Back catalogue: Techno (すべて)

Review: Whoever is behind these STEDIT drops is striking upon pure gold, bringing a legitimately underground techno crunch to the pop edit practice. Having previously tackled the likes of Brandy & Monica and Ultra Nate, now two of the biggest pop divas of all time are getting some low down and dirty reworkings which tread the fine balance between earworm familiarity and the heads down moodiness of a locked-in dancefloor. 'Slow' becomes a slippery acid abstraction peppered with all kinds of sonic freakery, while 'Justify My Love' becomes a brooding, steadfast workout tipped towards the minimal crowd.

Review: Ste Roberts, under his STEDIT alias, has been building a reputation for taking beloved classics and flipping them on their head. This latest release is no exception. Two synthpop anthems, once the defining sound of an era, have been reimagined, reworked, and unleashed across dancefloors all summer. It's not about the big-room bombast or predictable edits that cater to easy thrills. No, Roberts is more nuanced than thaticrafting something that feels at once familiar and alien. The first rework, Depeche Mode's 'It's No Good,' is a masterclass in restraint. The track's dark undertones remain, but Roberts pulls it into a gritty, subterranean space. It's a slow burn, keeping the tension tight while the vocals float above a relentless, pulsing beat. Then comes the flipiHuman League's 'Don't You Want Me.' What was once pure pop joy is now something altogether darker, more elusive. Roberts has stripped it back, laying bare the iconic vocals against a stripped-down, funky groove that simmers beneath the surface.