Review: Those with a deep knowledge of electro and techno will be salivating at the prospect of More Than A Machine: Part 1, an EP that boasts cuts from such legends of the scene as Sterac Electronics, The Advent and Christian Smith. All deliver the goods, of course, as does rising star Client 03, whose EP-opening 'Regression Container' brilliantly flips between shimmering, deep space ambient and warming, tactile electro dreaminess. Those looking for more rugged and robust club fare should check Sterac Electronics 'Reinstated', with its' out-there lead lines and machine-gun bass, and the sleazy, up-tempo futurism of the Adveny and Zein Ferreira's 'Seven'. Christian Smith's deep, Kraftwerk-influenced 'Pressure Drop' rounds off a predictably strong EP.
At Les (Christian Smith Tronic Treatment remix) (9:44)
At Les (Christian Smith Hypnotica remix) (9:14)
Review: Christian Smith revisits Carl Craig's iconic ambient masterpiece 'At Les' with two exceptional remixes, originally crafted in 2010. This reissue on Tronic revives the deep house genre with a fresh perspective on a track that first appeared on Craig's 1997 album, More Songs About Food and Revolutionary Art. On Side-1, the 'Tronic Treatment remix' injects a pulsating energy into the ethereal original, blending rhythmic depth with the serene atmosphere that made the track a legend. Smith's remix maintains the emotional intensity while adding a driving beat that propels the listener forward. On Side-2, the 'Hypnotica remix,' where Smith delves into a more immersive, trance-like state. This version is all about loops and intricate layers, creating a soundscape that feels both expansive and intimate. Smith's reimagining of 'At Les' pays homage to Carl Craig's genius while introducing new sonic dimensions. Still, 14 years later...this is a club ready peak time record.
Review: One of this week's more pleasantly surprising releases is by Christian Smith's longstanding Tronic label, and features artists you wouldn't usually expect. Motor City stalwart DJ Godfather serves up some dystopian electro on 'Invasion Of Detroit', legend Carl Finlow presents another fine example of his idiosyncratic futurism on 'Anomaly 3' and even Swedish techno veteran Samuel L Sessions gets in on the electro act - on the data bass of 'Engine Of War'.
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