Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Connects a Strymon Ojai power supply to either the provided power block or to another Strymon multi- power supply for expanded flexibility
Notes: 18"
Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.
Connects a Strymon Ojai power supply to either the provided power block or to another Strymon multi- power supply for expanded flexibility
Notes: 9"
Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.
Review: Talented funk, jazz and soul outfit Bronze, Silver & Brass are back on Finland's finest Timmion Records with a second outing that confirms their top-shelf credentials. This latest high-grade outing opens with 'Renard's Groove which bursts forth and has a speedy, dramatic rhythm driven by tight guitar riffs and breakbeat energy, ll with hints of 1970s cinematic charm. Then comes 'Brass In Motion' which slows the tempo with a smooth, mid-paced jazz-funk groove. It balances its funky vibe with a lyrical, laid-back charm and is another gem from this increasingly essential band.
Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.
Review: The Extra Soul Perception label held a first ever writing camp in Nairobi in 2019 and Lynda Dawn was one of the pupils. She has already released 'Roses' on the label's New Tangents...Vol. 1 EP with other music from the UK, Kenya and Uganda. But this was the standout track so now it makes its way to its own 7". It is the sort of heart achingly beautiful slow motion disco-soul that will be perfect end of the night send home or early evening warm up for more cosy dance floors. There is a slightly more beefed up version from XL Middleton to complete this tidy 7".
Review: Leon Dinero's rendition of 'One Way Love' breathes new life into James Hunter's classic, transforming it into a smooth rocksteady gem. Backed by the Inversions and guided by Victor Axelrod's expert production, Dinero infuses the track with a laid-back groove and soulful vocal delivery that feels both timeless and fresh. The relaxed rhythm and heartfelt performance lend the song an authenticity that might leave listeners wondering if this version predates the original. Hunter's exceptional songwriting shines through, transcending genre boundaries with its elegant melody and sharp lyrics. Dinero's 'One Way Love' is a stunning example to the enduring power of a well-crafted song.
Review: El Michels Affair returns with a new two-track release that showcases his continued excellence as both a producer and musician. The A-side, 'Mr Brew,' opens with a menacing intro before evolving into a spacious tune masterfully balancing tension and release. Gentle guitars, strings, flutes and brass weave over a heavy drum track to make for a bright and immersive landscape. On the B-side, 'Kodak' is a lesson in space and arrangement with mellow drums and beautiful instrumentation setting the perfect mood. EMA's trademark restraint ensures the vibe remains the focal point while delivering a perfectly crafted sound that never overwhelms.
Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.
Review: Hot on the heels of his acclaimed sophomore album A Lover Was Born, Kelly Finnigan makes a quick return with this soul-packed 7". The A-side, 'Get A Hold Of Yourself,' is a Northern soul-inspired stomper that channels the raw emotion of Memphis soul with heavy drums, syncopated guitars, bold horns and Finnigan's impassioned vocals. It tells the story of a rocky relationship where emotional strain disrupts physical connection then the B-side is a fresh bonus cut from the A Lover Was Born sessions inspired by Barbara & The Browns' Stax classic 'Hurts Me So Much'. It's a moody groove with gospel-infused vocals.
Review: Colemine's latest transmigration of soul comes incarnated in rainbow-hued 45 form, culling two more slamming singles from Aaron Frazer's new and forthcoming LP, Into The Blue. Following the Brooklyn drummer and singer's earlier 2024 7"s 'Bad News/Done Lyin' and 'Bring You A Ring', we now consider ourselves further enriched by this contradictorily loose but tight soul-funk flabbergaster, which veers bassy and beatific, making stark and strident use of etheric vocals by singer Kiyamma Griffin.
Review: Under a full moon to commemorate Portland's official holiday on their first Dead Moon Night, Mike Lastra recorded Michael Hurley play 'Jane' live at Portland City Hall in 2017. He performed, rather wittily, this cover of Portland Oregon Dead Moon's 1991 release to the most well attended non protest event in the history of the hall. Hurley, American "outsider folk" singer-songwriter, guitarist, banjo and fiddle player, and part of the Greenwich Village folk music scene of the 1960s and 70s is not only known for his iconoclastic songs, but also his cartoons and paintings, here illustrating the single's cover. The B Side 'Go My Way' features an unreleased Range Rats track from 1986 recorded at home by Fred Cole, Toody Cole and Rolly (their Roland drum machine), covered paradoxically by Portland's own Dead Moon in 2004, giving a comforting circularity to this limited 7" on Mississippi US, a label that prides itself in supporting artists and their families when crafting ethical and respectful releases of previously overlooked music. So, if you're into the Appalatian folk troubadour tradition with an undertone of irony that has a bluesy edge, you'll love this.
