Funk

Review: Born and raised in Chicago, Durty Truth Records founder Darryn Jones delivers a couple of corkers for North-East England re-edit imprint Hot Biscuit Recordings. A-side 'In The Bush' is a thrillingly heavyweight jam - an Afro-funk meets Afro-disco version of a track made famous by US disco and boogie outfits, which Jones has expertly extended and rearranged in all the right places. B-side 'In The Know', meanwhile, is a take on a more classic-sounding slab of Afro-disco that boasts a superb "walking bassline", extended electric piano solos, sultry strings and a fine male lead vocal.

Review: This priceless double-header brings together two timeless gems from South African music icon Letta Mbulu. On one side, the afro-electro boogie cult classic 'Nomalizo', a favourite among diggers and refined selectors alike, with its honeyed vocals, salty synth work and languid rhythms. On the other, there's 'Kilimanjaro Takes Us Higher', an uplifting, up-tempo dancefloor anthem radiating optimism with soul-drenched vocals, funk bass, disco strings and agile keys. Released together as a single for the first time, these sought-after tracks have been embraced across countless scenes for decades. Nothing short of essential.

Review: Strut introduces the highly anticipated third volume in the Disques Debs International series, diving deeper into the archives of one of the greatest French Caribbean labels, Disques Debs, based in Guadeloupe. Founded by Henri Debs in the late 1950s, the Debs studio naturally doubled as a record label and ran for over 50 years, releasing more than 300 7" singles and 200 LPs, cementing it as one of the foremost record labels to prize Caribbean music history. Not just limited to Guadeloupean musicians but also Martinicians and Parisians, the likes of Jocelyn Mocka, Mariz, Dominique Parol, Christian Yeye and Alex Rosa make this a thixotropic record, mercurial and restless as it is rooted in forms of zouk, biguine, gwoka and, of course, the nascent electronica. This third volume flaunts the label's dynamic latter-day period, as it interpreted the analog electronic dreams of the 1980s.

Review: Kalita returns with the third instalment of its Borga Revolution! series, continuing its deep dive into the sound of Burger Highlife, a genre born of traditional Ghanaian melodies, synths, drum machines, and disco groove-matics. Emerging in the 1980s during a time of great political turmoil, public strife and mass emigration, the style evolved as Ghanaian musicians abroad began blending their roots with the digital tools of their new homes. Volume 3 showcases rare and elusive cuts by the likes of Obibini Takyi, Osei Banahene, and Okyerema Asante, as well as keystone figures George Darko and Lee Dodou. The collection paints a fuller picture of a moment where innovation thrived in exile, and highlife was reshaped through transcontinental influence and technological experimentation.