Back catalogue: Pop

Review: Here's a chance to cop a pivotal piece of R&B history on vinyl. Aaliyah's second album was released in 1996, when she was just 17, and she was already one of the most commanding artists in modern R&B. Working closely with Missy Elliot and Timbaland on a number of the tracks, she made a significant step on from her debut with a revitalised and forward-leaning sound, and all while finishing drama school and preparing to star in Romeo Must Die. One In A Million is solid gold start to finish, and given how costly original pressings of it can be on the second hand market, this reissue is long overdue so grab it while you can.

Review: ABBA's long awaited new, eponymous box-set, spanning over 10 LPs and CDs, finally hits our shelves. Celebrating the Swedish foursome's 9 albums over the course of 3-4 decades, every one of your favourite sparkly, spangly hits make an appearance here, including 'Gimme! Gimme! Gimme!', 'Fernando', and 'Lay All Your Love On Me'. This collection also harkens to an exclusive picture disc bundle, one to watch out for!

Review: This is a deluxe reissue of a real pop classic from back in 1997. ABC is a group that traces its origins back to Vice Versa, a Sheffield band formed in 1977 by Stephen Singleton and Mark White. They released the Music 4 EP after founding Neutron Records and Martin Fry, creator of the fanzine Modern Drugs, interviewed Vice Versa before later joining as synth player. By 1980, the band transformed into ABC, with Fry assuming lead vocals. The lineup included Fry, Glenn Gregory of Heaven 17, and Keith Lowndes. Though their debut album received acclaim from critics, it didn't achieve widespread commercial success. Despite this, ABC's fusion of pop and electronic elements laid the groundwork for their future iconic sound.

Review: Already the winner of a Brit Award (Adele was voted the 'Critics Choice' - the most exciting new British artist expected to 'make it big' in 2008),
'19' is Adele's debut album. Citing influences as diverse as Etta James, Jill Scott, Bjork, Dusty Springfield, Billy Bragg, Billie Holiday, Jeff Buckley,
The Cure and Peggy Lee, Adele also recently completed her first solo UK tour, having toured previously with the likes of Jack Penate, Jamie T,
Raul Midon, Amos Lee and Devendra Banhart. '19' contains both her debut track 'Hometown Glory' and her smash single 'Chasing Pavements'.
Blues tinged and melancholic, Adele describes 'Chasing Pavements' as 'It's me being hopeful for a relationship that's very much over. The sort
of relationship you hate when you're in it, but miss when you're not'. A hymn to lost love and regret, 'Chasing Pavements' follows Adele's first
limited edition single 'Hometown Glory', which introduced her to the world to much critical acclaim, with NME calling it 'totally, absolutely beautiful',
Q Magazine calling her 'The voice of next year' and The Sunday Times saying 'A Star Is Born'

Review: Already the winner of a Brit Award (Adele was voted the 'Critics Choice' - the most exciting new British artist expected to 'make it big' in 2008),
'19' is Adele's debut album. Citing influences as diverse as Etta James, Jill Scott, Bjork, Dusty Springfield, Billy Bragg, Billie Holiday, Jeff Buckley,
The Cure and Peggy Lee, Adele also recently completed her first solo UK tour, having toured previously with the likes of Jack Penate, Jamie T,
Raul Midon, Amos Lee and Devendra Banhart. '19' contains both her debut track 'Hometown Glory' and her smash single 'Chasing Pavements'.
Blues tinged and melancholic, Adele describes 'Chasing Pavements' as 'It's me being hopeful for a relationship that's very much over. The sort
of relationship you hate when you're in it, but miss when you're not'. A hymn to lost love and regret, 'Chasing Pavements' follows Adele's first
limited edition single 'Hometown Glory', which introduced her to the world to much critical acclaim, with NME calling it 'totally, absolutely beautiful',
Q Magazine calling her 'The voice of next year' and The Sunday Times saying 'A Star Is Born'

Review: Even reading the words All Saints takes us back to simmer times, when pop music seemed far more innocent and pop stars - the female ones at least - wore far more clothes. The British group's self-titled debut album was cooler and smarter than many of their candied peers (Spice Girls, we're looking at you) and blended effortlessly soulful vocals with rich, atmospheric production. From start to finish, the album lays down emotionally charged and honest lyrics. The production is lush yet minimal, allowing the powerful vocals to take centre stage, with classics like 'Never Ever', 'I Know Where It's At' and 'Lady Marmalade ('98 remix)' all still oozing a nice new soul and r&b edge.

Review: Australian rapper Iggy Azalea's third album The End of An Era came on her own label Bad Dreams Records and took inspiration from the end of her 20s. It is a musical time capsule of that decade and features some guest spots from the likes of Bia, Sophia Scott and Ellise, while production was taken care of by frequent collaborator J. White Did It amongst others. The beats throughout are highly addictive with plenty of them ready to make you get up and dance. There are plenty of crossovers between future house and bass music making it one of her most accomplished works to date.