Review: This collaboration between Nelson Angelo and Joyce on Nelson Angelo e Joyce brings a radiant blend of Brazilian folk and jazz-inflected arrangements, where lush acoustic guitars meet cool, swirling percussion. The pair's harmonies are effortlessly seamless, carrying a sense of intimacy and warmth throughout. While the sound may occasionally veer into serene, almost pastoral territory, there's an undercurrent of depth, especially in the more syncopated rhythms and spontaneous melodic shifts.
Review: Originally released in 1993, this special edition enhances The James Taylor Quartet's legacy with remastered tracks and bonus material. Known for its infectious grooves, soulful melodies and catchy Hammond organ riffs, it captures the energy of London's 90s jazz scene and then some. Featuring standout tracks like 'Love Will Keep Us Together,' the album seamlessly blends jazz, funk and soul and this reissue reaffirms its timeless appeal by introducing new generations to its dynamic sound while offering nostalgia for longtime fans. A cornerstone of modern jazz-funk brilliance.
Review: This compilation brings together ten standout tracks from Jefferson Airplane's influential descendants, Starship and its predecessor. Opening with the smooth, soulful 'Miracles,' the collection spans the evolution from Airplane's psychedelic roots to Starship's polished rock anthems. Side-1 features the dreamy 'With Your Love,' the uplifting 'Count on Me,' and the classic 'Runaway,' offering a diverse glimpse into the bands' extensive catalog. The side concludes with the quintessential hit 'Jane'. Side-2 is dominated by Starship's most iconic tracks, including the anthemic 'We Built This City' and the rousing 'Nothing's Gonna Stop Us Now,' both embodying the band's 80s rock ethos. The side also includes 'Find Your Way Back' and 'Sara', each track highlighting the band's ability to craft enduring pop-rock hits. The final track, 'It's Not Enough', wraps up the compilation with a dynamic flourish. The enduring legacy of Jefferson Airplane's and Starship can not be denied.
Review: The fourth studio album by English hard rockers Jethro Tull, Aqualung married a turning point in the career of the band, prepping them for a more major radio-friendly future that would see them become mainstays of the touring circuit and rank among the finest live acts of the time. It would also quickly become the group's most successful release, commercially speaking, producing two standout singles in 'Hymn 43' and 'Locomotive Breath'. With such a storied history, anyone going anywhere near Tull's masterpiece wants to tread carefully. Or throw themselves full pelt into the chaos and beauty of the record by inviting a load of stoner rock acts to do their best/worst/most imaginative on the original material and come up with something new. Magnetic Eye opted to do just that with Redux, and it hits hard.
Best Of Jethro Tull (Redux)(gatefold coloured vinyl LP in die-cut sleeve (comes in different coloured vinyl, we cannot guarantee which one you will receive))
Review: Jim Jones All Stars emerges as a potent force in the realm of garage rock with their latest offering, Ain't No Peril. Led by garage rock luminary Jim Jones, the band brings together a formidable lineup of musicians to create a swampy, unholy fusion of rhythm and blues. Recorded amidst the atmospheric aura of Memphis, Tennessee, the album pulsates with raw energy and gritty authenticity. Ain't No Peril features Jones's songwriting ability at its peak, propelled by the relentless drive of Gavin Jay, Elliot Mortimer, Chris Ellul, Carlton Mounsher, and a vibrant horn section. The addition of guest vocalists Nikki Hill and Eugene S. Robinson adds further depth and dynamism to the album. Infused with the essence of the Mississippi delta, each track on Ain't No Peril exudes a primal allure, beckoning listeners into a sonic landscape of dark grooves and infectious rhythms. With this release, Jim Jones All Stars are torchbearers of the garage rock tradition, delivering a visceral and exhilarating musical experience.
Review: Le Phonographe's chronological reissue series continues with the highly anticipated re-release of Juniore's debut album Ouh La La (2017). Following the success of Un Peu d'Histoire and Marabout in 2024, this reissue presents an upgraded audiophile-quality version of the album, where the original Sony France pressing omitted several tracks and suffered a thin sound. Ouh La La has been out of print since 2019 and was difficult to find in the UK except as an expensive import; Juniore, the French band known for its retro blend of ye-ye pop, psychedelic rock, and chanson, channel 60s French influences and contemporary indie pop, with conferring hypnagogic vocals upon sprawling jangles.
Review: Un, Deux, Trois, the third album from French indie group Juniore, shows off their unique blend of 60s-inspired French indie cool with modern psychedelic touches. This release is highlighted by its sophisticated, theatrical, and cabaret aesthetic, featuring the standout tracks 'Bizarre' and 'En solitaire.' The French lyrics add to the allure, offering an engaging experience even for those who don't understand the language. Juniore, led by Anna Jean with Swanny Elzingre and Samy Osta, seamlessly blend influences from Yeye singers and American garage rock, creating a sound reminiscent of Tarantino soundtracks. The album features a mix of upbeat and downbeat tracks, ensuring a well-thought-out flow that keeps listeners engaged throughout its 40-minute runtime. New single 'Mediterranee,' with its honky-tonk pianos and bubblegum backing vocals, exemplifies the album's charm, painting vivid scenes of carefree beach life in the south of France. Despite the darker, mysterious tones typical of their previous work, Un, Deux, Trois introduces a brighter optimism influenced by the pandemic's forced isolation, marking an evolution in Juniore's musical journey.
Review: Ekoya is the fourth album from Jupiter & Okwess and it marks a new chapter in their sound as they embrace Congolese funk, rock, Afropop and Latin influences. This record was conceived during a South American tour and recorded in Mexico so reflects a cross-cultural fusion that's deeply rooted in African history and features collaborations with artists like Flavia Coelho and Mare Advertencia. Along the way, the music tackles themes of change, resilience and the global challenges we face so tracks like 'Selele' and 'Orgillo' fuse political commentary with big rhythms. Through a great mix of languages, rich instrumentation and powerful messages, Ekoya is a wonderfully worldly celebration.
Scene 5: I Don't Know What I Can Possibly Do (2:45)
Scene 6: Mother's Milk (4:27)
Scene 7: Back Up William (4:40)
Scene 8: Everybody In Their Life At One Time Or Another (1:24)
Scene 9: Love For The Asking (7:57)
End: Credits Roll (6:18)
Review: Music for William Eggleston's Stranded in Canton, by Spiritualized's J Spaceman (Jason Pierce) and John Coxon, also known for his work as one half of ,Spring Heel Jack brings a long-awaited score to the raw and gritty scenes of Eggleston's 1970s art film, capturing Memphis in all its untamed glory. Recorded in 2015 after a live performance at London's Barbican Gallery, this release finally makes its way to vinyl via Fat Possum. Eggleston's black-and-white documentary dives into the rough-and-tumble life of Memphis, featuring local legends like Furry Lewis and Jim Dickinson, and portraying wild moments that include everything from pistol-firing antics to Russian roulette. The music echoes the film's visceral energy and nostaligia, offering a blend of haunting and ambient instrumentals that underscore the film's chaotic beauty. Spaceman, deeply inspired by Memphis's unique blend of magic and poverty, brings a raw appreciation to the soundtrack. With screenings set for major cities, this release presents a rare exploration of Memphis's unpolished charm that is an important part of this unique picture.
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