Back catalogue: Post Rock/Experimental

Review: Kentucky born musical absurdist and voice actor Beth Andersen weaved her way in and out of mainstream circles throughout the entirety of her career, with some of her biggest claims to fame being the use of her 'Dance Dance Dance' single on the Scarface soundtrack as well as her voice acting credits which include appearances in The Swan Princess, Babes In Toyland, and Tarzan. Unbeknownst to many, however, was her artistic double life where she was simultaneously known as a creative academic and scholar whilst dabbling in the niche underground art-punk scenes of the 70s, where with the help of (at the time) future Sonic Youth/Dinosaur Jr producer Wharton Tiers as well as member of the new wave band Theoretical Girls, she was able to carve out one bemusing piece of wax that perplexed familiars on all sides of her spectrums with its self-described fusion of a myriad of unlikely anti-genres such as "yoga punk", "ramble rap", "combustion pop" and "form room funk"... all of which were officially neatly bracketed under the curious Text-Sound movement where Beth garnered utmost respect as a key practitioner. Long out of print, never thought to find its way to wax again, these percussive, rhythmic avant-punk poems and spoken word ditties are even more bizarre in practice than theory.