of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variability of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

Details:

Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge

Notes: EGL-1 is a desktop analogue synthesiser that is ideal for a variety of duties. The unit's sub-oscillator can be configured to determine the emitted waveform and decays when the Push switch is pressed. There are four LFOs routed to the primary VCO for bountiful modulation capabilities. The VCO itself is routed through a boost circuit for a some extra flair that's sure to punish listeners in all the right ways.

EGL-1 Features

VCO routed through boost circuit
4 LFOs provide ample modulation possibilities
Integrated sub-oscillator
Push switch causes the sub-oscillator to decay
Two types of modulation can be applied to the MAIN VCO (oscillator).

The bottom stage mixes four LFOs and allows you to adjust the input level to the MAIN VCO with the level.

The middle stage allows you to input a WAVE to the SUB OSC (another oscillator) with adjustable rise and fall of the oscillator, which can then be fed into the MAIN VCO.

The push-button in the top right-hand corner rapidly decays the power of the SUB OSC as long as it is pressed. While it decays, it has an effect on the sound of the MAIN VCO.

The MAIN VCO output also has an output circuit to make the sound more powerful.

The EGL-1 operates from a 9V centre-minus or battery. Neither is included.

Notes: No-nonsense analogue business here from JMT. Square wave VCO and sub-oscillators can be morphed and wave folded to create unique timbres.

Supplier's Notes:
The JMT Synth EWG is a desktop analog synthesiser with a wide-ranging VCO and two reconfigurable sub-oscillators that emit square waves, ideal for thick bass tones. Two adjacent knobs can control the pulse of the square waves, allowing for a wide range of tones and timbres. Two reduce knobs govern the leve of each sub-oscillator, allowing the user to blend the tones to their taste. The EWG-1 is powered by a DC9V center negative adapter or a single 9V battery.

Notes: Quirky synth fun from JMT, the NDE-1 is based around two oscillators, sample and hold, noise generator and a four-pole low-pass filter. Generate random tones, control via a sequencer or process external audio.

Supplier's Notes:
This model consists of two VCOs (oscillators), SAMPLE & HOLD, noise generator, low-pass filter, LFO, VCA, and envelope generator to create a powerful sound.

By itself, a wide range of sounds can be created, including random and regular intermittent sounds, mute timing, and fine-tuning of levels.

If you input sounds from other equipment through the A IN, you can apply a variety of filters, LFOs that oscillate the filters, and mutes to the input sounds in parallel with the built-in oscillator.

The variable range is wide enough to produce a variety of sounds. The filter is a 4-pole filter that works very smoothly, and external audio can be input via A IN.

You can also use it with a sequencer to create even more sounds.

CV INPUTs can accept - + 9V. Do not exceed this voltage.

The adapter is not included.

Please use centre negative 9V POWER SUPPLY or A 9V battery.

Notes: Excellent basic analogue synth with its own distinctive character. The UNVO-1 is a two-oscillator design with a 'strain' and filter circuit to sculpt your sound. Control via the knobby front panel for experimental tones and powerful bass sounds.

Supplier's Notes:
It is powered by a center negative DC 9V adapter or a single 9V battery.

It contains two VCOs (oscillators) with a wide range.

The SUB oscillator has a different frequency and waveform, and is input to the main, respectively. Each of them has a range switch, so it works like an LFO under the switch. The color of the range switch (white, black) corresponds to the color of the SUB.1 and SUB.2 on-off switches next to the FREQ knob of the main oscillator.

When the WAVE switch is turned on, the WAVE knob is activated, and the SUB OSCILLATOR.1 and 2 are shaken.

The main VCO×2 is mixed and fed into the strain + filter circuit. This special filter has a FREQ knob and a TUNE knob. The TUNE knob powerfully amplifies the input signal while also tracking specific pronunciations.

The filter is a circuit that has been fine-tuned so that it can very effectively enhance the bass and treble of this input signal.

Unlike other switches, the noise-on switch moves sideways, left (VCO.1), middle (OFF), and right (VCO.2). They are populated in VCO.1 and 2, respectively.

