Review: As well as this one coming on pink wax, Adam F is also dropping it on nice classic black vinyl. It features his classic track 'Brand New Funk,' which emerged after he acquired a second-hand Fender Rhodes Electric Piano, Vocoder, and Clavinet D6 Honerikey instruments of the funk era. This track pays tribute to its predecessors by blending classic funk elements with intense drum patterns, merging the vintage funk spirit with modern sonic complexity. Revived and refreshed, 'Brand New Funk' represents one of Adam F's most innovative and enduring sounds.
Review: That the word 'funk' should take on an almost entirely new meaning under the aegis of drum & bass is telling, but that shouldn't deter us from interrogating the ideaistic chain connecting the funk of the 1960s and 70s to today's modern, 170BPM+ *neuro*-funk, *drum*-funk etc.. Take, for example, Adam F. His classic track 'Brand New Funk' came about after he bought a second hand Fender Rhodes Electric Piano, Vocoder and Clavinet D6 Honer. All staples of the funk era, the ensuing track paid solid homage to that era, combining compelling collieries with dastard drums and, in so doing, effortlessly fusing the spirit of the former funk with the synaptic sonic overloads of the latter. Now rebooted and revitalised, 'Brand New Funk' bespeaks a timeless retelling of one of Adam F's most ingenious eureka moments.
The Tree Knows Everything Revisited (feat Kirsty Hawkshaw) (8:04)
Circles Revisited (extended) (5:35)
Mother Earth Revisited (5:01)
Dirty Harry Revisited (5:34)
F-Jam Revisited (feat MC Conrad) (5:41)
Aromatherapy Revisited (6:57)
Review: Colours Revisited isn't just a nod to Adam F's 1997 Colours but a wholly reconstructed journey that blends the echoes of late 90s drum and bass with new layers of live instrumentation. Rather than dusting off the original, Adam F digs deep, pairing soulful grooves with UK jazz virtuoso Julian Joseph's keys and the rich textures of re-recorded vocals by Kirsty Hawkshaw. A standout, 'Metropolis' channels the Metalheadz-issued original's punch with a vivid, rhythmic pulse, while 'Music in My Mind' echoes Herbie Hancock's influence. The album pulses with both reverence and reinvention, casting classic tracks in a fresh sonic space where analogue warmth meets carefully layered modernity. This is Colours, all brilliantly retold for a new era.
Circles Revisited Reboot (Adam F & Pola & Bryson 2024 Reboot) (4:37)
Review: Adam F has been rolling out a series of rebooted classics on his label, 181 Recordings, co-founded with vocalist Kirsty Hawkshaw. As a lead-up to his forthcoming album, he's released revitalized versions of 'Brand New Funk' and 'Music In My Mind.' Now, he turns his attention to Circles,' his iconic Drum & Bass track, presenting both a fresh reboot and a new version in collaboration with Pola & Bryson, which has been making waves on d&b dancefloors globally. 'Circles' was a groundbreaking track for Adam F, allowing him to blend his diverse influencesifunk, soul, reggae, and jazziwithin the framework of Drum & Bass, a genre that evolved from hardcore rave and jungle roots. According to Adam F, the track's enduring appeal lies in its deep textures, with saxophone, trumpet, keyboards and synthesisers creating a fluid arrangement that reflects his passion for jazz and his imaginative soundscape. This reboot of 'Circles' retains the essence of the original while introducing new layers and elements, ensuring its place as a timeless piece in the drum & bass genre. It's a legendary track, now refreshed and finely tuned for a new generation.
The Tree Knows Everything Revisited (feat Kirsty Hawkshaw) (8:04)
Circles Revisited (extended) (5:35)
Mother Earth Revisited (5:01)
Dirty Harry Revisited (5:34)
F-Jam Revisited (feat MC Conrad) (5:41)
Aromatherapy Revisited (6:57)
Review: The Colours Revisited red vinyl 3xLP is Adam F's tribute to his 1997 debut, a true masterpiece that bridged drum & bass with jazz, soul and British electronica. Realising the album's continued relevance (especially to younger audiences), Adam chose not just to remaster, but to fully reimagine it. Over two years he's restored vintage soundsidusting off his Fender Rhodes and inviting legendary jazz icons like Julian Joseph for live re-recordings. Familiar voices, including Kirsty Hawkshaw and the late MC Conrad, add a warm sense of nostalgia, whilst new musical solos give each track fresh resonance. A vivid revival of a foundational piece of UK music history.
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