Back catalogue: Funky/Club House

Review: All funk lovers have long been dialed into the red hot heat served up on an endless basis by the Jalapeno label, Now it is to Flevans that they turn for another long player destined to warm you through this winter. There is an organic and naturalistic air to the sound pallets here that takes you into the great outdoors right from the opening track. Following that the tight stick work and jazzy chords, soulful vocals and rolling drums all make for a storytelling musical ride with highs, lows and plenty in between.

Review: Flight Facilities picked up plenty of fans in the wake of their first album so this sophomore effort has been much anticipated. And they won't be disappointed as Forever is another superb display of widescreen musical ability, rich in playful experimentation and traversing several different genres with equal elan. Everything from Chicago house to techno, lush orchestral stings to indie-tinged electronica and more feature across this fine mix of timeless tunes. Long featured vocalists Emma Louise, Georgia Nott and Caroline Smith all feature once more here to add their lush vocals tones and take things to another level.

Review: On their fourth studio album, The Masters Plan, Robert and Lyric Hood - the father-daughter duo behind Floorplan - deliver a masterclass in house and techno that's as diverse as it is cohesive. Released on Luke Solomon's Classic Music Company, this 18-track odyssey showcases the Hoods' uncanny ability to blend the sacred and profane, the light and dark, into a sonic tapestry that's uniquely their own. From the opening chords, it's clear that Floorplan's Detroit roots run deep. The gospel-infused 'We Give Thee Honour' sets the tone, its uplifting vocals and rolling rhythms invoking the spiritual ecstasy of a Sunday morning service reimagined for the dancefloor. This spiritual thread weaves throughout the album, most notably on tracks featuring local Detroit vocalists like the soulful trio Dames Brown, Earthtone, and Lowell Pye. But make no mistake - The Masters Plan isn't all celestial bliss. The Hoods aren't afraid to get grimy, as evidenced by the pummelling beats of 'What A Friend'. Here, they demonstrate their mastery of techno's harder edge, crafting a track that wouldn't sound out of place in the sweatiest basement clubs of Berlin or London. It's this deft navigation between styles that makes 'The Masters Plan' so compelling. The dreamy house soundscapes of 'Feel It' provide moments of blissful respite, while collaborations like 'Fake & Unholy' with label-mate Honey Dijon inject a shot of pure dancefloor adrenaline. What's most striking about 'The Masters Plan' is how seamlessly Robert and Lyric blend their generational perspectives. Rather than a handicap, their age gap becomes a strength, allowing them to draw inspiration from decades of electronic music history while still pushing the sound forward. Ultimately,
The Masters Plan feels like both a celebration and an invitation.

Review: 'Toca' is Fragma's debut trance album from 2001, following the smash success of their Eurotrance single for Positiva, 'Toca's Miracle'. Perhaps best describable as the 'R.I.P. Groove' of the trance era, the track saw to acclaim and much raving (both rave reviews and rave parties) thanks to its proto-Deadmau5y clap layering and sultry vocals by British singer Coco. The milking of the brand inevitably followed, but despite the cynicism that might surround that, this is a beautiful and pure sounding vocal trance LP. Now seeing its first vinyl release (CD was the format for trance back then), 'You Are Alive' and 'Magic' are creatively acidic, cute cuts.

Review: Just a week after the first volume of this bumper collection of house gold lands, we're treated to the second volume via Sosure Music. The Director's Cut Collection is an assemblage of remixes by the one and only Frankie Knuckles aka The Godfather of House alongside his frequent musical sparring partner Eric Kupper. They turned out many vital tunes in their time as this eight track selection shows with everything from their take on 'The Look' to a 'Director's Cut' Classic club mix of 'Let's Stay Home' via a 'Re-Directed' mix of the stone cold classic 'Baby Wants To Ride' featuring Jamie Principle.

Review: Frankie Knuckles and Eric Kupper's Director's Cut project continues with its third rendition, bringing together yet another eight house remixes of established neo-soul and trip-hop songs by the pair and their friends. Standouts on this one include Tony Humphries' Work & Play Mix of Inaya Day's 'Let's Stay Home', which follows the singer's orders to "take advantage of this little bit of rainfall" to produce a slice of humble, heated house pie; and Director's Cut's 'Signature mixes' of sultry lullabies by Martina Topley-Bird and Vintage Dbow.