It is a noise machine that can output a very strong signal that generates a variety of noise sounds.

This analogue synth runs on DC9V negative center or a 9V battery.

The main 2 VCOs can receive 2 oscillators and noise generator inside and go to 2 different filters.

2 oscillators can be tuned with each two FREQ. knobs and controlled with the wave knob.

RED switch is for wave knob working.

Black and White for tone of oscillators

Notes: The UNVO-1b powered by a centre negative DC 9V adapter or a single 9V battery.

It also contains two VCOs (oscillators) with a wide range.

The frequency and waveform of the SUB oscillator are changed, and they are input to the main, respectively. Each of them has a range switch, so it works like an LFO under the switch. The colour of the range switch (white, black) corresponds to the colour of the SUB.1 and SUB.2 on-off switches next to the FREQ knob of the main oscillator.

When the WAVE switch is turned on, the WAVE knob is activated, and the SUB OSCILLATOR.1 and 2 are shaken.

The main VCO×2 is mixed and fed into the strain + filter circuit. This special filter has a FREQ knob and a TUNE knob. The TUNE knob powerfully amplifies the input signal while also tracking specific pronunciations.

The filter is a circuit that has been fine-tuned so that it can very effectively enhance the bass and treble of this input signal.

Unlike other switches, the noise-on switch moves sideways, left (VCO.1), middle (OFF), and right (VCO.2). They are populated in VCO.1 and 2, respectively.

The UNVO-1b is a noise machine that can output a very strong signal that generates a variety of noise sounds.

The black painted aluminium die-cast case is painted with a black matte paint with a laser and scraped to make letters.

This analogue synth runs on DC9V negative centre or a 9V battery.

The main 2 VCOs can receive 2 oscillators and noise generator inside and go to 2 different filters.

2 oscillators can be tuned with each two FREQ. knobs and controlled with the wave knob.

RED switch is for wave knob working.
Black and White for tone of oscillators

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Love Gun is the sixth studio album by American hard rock band Kiss, released on June 30, 1977. Casablanca Record and FilmWorks shipped 1, 000, 000 copies of the album on this date. It was also the last studio album to feature Peter Criss on every song, as he was replaced by session drummer Anton Fig for all but one song on 1979's Dynasty. Love Gun was certified platinum on June 30, 1977. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: ***B-STOCK: Box opened, product in perfect working order***


This is the powered version that includes the case as described here, a Strom+ module, a Strom power supply (AC/DC adapter) and a Strom busboard with connector cable. You only need to plug modules into the case and you’re ready to go!

One case fits 84HP of modules with a depth of 70mm.

The cases can be used with an incredible amount of flexibility to swap in an out full rows and create larger setups using the Case Connectors and Case Standoffs.

The side cheeks are made of high-quality Finnish plywood and are coated with a durable transparent melamine film. The black surface is hardwearing and crack resistant as well as easy to clean.

All cases are shipped with a set of 4 rubber feet and 50 x M3 screws.

Notes: A premium take on the classic portable turntable concept, the Handytraxx solid playback and compact design, plus contemporary features including digital effects, looping and a built-in fader for scratching.

Supplier's Notes:
Handytraxx Play

Portable vinyl performance, perfected.

The Handytraxx Play reimagines the classic portable turntable with modern innovation. Designed for DJs, vinyl enthusiasts, and creative performers, it combines portability with cutting-edge features, including unique Korg digital effects, a built-in audio looper, and a high-quality fader optimised for scratching. Developed in collaboration with Toshihide Nakama, co-creator of the original Handy Trax, this redefined turntable blends tradition and technology, delivering a truly unparalleled experience for music lovers on the go. Whether you're spinning at home or showcasing your skills anywhere, the Handytraxx Play is your perfect companion.

Key features

A portable player that lets you enjoy playing records and performing as a DJ, wherever you go
Unique Korg digital effects.
Audio looper for a wide range of musical expression and creativity
High-quality fader optimized for scratching
Custom-designed tonearm and motor control circuit
Developed in collaboration with Toshihide Nakama, former President of Vestax Inc.

