Review: With the tragic, untimely passing of lead vocalist Chester Bennington in 2017, it naturally appeared to be the end for nu-metal/alt rock juggernauts Linkin Park, until recently shocking their fans with the confirmed news that Dead Sara vocalist Emily Armstrong would be taking Bennington's place, while new drummer Colin Brittain would step in to replace Rob Bourdain who decided not to join the reformation. Serving as the follow up to 2017's pop focused One More Light, the band's upcoming eight full-length LP From Zero takes its title from their original early day name Xero whilst highlighting this newly defined creative origin the members have found themselves cornered into, bearing clear signs of a desire to celebrate their nu-metal beginnings without undoing the decades worth of progression they have accomplished since. With 11 tracks and just over a half-hour runtime, it's evident the project appears to be prioritising brevity and a succinct introduction to this new era without losing site of what sonically drew their legions of fans to them in the first place. It's a brave, delicate time for Linkin Park with From Zero championed as the heralding of this new chapter, aiming to hopefully bridge and appease listeners from all spectrums of their back catalogue.
Review: Following the tragic passing of frontman Chester Bennington in 2017, many presumed the natural end of nu-metal turned alt rock giants Linkin Park. Rattling their fanbase with news of a resurgence with Dead Sara vocalist Emily Armstrong, as well as new drummer Colin Brittain (replacing Rob Bourdain who opted not to join the reunion), From Zero nods to the band's original moniker of Xero while also ushering in this new era for the group, whereas sonically, the band do their best to simultaneously pay credence to their heavier origins whilst naturally progressing towards their newfound vision. Their first full-length since 2017's pop-oriented One More Light may come as a shock to many devout to the Bennington era, but the earnestness in composition sees a retrospective embracing of nu-metal motifs yet modified and extrapolated to embolden this entirely new compositional framework. Attempting to compare to prior releases is naturally par for the course yet won't do much to alter this new musical trajectory, as From Zero swells with the breath of an entirely fresh project that owes humble countenance to the Linkin Park of yesteryear. At 11 tracks clocking on at just over a half-hour, the mission statement is one of succinct brevity and urgency, but whether it truly fills the Bennington shaped void is down to each unique set of ears.
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