Ribbon Recordings レコード& CD

Review: Aaron M. Olson's CV expands in a myriad directions, with L.A. Takedown being his purely instrumental project, and one that invites natural comparison with soundtrack work owing to its yacht-rock stylings and sci-fi synth, not to mention taking his moniker from a 1989 movie. The vision here however is one of a land where sun-scorched urban vistas are seized by dystopian dread, and Olson's sleight-of-hand and atmospheric prowess render him a dab hand in creating evocative soundscapes that unite retro and future alike. Lovers of M83 and Johnny Jewel take note.

Review: Aaron M. Olson's CV expands in a myriad directions, with L.A. Takedown being his purely instrumental project, and one that invites natural comparison with soundtrack work owing to its yacht-rock stylings and sci-fi synth, not to mention taking his moniker from a 1989 movie. The vision here however is one of a land where sun-scorched urban vistas are seized by dystopian dread, and Olson's sleight-of-hand and atmospheric prowess render him a dab hand in creating evocative soundscapes that unite retro and future alike. Lovers of M83 and Johnny Jewel take note.

Review: Aaron M. Olson's CV expands in a myriad directions, with L.A. Takedown being his purely instrumental project, and one that invites natural comparison with soundtrack work owing to its yacht-rock stylings and sci-fi synth, not to mention taking his moniker from a 1989 movie. The vision here however is one of a land where sun-scorched urban vistas are seized by dystopian dread, and Olson's sleight-of-hand and atmospheric prowess render him a dab hand in creating evocative soundscapes that unite retro and future alike. Lovers of M83 and Johnny Jewel take note.