Sacred Bones Us レコード& CD

Review: RECOMMENDED
Originally founded in 1992, Boris have absolutely nothing to do with the mop-headed World King currently refusing to leave the No.10 party like that guy who nobody really knows at 7AM. Suffice to say, at some point soon we'll all have to pretend to go to bed and then reconvene in the back yard. The gate is always open.

Digressions aside, this particular Boris represents the vanguard of underground Japanese experimental rock. Tracks that can easily help you escape the reality of a world where even the leaders can't be bothered anymore. Staggeringly, W is the band's 27th studio album, and this doesn't include another 15 collaborative long forms, many with fellow Far East noise legend Merzbow. If that name means anything, but Boris doesn't, you should still kind of know what to expect here. Thick bands of guitar scuzz, subtly developing disharmonies, atmospheric drones, and discordant refrains.

Review: Originally conceived in 2019 during a tour with industrial hardcore purveyors Uniform, Japanese psychedelic noise-rock juggernauts Boris would invite their co-conspirators on stage to reimagine the trio's classic "Akuma no Uta" as part of their encore, with the resulting chemistry inspiring both acts to begin crafting a fully collaborative album. Many years of exchanging ideas from one home studio base to another has finally bore fruit in the form of the hideous yet glorious Bright New Disease. Combining almost every nuance of each group's genre-less machinations, the project swells and extends in every sonic direction from harsh walls of screeching noise to retrofitted Japanese D-beat hardcore, with time in between for aquatic, shoegazing serenity and mechanized industrial venom.

Review: Essex based composer and music producer Robin Carolan is the man behind the acclaimed Tribute Angle label. He's worked with a fine array of artists including Bjork and Holy Other and now links with Seb Gainsborough who makes electronic and orchestral music as Vessel. This is the first time the pair have worked with director Robert Eggers on a score together and the results speak for themselves. It is harsh and uncomfortable with a dirty aesthetic that is designed to match the film, The Northman, and does so with great sympathy and respect to the authenticity of the Viking era period piece.

Review: Don't believe the hype - we certainly don't. Halloween Ends, 2022's trilogy-concluding horror flick that brought the story of evil Michael Myers to a bone chilling climax, is almost definitely not going to be the last time we hear the terrifying piano riff John Carpenter came up with for his original 1978 slasher classic, Halloween. Nor will it likely be the final outing for the mask-wearing, knife-wielding menace of Haddonfield, Illinois; fictional town the franchise centres on.

Let's face it, the most recent outing in the saga only represented the conclusion of the last three films, but since the first time there have been 13 movies, many comic books, one video game and tons of merchandise. All that aside, you can believe the hype surrounding the latest score, which sees synth and atmosphere master Carpenter, alongside son and regular collaborator Davies, invoke the eerie unease that first catapulted Halloween into the pantheons of all-time greatest scare fests. Don't sleep after listening, then; who knows what's out there.

Review: German-Brazilian artist Gloria de Olivera and David Lynch associate Dean Hugely come together for an album that cerebrates the joy and escapism of dream pop. It is an album on Sacred Bones awash with eerie synth strings that are offset by De Olivera's German vocals. Drums echo the sounds of the early Cocteau Twins and the shimmering synths take you higher. It is a low key work with plenty of lo-fi aesthetics but one that makes a grand emotional impact. 'Hanging Gardens' is a real favourite with its moody backdrop of wooly synths.

Review: Canadian composer Mort Garson enjoyed an eclectic career, though in electronic music circles he's most celebrated for a string of experimental electronic albums he produced using early Moog synthesizers. "Mother Earth's Plantasia" is a bizarre but brilliant beast: a 1976 set that was designed to be played to plants to help them grow (really) and was given away free at a Los Angeles garden store. As this first ever reissue proves it remains a dizzyingly far-sighted set. Sometimes symphonic, occasionally spacey and always intoxicating, much of the material is far quirkier than contemporaneous synthesizer-fired sets. Highlights include the pulsing ambient spaciousness of "Ode To An African Violet", the twinkling, cascading beauty of "Rhapsody In Green" and the jaunty cheeriness of "You Don't Have To Walk a Begonia".

Review: A new collection of tracks by 60s and 70s electronic music visionary Mort Garson, including his soundtrack for the CBS News live coverage of the moon landings and music from a National Geographic documentary on them in 1970, is being released to co-incide with Garson's 99th birthday. Expect a cavalcade of elegant Moog manoeuvres that will whisk you back in time rather than back to the future or into sapce, but treat you to some euphoric, uplifting and beautiful melodies along the way.

Review: Fans of twisted sonic bedlam rejoice as the drone-doom supergroup of James Plotkin, Alan Dubin (OLD), Tim Wyskida (Blind Idiot God) and Stephen O'Malley (Burning Witch, Sunn O)))) have surprise released a brand new full-length titled To Be Cruel. Their first LP since 2009's Clean Hands Go Foul restores every inch of the malevolent, industrial-tinted noise-doom that originally made Khanate such an underground darling of early 21st century experimental and extreme metal. While no official reunion or tour dates have been announced, the band have revealed that all four previous albums would be receiving the reissue treatment in the near future, delighting avid followers of aurally debauched soundscapes the world over.

Review: Luis Vasquez is the artist behind The Soft Moon and on his latest album we find him in his most confessional and self-reflective mood to date. An array of his inner most feelings are laid bare here for all to wallow in on this cathartic and soothing fifth full-length album. It brings all new emotion to post-punk industrial with two standout collaborations with fish narc and Alli Logout of Special Interest adding further greatness to this instant classic. It is now 12 years since Luis debuted his first album, but this might be his best work yet.

Review: Louisiana based sludge-doom auteurs, Thou, made the most of the pandemic with their compilation of utterly crushing Nirvana covers, 'Blessings of the Highest Order.' Now, coinciding with the release of their covers EP, 'They Don't Love You Like I Love You', comes another scorching collection, further highlighting the band's diverse array of intrinsic influences as well as their penchant for reimagining sonics to fit their grooving bedlam. With renditions of tracks from the likes of Pearl Jam, Alice In Chains, Shellac, and, Minor Threat, 'A Primer Of Holy Worlds', looks to further the Thou canon by finally offering their legions of rabid fans a chance to fully encapsulate the discography with wax homes for their myriad of essential, visceral tributes.