Review: First Word Records present an AA side collaboration from [ K S R ] and Konny Kon (Children of Zeus) titled 'Part of the Plan/Faded From The Jump' on 7" vinyl and digital. 'Part of the Plan' channels classic soul, echoing the timeless feel of Stax and Atlantic, with [ K S R ]'s rich vocals and Konny's laidback production. 'Faded from the Jump' explores future r&b and neo-soul, capturing their Manny street soul essence. A true showcase of modern British soul music.
Review: Lady Wray delivers a powerful two-sider here as she hooks up with Grammy-nominated producer Leon Michels of Clairo and El Michels Affair for another single as they put the final touches to her upcoming album. The A-side, 'Be A Witness,' features Nicole's soaring vocals gliding over deep drum machines and Nick Movshon's funky bass which makes it a smooth mid-tempo groove about destined love and good vibes. On the flip, 'Best For Us' explores love, commitment and perseverance with lush synths and harmonies floating over Homer Steinweiss' tight drumming. They provide the perfect setting for Lady Wray's standout voice and get us excited for the full length.
Review: The Mesmerisers' debut 7" record is a Shaolin Morricone production that draws listeners into a world of exotic allure and sonic mystery. This enigmatic trio, shrouded in secrecy, deliver a musical experience that feels like it has been resurrected from the vaults of a long-forgotten studio, the record's sultry grooves transporting you to a golden age of music where boundaries dissolve and imagination reigns. The Mesmerisers craft lush melodies and seductive rhythms that evoke a timeless charm, their sound seemingly channeled from another era. The trio's mysterious identity only heightens the intrigue, as these compositions seem to have lingered in the shadows, waiting for the perfect moment to captivate discerning ears. With this vinyl treasure, The Mesmerisers invite you to explore a realm where the past and present merge, creating a soundscape that is both nostalgic and refreshingly unique.
Review: Presenting a standout 45 from Jalen Ngonda and his bandia release that's already making waves. With 'Illusions' gracing the BBC Radio 2 A-List and 'Rapture' lighting up BBC Radio 6, these tracks deserved a spin on vinyl. Packed with sophisticated arrangements and grooves so smooth they practically glide, Jalen's voice holds it all together with a richness only seasoned live performance brings. Both sides are primed to ignite dancefloors, adding class to soul nights around the world.
Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Picha (7:22)
Picha (instrumental) (6:42)
Picha (Jamie Paton remix) (6:30)
Picha (Jamie Paton dub) (6:38)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Odopt is back on Especial and this time is in collaborative mode with Sebastian Hoyos aka Sano, who is a regular on the likes of Matias Aguayo's Comeme and Munich's Public Possession. The pair cook up a fine globally-minded club trip that comes with another label return, this time from remixer Jamie Paton. The original 'Picha' first started as a sketch in 2016 then became a demo in 2019 now finally arrives on wax. It's a raw percussive workout with razor-sharp snares and plenty of cowbells. Next to an instrumental comes the Paton remix and it is a trademark deep and dubwise piece of work with widescreen dynamics.
Review: Ohio-based instrumental organ trio Parlor Greens, known for their blend of soul, funk and blues, return with a new 7" that follows their acclaimed debut from 2024. Side-1 features 'Driptorch', which is driven by crunchy drums from Tim Carman, funky guitar riffs by Jimmy James and Adam Scone's expressive Hammond organ. The track delivers a high-energy, groove-filled adventure. On Side-2 ,'200 Dollar Blues', introduces a fresh, mid-tempo instrumental. This blues shuffle highlights James' searing Stratocaster solos, complemented perfectly by Scone's soulful organ work. Their interplay exudes a raw, electrifying energy, while Carman's steady, dynamic drumming grounds the track, making this one for fans of deep soul and blues.
Review: Junior Scaife delivers two ensouled sides, produced and co-written by Penrose mainstay Anthony Masino. One of the most gifted vocalists in the soulscape of today, Scaife infuses every note with a shrill sprechgesang, a longing, heaving intonation heard between the runs. 'Nobody Gets My Love' is an ode to tensions of love and pride, wielding the late-60s Hestor and Wylie Detroit sound as a listless instrument for impudence. On the B, 'Too Much Too Soon', offers a slow-burning ballad laced with wah guitar and a comparatively elegance, marking a standout for the lowrider soul crowd.
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