Review: By the time they recorded "Songs of Praise" in 1990, African Head Charge had gone from being an Adrian Sherwood solo project to a fully-fledged band helmed by percussionist Bonjo Ivabinghi Noah. Here reissued to mark the album's 20th birthday, the set remains arguably the group's greatest single work. While rooted in the twin attractions of heavy dub and dense African percussion, the album makes extensive use of a dizzying array of influences, from gospel, steppers reggae and yacht rock, to traditional Arabic music, blues, disco, religious chants and even industrial music. This edition features a handful of decent bonus tracks, but they're unnecessary: the original album is little less than a masterpiece and should reside in every discerning listener's record collection.
Review: Bonjo Iyabinghi Noah and Adrian Sherwood have been working together as African Head Charge since 1981's all-time classic My Life In A Hole In The Ground. Of all the near-infinite reams of experimental dub production orbiting Sherwood's On-U Sound label, African Head Charge is surely one of the greatest and most revered projects and now after a pause since 2011's Voodoo of The Godsent their partnership is back on. A Trip To Bolgatanga takes us on a psychoactive journey to Noah's hometown in North Ghana, guided by his trademark, fiercely expressive percussion and Sherwood's mixing desk acrobatics, weighing in heavy and loaded with disorienting potential, which is just how we like it.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.