The Handy Trax, originally created by Vestax, redefined portable turntables by giving users the freedom to play and scratch records anywhere. Beloved by DJs and vinyl enthusiasts alike, it helped spark the rise of "portablism".

Now, Korg proudly reinvents this iconic turntable with the Handytraxx Play. Developed in collaboration with Toshihide Nakama, former President of Vestax and co-creator of the Handy Trax, the Handytraxx Play retains the essence of the original while introducing exciting new features. These include cutting-edge digital effects, a built-in looper, and high-quality controls that make it possible to physically "play" with records on the go. Combined with unique customisation options, the Handytraxx Play delivers an unparalleled portable turntable experience. Perfect for casual vinyl lovers and hardcore portablists alike.

Honouring Toshihide Nakama

The Handytraxx Play is the result of a collaboration between Korg and Toshihide Nakama, the former President of Vestax and co-developer of the original Handy Trax. Developed closely with Nakama as an all-new kind of record player, the Handytraxx Play leverages Korg's unique digital processing and audio technologies while staying true to the spirit of the original Handy Trax. Tragically, Nakama passed away during the development of the Handytraxx Play on June 10th, 2023, but his vision and philosophy live on through this product, carrying his legacy to music lovers worldwide.

Optimised for scratching

The Handytraxx Play has been meticulously designed to provide an exceptional scratching experience. The high-quality fader, developed under Nakama's guidance, offers super smooth, precise motion and minimised silent zones for effortless cuts and transitions. Beginners and seasoned portablists alike will appreciate the responsive feel and the ability to reverse scratch by swapping crossfader channels. Every detail of the fader has been optimised to enhance performance while maintaining the portability that defines the Handytraxx Play.

Unique digital effects

Korg's expertise in digital audio processing brings powerful effects to the Handytraxx Play, elevating its creative potential.

Three types of filters

The Handytraxx Play offers three versatile filter types, each designed to provide dynamic control over your sound. The DJ filter seamlessly blends low-pass and high-pass filters, allowing smooth transitions. The EQ filter with a low isolator enhances bass frequencies for deep, impactful tones. Lastly, the peaking wah filter with modulation adds a unique, expressive touch, letting you shape bold experimental sounds or subtle nuanced effects in real time.
Delay
In addition to filters, the Handytraxx Play features a built-in delay effect that expands your creative possibilities. From creating spacious, ambient soundscapes to bold, metallic echoes, the delay effect can be controlled intuitively using the vertical fader for precise level adjustments.

This seamless integration of effects makes the Handytraxx Play an essential tool to enhance any DJ performance.

Built-in audio looper and versatile playback control

The Handytraxx Play includes a built-in looper that redefines creativity for DJs and vinyl enthusiasts. With its variable speed control switch, the looper lets you capture and replay live playback of a record's sound-a feature known as live looping. This capability allows you to craft unique DJ mixes by adding scratches to a looped beat, recording your favourite sounds to use as a sampler, or even swapping records while the loop continues to play seamlessly. The looper's versatility makes it an essential tool for both experimentation and live performance.

The variable speed control switch provides intuitive options for adjusting playback speed, a fundamental requirement for DJs. You can effortlessly switch between 33 and 45 RPM or fine-tune the variable speed ratio to match your creative needs. This adaptability extends to layering recordings over existing loops- for instance, playing back a beat loop at your chosen speed and overlaying scratching sounds on top. The Handytraxx Play's looper opens new possibilities for musical expression, offering endless opportunities to innovate and perform.

Precision craftsmanship

Every component of the Handytraxx Play has been crafted for superior performance. The custom-designed tonearm offers high-level tracing performance, minimising needle skipping during playback and scratching. A belt-driven motor with digital rotation correction ensures stable platter rotation and quick recovery for incidental effects that sound natural. Refinements to the turntable mechanism further reduce skipping, allowing for consistent, reliable performance during even the most demanding scratch play.

