Review: Sometimes it's just too difficult to contain our excitement; we're quaking in our boots at news of Khruangbin's next release, with the Texan three-piece this time lending their alt-indie-funk mastery to vocal frontage by Leon Bridges. The humorously titled lead single 'B-side' is emblematic of their stated aim here - to redefine "how people perceive Texas music i that beautiful marriage of country and r'n'b i and really paying homage to that." The sonic result? Bubbling bass and wahhy riffs, over a ghostly and misty relaxers' beat. Its hook digs into our thighs deeper than a Sheriff's steel spurs, and fittingly, it's music video is themed after a 19th Century western town.
Review: Some six years (give or take a few months) on from the release of their superb debut album Psychedelic Disco Cumbia, self-styled 'NYC tropical supergroup' Locobeach are back! This time round, they've treated us to a genuine rarity: a rarely spotted double seven-inch EP. All four tracks have, apparently, been extensively road-tested in their live sets and become, in their words, "fan favourites". They begin in stellar fashion via a head-nodding, cumbia-powered cover of Cure classic 'Close To You' (it's genuinely great - one of the best covers we've heard for a while), before imagining a suitably tropical spy chase on the urgent and percussion-rich 'Idea Desesperada'. On 45 number two you'll find the cheeky cumbia-soul-meets-yacht-rock cheekiness of 'Isabella' and the surf-flecked, high-octane tropical fun of 'U.S Marshall'.
Review: Discodelic and Groovie Records unveil a pair of rare 1970s Panamanian gems here with forgotten tracks from The Meditators, and Los Misticos. Originally recorded for radio and left in storage, these Latin psych funk bombs capture the underground spirit of Panama's vibrant music scene from more than 50 years ago. Licensed through Tamayo Records, these songs have been beautifully mastered and now the long-lost recordings, which barely made it to vinyl the first time around, become available for all who are keen to drop the heat and learn about Panama's hidden musical treasures at the same time.
Review: Wewantsounds continues its deep dive into Algerian music with the first-ever reissue of Les Abranis' sought-after-by-those-who-know 1983 long player, Album No. 1. Originally recorded in Paris and privately pressed in small quantities, the album, which is also known as Id Ed Was, fuses Kabyle rhythms with funk and touches of reggae. This reissue has been curated by Cheb Gero (of recent Sweet Rebels compiling fame) and features remastered audio, though it retains the original artwork. It's a great line document of Algeria's diasporic groove with a two-page insert featuring fresh liner notes by journalist Rabah Mezouane.
Review: The Lijadu Sisters and Numero Group have entered into a groundbreaking partnership focused on both reissue and reparation as a way of celebrating and reexamining the impact of the iconic artists. Identical twins Yeye Taiwo and the late Kehinde Lijadu were pioneers in Nigeria's cultural golden age who released five influential albums in the 1970s, thereby helping to shape their home nation's music for over 50 years. Their unique harmonies and innovative sound have inspired artists like David Byrne, Amaarae, and Jamie xx and first up in the reissue series is a remastered edition of their 1979 album Horizon Unlimited, featuring the hit 'Come On Home,' with their entire discography and previously unreleased material all to follow.
Review: Released in 1979 on Decca's Afrodisia imprint, Horizon Unlimited stands as a landmark in the Lijadu Sisters' discography. Produced by Fela Kuti's collaborator Odion Iruoje, and featuring BLO's Laolu Akins and Lemmy Jackson, this album blends raw funk with seductive electricity. The six tracks on this reissue are a masterclass in merging traditional rhythms with modern funk, exemplified in songs like 'Orere-Elejigbo,' 'Erora,' and 'Come On Home.' Each track opens with talking drums, weaving intricate percussion with fluid basslines and subtle synth tones. The Lijadu Sisters' harmonies remain the focal point, gliding over hypnotic grooves that maintain their freshness without becoming repetitive.
Review: A stunning collection that blends The LimiNanas' signature French psychedelia with dynamic guest collaborations. The opening track, 'Spirale,' sets the tone with its hypnotic groove, pulling you into the album's atmospheric world. The duo enlists Bobby Gillespie for 'Prisoner of Beauty,' adding a layer of ethereal intensity. 'Shout,' featuring Rover, brings a punchier energy, while 'Degenerate Star,' featuring Jon Spencer and Pascal Comelade, introduces a gritty, garage rock edge. This album is a testament to the duo's ability to seamlessly incorporate diverse influences, with each track offering a fresh perspective while staying true to their unique sound.
Review: Los Diablos Rojos is the renowned Peruvian cumbia band that has achieved global recognition for its unique tropical sound while defying fleeting trends with enduring appeal. Emerging from CaNete Chico, their distinct instrumental tropical music set them apart from their contemporaries and over the years, they have led a musical trend that continues to gain acclaim. As pioneers, they serve as a benchmark for modern tropical bands with their creativity and resilience and innovative approach that challenges existing norms. Their musical freshness is on full display in Ritmo Satanico, a truly tropical international delight.
Review: Los Jaivas' Alturas de Macchu Picchu arrives newly remastered and reissued by state51 on heavyweight wax, and it remains a landmark of South American music. Its blurring of psychedelic rock, Andean folk and Pablo Neruda's poetic power makes the album, which was recorded in exile during Chile's Pinochet era, an evocation of both the spirit and struggle of Latin America. Tracks like 'La Poderosa Muerte' and 'Sube a Nacer Conmigo Hermano' swirl with emotion and complexity to deliver a cinematic spiritual experience. Inspired by Incan ruins and resistance, Alturas is more than music-it's a cultural beacon that invites you into a timeless soundscape.
Review: Mr Bongo's Cuban Classics Series now looks to highlight Los Reyes 73 and their sensational 1975 debut LP. This Afro-Cuban-funk gem combines psych rock with deep funk, cementing its status as a 70s Cuban masterpiece and a favourite with those who know. Despite releasing only two albums and a few singles, the band was highly influential in Cuba and gained international recognition through 2000s compilations. Produced by Raul Gomez and featuring Cuban music heavyweights, the album blends traditional Cuban Son with funk and psychedelic elements. The reissue uses the beautiful bird illustration cover art from the Mexican Pentagrama Records release.
Review: One of the most remarkable things about Saturday Night Special, the 1975 debut album by the Lyman Woodard Organisation, is how two musicians - accompanied by various sessions drummers - could make such a rich and layered set. It still impresses that Lyman Woodard and Ron English could create so many superbly evocative and cinematic jazz-fusion workouts almost on their own. The set has long been regarded as one of the best musical commentaries on a particularly low period in Detroit's post-industrial history, and many of the tracks are suitably poignant - even those clearly aimed at the dancefloor. Critically, this reissue deals with one of the major issues with original copies - their poor pressing - by stretching the same tracks over two slabs of wax, rather than one.
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