Back catalogue: Funky/Club House

Review: Daft Punk's defining album comes directly from the horses' mouths, seeing a new vinyl edition in 2022 released via the ex-duo's own Daft Life Ltd. label. With no frills or fluff, every original track on their third album from 2001 appears here in crunching glory, not sounding an inch rougher or time-weathered. Aptly, 'Discovery' was described by the duo as a reflection of their childhood memories, when they listened to music with a more innocent ear; 20 years on, Discovery can certainly be said to have lived up to that original inspiration.

Review: The album that started it all for Daft Punk sure explains why they were one of the biggest acts in dance music for so long. Even now, all these years later, it is still a mind blowing work that blew electonic music wide open. Homework landed in 1997 and showcased astonishing production skills, a dizzyingly wide-array of influences and spawned plenty of stone cold dance classics such as 'Around The World,' 'Da Funk' and 'Teachers' which shouted out all of the French duo's biggest influences.

Review: The fourth and final studio album from the now disbanded French electronic duo, Daft Punk, Random Access Memory gets a re-release on Sony complete with an exclusive poster and 16-page booklet. This release pays tribute to late 1970s and early 1980s American music, particularly the sounds hailing from Los Angeles at the time. For this seismic album, the band developed and enriched the minimalist production style typical of their previous releases though collaborating with session musicians performing live instrumentation, limiting the use of electronic instruments to simple drum machines, a custom-built modular synthesiser, and their signature vintage vocoders. Spanning an impressive selection of genres from disco, to prog rock and pop, the album also boasts a serious list of chart-topping collaborators - from Nile Rodgers, to Pharrell Williams, to Giorgio Moroder. Featuring hit single, 'Get Lucky', this album is already considered a defining release of the 2010s pop/electronic landscape.

Review: 'Alive 2007' is known as one of the most influential live albums ever, and this new reissue via Daft Punk's parent label Daft Life cements that influence. Performed at the French venue Bercy, we feel much harder, better, faster and stronger as we listen eagerly to the the pair's signature talkboxes, samples and hooks, this time drenched in crowd jeers and natural reverb. In this instance, Daft Punk manipulated their established material, transposing and deconstructing the structures of their studio tracks and paving the way for the future of live electronic music performance.

Review: Originally released in 2003, Daft Club was the first official compilation of any Daft Punk material, and they chose to gather together some of their most prominent remixes from the likes of The Neptunes, Cosmo Vitelli, Basement Jaxx and Slum Village along with a few other exclusives and obscurities like 'Aerodynamite' and 'Overture'. It's a must for any fan, especially now we know (or at least assume) there won't be any more DP material to come in the future. Repressed to fox the resellers, you can finally grab this one on wax once more, and you don't need to be told it's packed full of bangers.

Review: With each album, Daft Punk threw down something new for their mammoth fanbase to deal with. Never ones to repeat themselves or play it safe, Thomas Bangalter and Guy-Manuel de Homem-Christo ruffled feathers when they followed up the pop-tastic heights of Discovery with the rock-tinted stylings of Human After All. In hindsight, with the world-beating project brought to an end, the album sounds like Daft Punk through and through, not least on lead single 'Robot Rock', but full credit to them for not taking the easy route to give the fans what they want. As we reflect on the legacy of one of the biggest dance acts of all time, it's a fine time to revisit this album with a sparkling new pressing as part of the Daft Life Ltd series.

Review: As the matter-or-fact title makes clear, this tidy compilation rounds up period remixes of tracks from Daft Punk's sensational debut album, Homework. Some are well-known and celebrated, others less so, but they all add a fresh spin to familiar favourites. Naturally, some of their French contemporaries are involved - see I:Cube's minor-key heavy, hard-wired French Touch take on 'Around The World', and Motorbass's pleasingly weird, heavy and funk-fuelled re-wire of the same track - as well as fellow Europeans Slam and Ian Pooley, but the majority of the reworks come from top American talents. Roger Sanchez and Junior Sanchez deliver a boisterous, all-action revision of 'Revolution 909', DJ Sneak drops a typically weighty and bombastic remix of 'Burnin', and Masters At Work serve up a suite of revisions of 'Around The World' that naturally all hit the spot.

Review: Left Coast electronic music producer Dave Aju and The Invisible Art Trio have joined forces once again to deliver Glossolalia, a powerful seven-song album that defies conventional genres and transcends cultural differences. Recorded during the COVID-19 pandemic at the legendary G-Son studios in Atwater Village LA, Glossolalia is a timely and uplifting call-to-action that reflects the turbulent times we live in. With its twisted grooves and every song's lyrics in complete gibberish, Glossolalia takes listeners on a complex and nuanced sonic journey that leaves us with as many questions as answers. It is a testament to the power of collaborative music-making and a reminder that, despite our differences, we are united by our love of music and our shared human experiences.

Review: REPRESS ALERT!: Six years after delivering his debut album - a digital-only affair called TruSkool - Demuir has finally got round to recording a follow-up. The Toronto native's brand of house is chunky, groovy, deep and funky, taking cues not only from previous collaborators such as DJ Sneak, but also those of his contemporaries that make great use of dusty samples and killer drum programming. As a result, Visions manages to work both as a collection of club-focused cuts and an album you can listen to repeatedly from start to finish. Our picks of a pleasingly strong bunch include the fluid, disco-tinged, Hipnotic-sampling brilliance of 'Mind, Body & Soul Call Me', TUSH hook-up 'Skylar' (a superb slab of gospel-tinged soulful house) and the delicious Fred P collaboration 'Dream (Part II)'.

Review: As part of Record Store Day's Black Friday offerings this year, the weird and wonderful Circus Doop is available on vinyl for the first time. This version comes with the 1996 single 'Ridin' as a bonus track nestled at the end of the second side of this limited edition cotton-candy LP. Elsewhere the tunes brim with bonkers mash-ups, country over hardcore, funky club music with Euro dance samples, skipping garage floaters overrun with euphoria and harder dance with gabber tinges. It's brilliantly mad.