Review: Trumpeter Chris Ryan Williams and cellist Lester St. Louis form HxH (H by H) are a boundary-pushing electroacoustic duo who work with acoustic instruments and electronics in real-time. Their debut album, released on KMRU's label OFNOT captures their expansive, sculptural sound, and it is one rooted in jazz, noise, classical and Black experimental traditions. Drawing comparisons to Sun Ra or Laurel Halo, their music is fluid, unpredictable and emotionally resonant. Tracks like 'Pyrex Vision' and 'BEACH' showcase a dynamic interplay between form and freedom and are influenced by visual artists like Torkwase Dyson. HxH's sonic world is both daring and intimate and is an ever-shifting architecture of sound.
Review: When KMRU accessed the Royal Museum of Central Africa's sound archive, it inspired his last album Temporary Stored which engages with colonial sound archives. Temporary Stored II extends that superb concept by inviting artists like Aho Ssan, Lamin Fofana, Nyokabi Kari?ki, and Jessica Ekomane to critically explore these recordings of African traditions. The album reimagines these historical sounds as seeds for future sonic explorations that confront the colonial past while addressing contemporary political, economic, and ecological issues. It emphasises the importance of listening back to these archives to reclaim lost traditions and challenge existing knowledge systems rooted in anti-blackness.
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