Back catalogue: All genres

Review: Ian Hunter's You're Never Alone With A Schizophrenic returns with a vibrant green vinyl reissue, celebrating its 1979 release. Marking Hunter's comeback after a two-year hiatus, this album features the dynamic guitar work of Mick Ronson and the backing of Bruce Springsteen's E-Street Band, fresh off their work on Meat Loaf's Bat Out of Hell. This record stands as a pinnacle of Hunter's career, blending high-octane rockers like 'Cleveland Rocks' and 'Life After Death' with poignant ballads such as 'Ships.' Each track flows seamlessly from the opening beat of 'Just Another Night' to the final notes of 'The Outsider,' demonstrating Hunter's masterful range. Now, released on green vinyl, the album's enduring appeal is a great sign to its quality and the evolution of its fan base over the years.

Review: In the many-sided legacy Sinead O'Connor left in her wake, there were many surprises and anomalies which benefit from a fresh appraisal since her tragic passing. Her 1992 album Am I Not Your Girl? had a mixed reception on its release, as she paused on her contemporary dance-tinged pop production to indulge in big band and torch song covers. Similarly to Bjork tackling 'It's Oh So Quiet', it was a divisive move in a career full of them, but in the fullness of time these sincere pieces are but another vehicle for O'Connor's incredible voice, proving she was as versatile as she was forthright. A one of a kind talent, never to be repeated.

Review: Half a century young, the third album from America's genuinely iconic leather-clad glam queen Suzi Quatro was a bit of sidewinder, seeing her switch from the brash rock pop fusion of her first two LPs to take in a funk influence, still working under the winning production duo of Mike Chapman and Nicky Chinn. Check the title track and its echoes of Sly & The Family Stone or Steve Wonder, wonderfully twinned with Quatro's sassy vocal attitude, for evidence of the stylistic refresh, her distinctive and groove-heavy bass playing pushed further into the centre of the sound. 'Can't Trust Love', meanwhile, is a headnodding, blunted delight, too, while the futuristic synths of 'Strip Me' are closer to Herbie Hancock's Headhunters than The Sweet in vibe. Well ahead of its time, this is timeless stuff.

Review: Ten Years After's legendary performance at Woodstock in August 1969 remains a pinnacle moment in rock history, hailed as one of the festival's standout acts. Now, their complete hour-long concert, previously only part of larger compilations, is set for standalone release, one day before the 55th anniversary of their historic show. Led by guitarist Alvin Lee, the British blues rock band delivered an electrifying set featuring classics like Howlin' Wolf's 'Spoonful,' Sonny Boy Williamson's 'Good Morning Little Schoolgirl,' and the expansive 'I Can't Keep From Crying Sometimes,' clocking in at 18 minutes. The set's climax, 'I'm Going Home,' a Lee original, cemented their place in Woodstock lore with its powerful performance captured in the iconic Woodstock documentary. Remastered from the original two-inch multitrack tapes, Woodstock 1969 offers a fresh mix of Ten Years After's raw energy and virtuosity, presented on a double 180-gram vinyl pressing in a gatefold sleeve, accompanied by new liner notes by Chris Welch. This release commemorates a defining moment for the band and a milestone in rock music history.

Review: As the 50th anniversary of Robin Trower's iconic album Bridge of Sighs approaches, Chrysalis Records unveils a monumental reissue that promises an unmatched listening experience. Departing from Procol Harum, Trower's solo career soared with Bridge of Sighs, showcasing his mesmerizing guitar prowess alongside James Dewar and Reg Isidore. Recorded in a mere two weeks with producer Matthew Fisher and Beatles engineer Geoff Emerick, the album's innovative recording techniques captured Trower's guitar in groundbreaking fashion. Tracks like 'Day of the Eagle' and 'Too Rolling Stoned' highlight Trower's guitar mastery, earning him acclaim as a guitar hero of his era. The reissue offers a comprehensive exploration, including remastered originals, a 2024 Stereo Mix, live performances, and bonus content. Accompanied by a 24-page booklet with liner notes, interviews and testimonials from music legends, this reissue celebrates Trower's enduring legacy and reaffirms Bridge of Sighs as a timeless masterpiece.

Review: The 2024 Obsession (Deluxe Edition) by UFO revitalizes the band's 1978 hard rock classic with a remastered sound and a beavy of bonus material. Released by Chrysalis UK, this edition features the original album remastered from the production tapes and includes a previously unreleased live mix of their 1978 Agora Ballroom performance. This live set, newly mixed by Brian Kehew, captures UFO's peak, showcasing Phil Mogg's powerful vocals and Michael Schenker's electrifying guitar work. The album, noted for its darker and atmospheric tone, features signature tracks like 'Only You Can Rock Me' and 'Cherry'. Schenker's playing shines, especially on tracks like 'Ain't No Baby' and 'Lookin' Out for No. 1', while Mogg's vocals are in top form. The chemistry within the band is palpable, and the songwriting is solid, flowing seamlessly throughout the album. Four bonus tracks, including an alternate version of 'Cherry' and two studio recordings from Strangers In The Night sessions, enrich this edition.