Groove on the go

Designed for ultimate portability, the Handytraxx Play can be powered by the included AC adapter or six AA batteries, giving you the flexibility to take your music anywhere. The built-in 2.5W speaker delivers impressive sound with rich bass and clear playback, whether you're connected to external speakers or not.

Flexible customisation

A redesigned headshell supports both ceramic and MM cartridges*, offering flexibility for various playback styles. Users can replace the scratch fader or reorient the control panel for right- or left-handed use, ensuring comfort and adaptability for every DJ. These thoughtful customisation options make the Handytraxx Play a truly personal and versatile tool, perfect for creating and performing.

* Basic soldering skills are required for replacing ceramic and MM cartridges.

Specifications

Drive system: Belt-driven (with digital rotation correction)
Drive motor: DC servo motor
RPM: 33-1/3, 45 or 78 revolutions per minute
S/N (signal-to-noise) ratio: Less than 60 dB (DIN-B)
Cartridge model: Stereo ceramic cartridge included (MM supported)
Maximum input level: AUX IN: 2.5 Vp
Maximum output level: LINE OUT ? 2.3 Vp, THD 1%, PHONO OUT: 300 mV (1 kHz, 5cm/sec)
PHONO preamp gain: Standard value: 34.5 dB; equalizer characteristics: RIAA
Digital signal processing
A/D, D/A: 44.1 kHz@16-bit, stereo
Crossfader: 44.1 kHz, 32-bit float, stereo
Mix: 44.1 kHz, 32-bit float, stereo
Looper: 44.1 kHz, 16-bit, stereo; max. recording time: approx. 20 sec
Filter: 44.1 kHz, 32-bit float, stereo; type: OFF, FILTER1, FILTER2, FILTER3
Delay: 44.1 kHz, 32-bit float, stereo; feedback (0%-80%), time (1,000 ms-10 ms)

Power consumption: 2.35 W
Power supply: AC adapter (included), six AA batteries (alkaline or nickel-metal hydride) Weight: 2.3 kg/5.07 lb
Dimensions: 370 x 280 x 84 mm/14.57? x 11.02? x 3.30?; with cover on: 370 x 286 x 87 mm/14.57" x 11.26" x 3.43"
Included items AC adapter, AC adapter replacement plug (5 types), dust cover, slip mat, EP adapter, Quick Start Guide

Notes: A contemporary reboot of the 1970s miniKORG 700, the 700Sm introduces a second oscillator, MIDI, arpeggiator and spring reverb. All the features of 2021's limited-edition 700FS reboot in a more compact, portable package.

Supplier's Notes:
The miniKORG 700Sm is a compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians. Featuring two oscillators for thick, detuned sounds, the miniKORG 700Sm sees the return of the signature Traveler controller, allowing for expressive filter adjustments. With advancements like aftertouch, spring reverb, an arpeggiator, and a range of connectivity options including USB and MIDI, this synth is both a powerful standalone instrument and an excellent companion to stage keyboards. Complete with a custom soft case and a free software bundle, the miniKORG 700Sm brings vintage analogue sound into the present day.

Released in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.

Downsizing the miniKORG 700FS

The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.

The elements vital to an analogue synth

The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.

Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.

Beautiful synth leads, thick bass - and more

The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.

Secondary keyboard possibilities

The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.

The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.

Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.

Traveler controller

A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.

Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.

The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.

A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.

Includes a made-to-fit soft case

The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.

Free music software bundle

The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.

Specifications

Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)

Notes: Sound Starts Here

The M-Track Duo HD is a versatile new audio interface that provides value and ease of use without sacrificing the pristine quality that M-Audio products are known for worldwide. Whether you're just diving into the world of recorded audio or looking for a new production tool to add to your arsenal, the M-Track Duo HD is the first step in your next sonic journey.

Plug and Play - It's That Simple

The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parametersionly the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.

Grow As You Go

While the M-Track Duo HD and its streamlined controls are perfect for those just getting into recording their own audio, it is also optimized for growth and experimentation. Two inputs and outputs, high-quality audio resolution, and M-Audio's dedication to quality provide users with ample room to try out a vast array of recording setups and techniques to help push and hone their craft.

