Back catalogue: Metal

Review: Unatoned (stylized as UNATONED) serves as the 11th full-length from Oakland, California groove metal titans Machine Head and marks their first effort to feature drummer Matt Alston and lead guitarist Reece Scruggs (with the latter replacing Decapitated axeman Wac?aw Kie?tyka aka Vogg who worked with the band on 2022's Of Kingdom & Crown). First announced through lead single 'These Scars Won't Define Us'; a self-described "Wu Tang Clan-level thrash collaboration" featuring guest vocals from members of In Flames, Lacuna Coil and Unearth, who will all support the band across their 2025 North American tour in support of the project, the addition of secondary single 'Unbound' showcases mastermind Rob Flynn's knack for marrying venomous heft to anthemic structures, whilst the air of brevity compared to some of their previously far lengthier compositions is indicative of a much more instantaneous sonic delivery (or gut-punch) this time around.

Review: Swedish progressive groove metal legends and djent pioneers Meshuggah have always been in competition with themselves, nearly eclipsing all prior output with 2022's ninth full-length Immutable; a near 70-minute beastly display of ludicrously technical, poly rhythmic mayhem that served as both their lengthiest work to date as well as one of their most critically acclaimed, combining the unhinged aggression of 2008's ObZen with the post-prog hypnotism of their 2002 fan-favourite Nothing. The Indelible Edition offers a unique sonic enhancement and total remaster, redefining the album's depth and clarity, while including three bonus live tracks captured over the course of their 2023/2024 world tours. A very on-brand reissue from a collective known for their painstakingly detailed commitment to their vision and craft, whether you prefer the term "indelible" or "definitive", this is the version of Immutable the band finally appear content with sharing with their fanbase almost three years after initial release, almost like the Kanye West of progressive metal but without all of the antisemitism. Complete with updated artwork and gold foil intricacies for the aesthetically minded fanbase.

Review: This unmissable two-disc bundle nets Metallica's explosive live performances at the Seattle Center Coliseum on 29-30 August 1989, during their legendary Damaged Justice Tour. Widely regarded by fans as among of the band's finest shows, this tearout time capsule boasts a stellar setlist, including 'Seek & Destroy', 'For Whom the Bell Tolls', 'Creeping Death', 'Battery', 'Master of Puppets' and 'The Thing That Should Not Be'. Unleashed to the world like a cageful of batwinged, sledgehammer wielding demons, it came right after their fourth LP release And Justice for All, which in turn set the Damaged Justice tour in motion; these menacers will always come back to haunt us through the tube amps.