Review: Natalia Baylis based her first album for Touch Sensitive around the fortuitous discovery of an Italian-made CRB Elettronica Ancona Diamond 708 E organ at the recycling centre, in what now seems like a fated outcome for the Irish ambient artist. Feeding the wonky sound of the instrument into swirling pools of processing, she used one of her father's old photos of three ladies bathing in the sea to set her angle of approach - and so Mermaids came to be. Enchanting, mysterious and flowing like the ocean, we couldn't think of a more fitting title for this mesmerising album.
Review: Prepare yourself for a crazy but wonderful deep dive into the legendary world of cult French outfit Vox Populi!, focusing primarily on their 'big years' of 1986-1990, inverted commas used to hopefully articulate that these guys are yet another example of why music consistently fails to give outsider artists the widespread recognition they deserve. Nevertheless, those who know VP know just how incredible their music is.
In the first three tracks alone the breadth of their output becomes clear. Opener 'Caballo Blanco' could be And You Will Know Us By The Trail of the Dead meeting Primal Scream at a Goan festival in the late-1960s. 'Mush Dub Gnarls & Vrooms' takes us into downtempo electronica with an undercurrent of bite, nodding to Andrew Weatherall's Sabres of Paradise project. Meanwhile, 'Holistikoholic' almost seems to reprogram the mind to the court of some king or other, with its jaunty flutes and wooden percussion.
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