Professional Sound Quality

At 24-bit/192kHz audio resolution, zero-latency monitoring, and an onboard Crystal preamp that delivers 55dB of clear, chiseled gain, the M-Track Duo HD has the capacity to impress audio professionals and beginners all the same. With powerful, professional sound quality in a single compact and affordable unit, this interface is equally suited for bedroom producers, sessions musicians, podcasters, and everyone in between.

Convenient Connectivity

The M-Track Duo HD is compatible with any modern Mac, PC, iOS, or Android device via USB-C for convenient integration with popular DAWs and recording software.

Comprehensive Software Bundle

Every M-Track Duo HD comes with an extensive bundle of professional music production software to help propel each user's unique creative journey even further. This bounty of top-of-the-line DAWs, sample libraries, and effects are valued at over $1,200 and were designed by some of the industry's leading professionals. Studio staples like Ableton Live Lite are perfect for those just starting to experiment with production and engineering, while Reason+ puts a dizzying array of VSTs at your fingertips. Akai Professional MPC Beats is a benchmark tool for any beatmaker or ambitious songwriter. Plus, a two-month Splice subscription unlocks a vast library of samples and loops - many of which are used by music's best and brightest producers.

Notes: Everything You Need

The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.

At the heart of this bundle is the new M-Track Duo HD, an audio interface that embodies M-Audio's dedication to quality while remaining user friendly and intuitive. In conjunction with the comfortable and precise HDH41 headphones and crystal-clear M100 microphone, this versatile set of tools will level up the practice of anyone in the pursuit of studio-quality sound.

The Complete Package

The M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.

The M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two 1/4 TRS outputs, a headphone jack, ultra-transparent Crystal preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.

Experience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.

From Podcast to Power Ballad-Sound Your Best

Consider the M100 condenser microphone the vocalist's Swiss Army knife-it is the perfect easy-to-use tool for capturing high-quality audio, whether it be a chapter of an audiobook narrated in a soothing tone or a soaring chorus belted at the top of your range. The M100's wide-range frequency response allows for the preservation of even the most delicate harmonic qualities and nuance. Thanks to an included mic stand mount, zipper carrying bag, and XLR cable, the M100 is ready for easy setup and storage right out of the box.

Precise Monitoring Power

Clear, balanced monitoring is an integral part of the recording process, and the M-Track Duo HD Producer Pack has you covered. The M-Audio HDH41 headphones provide premium 40 mm transducer elements enclosed in a comfortable, sleek, and durable design. With an impressive 20 Hz-20 kHz frequency response, the HDH41 can deliver a level of sonic clarity that extends beyond genre and medium, ensuring a premium monitoring experience for users of all different creative and professional backgrounds.

Take Your Rig on the Go

Even with the Producer Pack's tremendous sonic capabilities, each individual component is lightweight and compact enough to take with you to set up wherever and whenever inspiration strikes-perfect for songwriting retreats, offsite recording, and live events.

Professional-Grade Software

In addition to this collection of high-quality M-Audio hardware, the Producer Pack comes with a staggering bundle of software that gives you everything you need to start recording, mixing, and producing like the pros. Included are industry-leading DAWs, soft synths, sample packs, effects, and more from brands like Akai Professional, Splice, Ableton, Reason+, Antares AutoTune, and Splice.

Notes: An exact replica of the legendary Pearl SY-1 Syncussion drum machine, featuring expanded I/O board. Classic analogue sound with individual trigger inputs, two voices and six different oscillator modes per voice.

Supplier's Notes:
The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device.

Assembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.

The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

Whats included:

SY-1 Synthesiser

Universal Power adapter (100-240V, 12V DC out, Tip Positive)

Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone

Notes: Excellent polyphonic hybrid synth module from Michigan Synth Works, based on the Mutable Instruments Ambika. Six digitally generated voices are processed through a Polivoks-derived low-pass filter. Also available with Roland-style Shruthi SMR4mkII filter.

