Back catalogue: Pop

Review: A classic that delivers the quintessential Euro house experience with its infectious energy and irresistible dancefloor appeal. This new yellow vinyl version brings flashbacks flooding in of the era's vibrant club scene through a mix of upbeat rhythms, catchy melodies and expansive remixes. Side-1 opens with the single version of 'More & More', a track that wastes no time diving into a groove-laden beat and euphoric synth lines. The extended mix that follows stretches the vibe even further, offering DJs and dance enthusiasts a longer ride through the track's pulsating, feel-good energy. Side-2 turns up the heat with the 'Underground' remix, which injects a deeper, more nocturnal edge into the track, perfect for late-night sets. The 'Trance Mix' closes the collection with an ethereal, sweeping take on the original, merging classic Euro house elements with hypnotic trance influences. This release is a love letter to the era of extended pleasure through remixes, capturing both the mainstream appeal and underground allure of Euro house.

Review: Carpenter embraces the holiday spirit with a playful and modern twist. A festive reimagining of her earlier work, the release brims with cheeky wordplay and shimmering pop production. Tracks like the opening number reinvent familiar holiday tropes with wit and charm, while others pair Carpenter's signature catchy melodies with a distinctly festive warmth. A rework of a seasonal classic closes the record on a high note, showcasing her vocal versatility and contemporary approach. This is a fresh and vibrant take on holiday music, as fun as it is memorable.

Review: Priscilla Chan's critical Cantopop stylings return to the fore with a brilliant reissued EP through German label Thank You. It's proven admittedly impossible to track down any info on the motive for this one, save for its faithful unearthing of Chan's 1998 classic 'African Dance', which fuses the lively call-and-responsive musical motifs heard on the Continent with the dance-pop sensibility of her very own. Thereafter come three much more balladic bowl-overs, which reach their zenith on the unnamed 'Track 4', an incredible instrumental production that pits an undeniably eighties instrumental palette against a frankly heartfelt piano line.