ESP Institute レコード& CD

Review: From a cover image wonderfully displaying the proportional difference between humans and the world we call home, to the expansive pedal steel guitar chords that weep their way through the musical destinations here, Raymond Richards encapsulates the vast openness of the US in sound, offering aural interpretations of the beauty and desolation, hope and devastation this wildly rich but painfully unequal country is home to. Track titles are inspired by real pins on the map, although it's unlikely you'll recognise many - we're talking 'Paradise, California' (a swooning, sun-kissed closing overture), 'Astoria, Oregon' (a lilting, vast but quiet slice of ambient) and 'Roslyn, Washington' (which sounds like psychedelic country) rather than more obvious places like Los Angeles, where Richards stomped about with the likes of DJ Lovefingers and Slowdive affiliates Mojave 3 in the late-1990s.