Supplier's Notes:
Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser. Now fully machine assembled with an updated layout and an improved modern power supply. Available with all original 3 voice cards and compatible with 3rd part operating systems as well as a new AS3109 (modern reissue of the original Roland filter chip) filter

Xena Features:

6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"

Filter Options:

The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.

SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.

Includes:

Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card

Notes: A nice middle ground between old-school analogue and modern convenience here. The Motas-6 features a fully analogue six-voice paraphonic signal path, all controlled by digital elements for preset storage, modulation and sequencing.

Supplier's Notes:
Motas-6 is a very powerful and flexible analogue paraphonic synth with digital control. It has three voltage-controlled oscillators (VCOs) including hard-sync options, analogue phase-modulation and a sub-oscillator. Each VCO has several waveforms that can be freely mixed and modulated and each VCO can be assigned to track notes in various ways for paraphonic playing. The mixer takes the signals from the 3 oscillators, noise source and external input and outputs to the filters. The mixer output will distort (intentionally) with the highest input levels and there is a boost mode for even greater distortion. An analogue noise source with selectable white/pink response has its own control for input level into the mixer.

Motas-6 has a unique 'vector morphing' feature allowing you to morph between 4 patches of your choice in real-time using external MIDI controllers or CV inputs. There are 5 instant-access patches available at any time (in RAM memory). In vector morphing mode dual external controllers allow the active patch to morph in 2-dimensions between the first 4 presets. On exit from this mode the resulting patch settings are stored to the 5th preset automatically.

There are has masses of modulation options. Each and every rotary knob parameter has independent modulation settings from key, velocity, 4 modulation sources (from MIDI and CV/gate inputs) as well as from its own EG (Envelope Generator) and LFO (Low Frequency Oscillator) - a total of 33 independent EGs and LFOs! There are also 4 global EGs and 4 global LFOs with individual amount settings for each parameter.

Motas-6 has very powerful filtering capabilities. There is a 6-pole voltage-controlled low-pass filter (VCF) with adjustable resonance to self-oscillation (with selectable 1, 2, 3, 4, 5 and 6-pole outputs), a 2-pole high-pass voltage-controlled filter and a second 4-pole resonant low-pass VCF (similar in design to that of a certain silver box from the '80s). The inputs and outputs of the filters can be connected together in various ways to give a huge range of filtering possibilities.

It has a built-in pattern sequencer. 1-bar patterns of notes and parameter change data can be stored and chained to together into a 2 track sequence. In the sequence each pattern can be transposed, repeated and delayed. 15 patterns are active at any one time (56 patterns can be saved to non-volatile memory arranged in 7 banks of 8 patterns). 16 sequences can be saved (2 banks of 8 sequences). Not only does the saved sequence contain all 15 RAM patterns, also the 5 complete RAM patches are also saved ensuring that every detail of the sequence is captured. It also has a built-in arpeggiator that can be synced to internal or external clock (MIDI or CV/gate). Options including hold-modes, direction, note-range, swing, pattern, note-length and delay. The settings are stored with the patch.

The output voltage-controlled amplifier (VCA) stage has a choice of analogue clipping/distortion options: dry, soft clip, hard clip, soft clip + hard clip, dry + soft clip + hard clip. External audio can be routed into the mixer with its own level control. However, when nothing is plugged into the external audio input socket an audio feedback loop from after the final VCA is fed into the mixer instead. Audio monitoring options include real-time oscilloscope, spectrum analyser, volume level and MIDI input monitor displayed on the fast and bright OLED display.

Notes: One of the most trusted names in audio, MOTU deliver as always with the 16A, offering a whopping 32-in/34-out configuration over Thunderbolt or USB, all with pristine audio quality.

Supplier's Notes:
The 16A Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing. With 64 channels of audio I/O (32 ins and 32 outs), the 16A also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible.

As an interface, standalone mixer or patchbay, the 16A provides 32 separate inputs and 32 separate outputs, including sixteen balanced TRS analog inputs, sixteen balanced TRS analog outputs, and two 8-channel banks of ADAT optical digital I/O. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations.

