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Review: Seven strong San Francisco rock band Counting Crows have always walked a fine line between intimate storytelling and grandiose soundscapes. This time - taking the four tracks from their Butter Suite pt 1 Ep and adding five more new tracks - they sound like a band utterly in control of their own narrative. Adam Duritz's lyrics reflect a certain self-assurance as they weave through themes of reinvention and regret. Musically, the band brings a tighter, more focused intensity, merging rock, folk and even hints of alt-country with the ease of a band at their peak. 'Spaceman In Tulsa' takes its time, unfolding languidly, savouring every detail before pushing forward. And in moments like 'Boxcars,' it's clear this is the most cohesive they've sounded in years, with every instrument serving the story rather than competing for attention. They've done the work, and now, it's all paying off.

Review: Counting Crows' sequent 2021's Butter Miracle: Suite One with The Complete Sweets! Now expanding on the themes of its predecessor, the record hears all four tracks from Suite One alongside five new songs, blending this heartsick Berkeley, CA band's signature storytelling with sweeping melodies and raw emotion. Leading the charge is 'Spaceman In Tulsa', a striking single that not only marks their first new music in nearly five years, but appropriately concerns itself with the theme of metamorphosis - "the way music breaks down who we were and spins us into something new. It's about broken lives becoming something better," in the words of frontman Adam Duritz. The record coincides with a fresh tour kicking off in Nashville in Spring 2025, with stops across North America and Europe.

Review: Angus from Australian indie folksters Angus and Julia Stone has an unearthly beauty to his voice so we're always partial to checking out what he's turned his hand to. This is his fifth studio album under his moniker Dope Lemon and it follows his acclaimed 2023 album, Kimosabe. There's certainly an axis between 'Golden Wolf' and some of the early Angus and Julia Stone, but with more of a Killers-esque rock engine to it. Elsewhere, 'Electric Green Lambo' takes us on a detour through some funky, soulful grooves that would suit blazing a cigar in the Havana sun. And the sleek 'Sugarcat' has the strongest beat of the set and it's a guaranteed mood bump every time you hear it.

Review: Fifty years after its original release, and over 20 since its first reissue, the quiet Beatle's landmark solo record All Things Must Pass has been punctiliously expanded once more, offering a complete sonic and archival overhaul. Spearheaded by Dhani Harrison and Grammy winner engineer Paul Hicks, the collection is a deluxe format-multiple, with one Uber Deluxe Box Set coming housed in a bespoke wooden crate and featuring 70 tracks. Alas, this CD edition is but a mere optical truncation, offering the humble and prudent listener a much sublimer curated experience: rooted in George Harrison's growing frustrations within the Beatles and a desire for artistic autonomy, 'Isn't It A Pity', 'Let It Down' and 'I'd Have You Anytime' still lie among the most enduring songs of Harrison's Tibetan Buddhist era, and with none other than compression master Phil Spector at the mix controls, you can be certain of a well-smoothened sonic experience from front to back.

Review: Few bands embody pure, unfiltered rock'n'roll like this power trio, whose vicious sound was forged in sweat, speed and sheer volume in the squats of West London and went on to effective bulldoze the line between hard rock and punk overnight. Driven by the unmistakable growl of their frontman and bassistiequal parts outlaw poet and rock deityithe group delivered some of the most incendiary riffs in history, backed by a rhythm section that hit like a runaway freight train. This edition pairs the original 12-track studio recording with an originally televised full-throttle live set from Belfast in 1981, capturing the band at their most primal. From the precision attack of 'Love Me Like a Reptile' and the relentless stomp of '(We Are) The Road Crew' to the sheer force of 'The Chase Is Better Than the Catch', the first half is a masterclass in unhinged rock'n'roll. The second half turns up the intensity even further, featuring live versions of 'Overkill', 'Bomber', and 'No Class'iraw, deafening, and unstoppable. Remastered from the original tapes, this edition is a high-voltage reminder of why they remain one of the loudest, fastest and most influential bands of all time.

Review: Hailing from The Gret White North's Toronto, PUP (Pathetic Use of Potential) are your favourite current punk band's favourite current punk band. Originally formed in 2010, the past decade and a half has seen the group deliver one consistent album of bangers after the next, with their new fifth full-length Who Will Look After The Dogs? arriving three years on from 2022's The Unraveling Of PUPTheBand, proving that prior titular statement to be mistaken information. Expanding their sonics as far as their musical palettes, the LP showcases the debaucherous yet earnest Canadian troubadours pulling simultaneously from both more radio-centric college rock as well as more intense hardcore this time around, while modern punk legend (and once Bomb The Music Industry lynchpin) Jeff Rosenstock makes a standout appearance on the latest single 'Get Dumber'. Gritty, melodic, and sincere, all within the same breath (or verse), it's a tough year for any punk band to compete whenever PUP rear their grimy head.

Review: Toronto's PUP are your favourite modern punk band's favourite modern punk band. Over the past decade, they've delivered one consistent album of bangers after the next, and now they return three years on from 2022's The Unraveling Of PUPTheBand to prove that title as mistaken information. Who Will Look After The Dogs? serves as the fifth full-length from the debaucherous yet heartfelt Canadians, stretching their sonics as far as their palettes, pulling from both more radio-centric college rock and simultaneously much heavier hardcore this time around, while once Bomb The Music Industry lynchpin and nowadays punk rock troubadour legend Jeff Rosenstock makes an appearance on latest single 'Get Dumber'. Not so much the "Pathetic Use of Potential" that PUP still claim to be.