Use the 16A as a stand-alone mixer and control everything from the 16A's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface (1248, 8M or 16A) with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

This box contains everything you need to turn your computer into a powerful 24-bit/192 kHz digital audio workstation. As a "hybrid" audio interface, the 16A offers flexible connectivity to your computer via ultra-fast Thunderbolt technology or class compliant, hi-speed USB 2.0, with 32 channels of pristine analog I/O, combined with 32 channels of digital I/O, for a total of 64 simultaneous audio channels.

Connect all of your studio gear, including synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board digital mixer - with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with gating, 4-band parametric EQ, and vintage compression modeled after the legendary LA-2A leveling amplifier.

Add more MOTU interfaces as your needs grow, connected to a state-of-the-art audio network using standard AVB Ethernet switches and CAT-5e cabling, with near-zero network latency, even over long cable runs (several hundred meters). Record and monitor up to 128 audio channels in and out, simultaneously, to a host computer through Thunderbolt. Route hundreds of audio channels among multiple devices and computers on the network.

Control all DSP-based mixing and effects, device settings, and network audio routing using your favorite web browser running on your laptop, tablet or smart phone connected wirelessly or locally to the 16A audio network.

From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

Notes: Omnitone designed these M3 screws so we don't have to deal with cumbersome screwdrivers anymore. Comes in a black tin with an Omnitone sticker on to (peels off cleanly if you would like to use for other things).

Notes: They are not just blanks, they are MULTS! Each white line connects holes which are electrically connected. Nicely fits the tip of a patch cable for a quick-n-easy signal splitting.

OR

The holes are sized for screws to fit, but not fall through, acting as a handy screw holder!

OR

Use it as a vent for your toasty warm skiff!

Notes: It's always nice to have some extra power cables handy. Omnitone's standard modular power cables come in a pack of 5. Each power cable is 26cm (~10 inches) long.

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: Discover Biotron, the musical instrument that transforms plants into sound.

Play with your favourite plant and let nature compose your music. As the plant's natural electrical properties change, the sound evolves, creating a unique musical experience every time.

Ready to get started? Connect Biotron to a computer, tablet, or smartphone, and play with our online synth or your favourite music software/hardware. With no noticeable latency, Biotron responds just like any other MIDI controller.

What you can do

- Play using plants as your instrument
- Change the sound based on the plant's natural responses
- Interact with nature to create music
- No musical skill needed

How to use

- Connect Biotron to your PC, phone, or tablet using the provided USB cable.
- Attach the electrodes to your plant. Ensure they are securely connected to the stems or leaves for optimal conductivity.

- Open Google Chrome and navigate to synth.playtronica.com, then choose any synth you like. Alternatively, use your preferred music software or hardware that accepts MIDI input.

- Interact with your plant by moving your hands near it, touching its leaves, or adjusting environmental factors like light and moisture to influence the sound.

- Experience the unique music generated by your plant's natural electrical activity translated into MIDI signals

Kit includes

- Biotron MIDI-controller and packaging
- USB-C cable is sold separately to reduce waste in case you have one already
- Alligator clips and patches are also not included, make sure you add whichever you need

Notes: ***B-STOCK: Box damaged, product in perfect working order***


PreSonus Eris-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Our best-selling studio monitors just got better! Eris 3.5 media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 3.5 reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 3.5's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction throughout the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With three types of inputs, it's easy to connect just about any audio source to Eris 3.5 reference monitors. High- and low-frequency controls let you easily adjust the Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonusr Erisr 3.5 reference monitors connect to virtually any line-level audio source, using rear-panel, 14-inch TRS and RCA inputs and a front-panel, 1/8-inch, stereo line input. You also get a convenient (and loud!) front-panel, 1/8-inch, stereo headphone jack; connecting headphones mutes the speakers.

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 3.5s precisely to your environment to further ensure the best sound possible.
Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Erisr 3.5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance
Peak SPL: 98 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements
Dimensions: 8.30 x 5.50 x 6.00 in

Depth: 6.5" (16.4 cm)
Height: 8.3" (21.0 cm)
Width: 5.6" (14.1 cm)